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Here’s How Clever Hacks Turned Sushi Into a Music Sequencer, with Just Blaze and Tokimonsta

If you’ve ever ordered sushi from one of those rotating belts, you’ll love this musical hack that takes it to an entirely new place. For Red Bull Music Academy (RBMA) Tokyo, Native Instruments engineers teamed up with Just Blaze and Tokimonsta to turn a sushi restaurant into a live electronic remix instrument. And these aren’t tricks – slick as the music video at top my appear. They really did use a combination of cameras and software to make colored plates into a working interface for music. RBMA produced a video that shows some of what’s going on behind the scenes, …

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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Life is short. We're going to die. Listen to good music. (CC-BY-SA) David Dennis.

For Allhallowtide, Here Are Hours of Brilliant Underground Music to Make You Feel Undead

Happy Hallowe’en, and the entry in the northern hemisphere into short days and long, dark nights – perfect for getting lost in music listening and music making. That means it’s time to start queueing sounds to pass the time, and as it happens the CDM inbox has a selection just arriving. These are mixes unafraid of shadows and adventurous sound, and — well, the best is to let you listen. Leave the cheesy horror Theremin to someone else, and let’s enjoy something that is truly and deliciously evil in music. Lower Order Ethics, aka Szilvia Lednitzky, can send chills up …

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Watch as a Live LHC Remix Makes Scientists Start Raving [Tim Exile at TEDx]

Watch the power of science meet the power of improvisation. You know how TED talks – or even DJing – normally goes. Some omnipotent person stands on stage and everyone watches. Well, this one went a bit differently. At at a TEDx event mounted by CERN (TEDx are independent of TED, though borrowing the format), Tim Exile took the stage with a live remix. But keep watching: the beats make the crowd go wild and start dancing, first raving around the floor, then storming the stage. It’s like the nerdiest Boiler Room ever. Tim Exile has been using this Reaktor …

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Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …

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This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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Watch the Wonders of Grids, as monome Makers Defend Minimal Design

As electronic musical instruments have evolved, it’s been surprisingly easy to point to specific designs that lead others. Creators do often reach the same cluster of ideas at about the same time. But the specifics of how those ideas catch on have very often coalesced around one iconic instrument. Bill Hemsath’s layout, with Bob Moog, for the Minimoog became the standard for monosynth keyboards with knobs. Roger Linn’s design for velocity-sensitive pads, and eventually the MPC 4×4 grid, became the standard for drum machines. And Brian Crabtree and Kelli Cain I think deserve credit for making the 8×8 grid the …

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Watch a Haken Continuum Rival String Instruments for Expression

Enough of cheesy MIDI keyboards faking instruments. Yes, it looks embarrassing. Here’s something entirely different. On the subject of the Haken Continuum, a single, touch-sensitive, continuous-pitch instrumental controller, we can see in a video just how expressive it can be. The Continuum Fingerboard consists of a large, soft playing surface. Press in with your fingers, and three-dimensional sensing responds in pitch and timbre. The range is even greater than an 88-key keyboard in the full-sized model; an optional stand holds it steady (and would look at home on the deck of a Klingon warbird). The instrument, full of carefully-crafted custom …

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Listen: Greg Gives Peter Space, Intimate Vocals Meet Live, Spacey Sound [CDM Presents]

The label Erased Tapes lies perfectly at the crossroads of craft today, from instrument building and modification (electronic and acoustic) to performance and composition (again, electronic and acoustic). And a new collaboration weaves together all those threads. We couldn’t be more pleased to get to share the first exclusive track from that project, as well as announce an event we’ll co-present here in Berlin in June. Peter Broderick and Greg Haines are each multi-instrumentalist composers, at home singing and playing instruments both new and old. Their relationship spans several years, but this year brings the debut of a finished record …

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