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Watch as a Live LHC Remix Makes Scientists Start Raving [Tim Exile at TEDx]

Watch the power of science meet the power of improvisation. You know how TED talks – or even DJing – normally goes. Some omnipotent person stands on stage and everyone watches. Well, this one went a bit differently. At at a TEDx event mounted by CERN (TEDx are independent of TED, though borrowing the format), Tim Exile took the stage with a live remix. But keep watching: the beats make the crowd go wild and start dancing, first raving around the floor, then storming the stage. It’s like the nerdiest Boiler Room ever. Tim Exile has been using this Reaktor …

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Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …

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This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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Watch the Wonders of Grids, as monome Makers Defend Minimal Design

As electronic musical instruments have evolved, it’s been surprisingly easy to point to specific designs that lead others. Creators do often reach the same cluster of ideas at about the same time. But the specifics of how those ideas catch on have very often coalesced around one iconic instrument. Bill Hemsath’s layout, with Bob Moog, for the Minimoog became the standard for monosynth keyboards with knobs. Roger Linn’s design for velocity-sensitive pads, and eventually the MPC 4×4 grid, became the standard for drum machines. And Brian Crabtree and Kelli Cain I think deserve credit for making the 8×8 grid the …

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Watch a Haken Continuum Rival String Instruments for Expression

Enough of cheesy MIDI keyboards faking instruments. Yes, it looks embarrassing. Here’s something entirely different. On the subject of the Haken Continuum, a single, touch-sensitive, continuous-pitch instrumental controller, we can see in a video just how expressive it can be. The Continuum Fingerboard consists of a large, soft playing surface. Press in with your fingers, and three-dimensional sensing responds in pitch and timbre. The range is even greater than an 88-key keyboard in the full-sized model; an optional stand holds it steady (and would look at home on the deck of a Klingon warbird). The instrument, full of carefully-crafted custom …

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Listen: Greg Gives Peter Space, Intimate Vocals Meet Live, Spacey Sound [CDM Presents]

The label Erased Tapes lies perfectly at the crossroads of craft today, from instrument building and modification (electronic and acoustic) to performance and composition (again, electronic and acoustic). And a new collaboration weaves together all those threads. We couldn’t be more pleased to get to share the first exclusive track from that project, as well as announce an event we’ll co-present here in Berlin in June. Peter Broderick and Greg Haines are each multi-instrumentalist composers, at home singing and playing instruments both new and old. Their relationship spans several years, but this year brings the debut of a finished record …

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Apply This Weekend to Hack Music Creation in Stockholm for 24 Hours, Free

MIDI: it’s not just a protocol. It’s a state of mind. It’s the interconnectedness of all things musical. Or, at least, it is at MIDI HACK next month in Stockholm. A 24-hour hackathon will delve deep into musical creation. It’s not just mucking about with code, either: there will be performances and talks, artists and makers, all to feed your ideas. And whereas past hack days have often focused on Web programmers and music consumption (music what?), this is different. If you’re a singer, or you want to rip a MIDI controller into shreds, or wire up a banana, this …

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In Sync, Spare, Beautiful Audiovisual Duet of R. Lippok + D. Delcourt [Mapping Festival, Ableton]

R. Lippok + D. Delcourt – Raster Noton Showcase, Mapping Festival 2013, Geneva from Dimitri Delcourt on Vimeo. Minimalism for its own sake isn’t terribly meaningful. But economical sound and geometries can become a medium for beautiful moments, if artists truly focus on form and relationship. It’s doubly true when combining music and visual elements, and that leads to some gorgeous intersections of the aural and optical in the work here. Robert Lippok, the Berlin-born Raster-Noton artist, and Dimitri Delcourt, the Swiss designer and live visualist, collaborated in one of my favorite performances of last year’s Mapping Festival in Geneva, …

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Holly Herndon, Ethereal and Heavy-Hitting, Creates Video World as Deliciously Surreal as Auditory One

Holly Herndon – Chorus [Official Video] from RVNG Intl. on Vimeo. Electronic music has, since the beginning, been at the razor’s edge of science and artistry, somewhere between radical noise and classically-derived engineering. But few artists have managed to meld the dark thump of techno with the intricate constructions of post-minimalist new music quite like Holly Herndon. Her rapid-punctuated, ethereal vocals are float above complex, dance music-inspired machinery, producing an effect that is arrestingly gorgeous and frightening all at once. In short, it’s damned good stuff. Indeed, Herndon was for me and many others one of the highlights of CTM …

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