instrumentsthree

A different breed of analog sound library for Ableton Live

Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.

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shreds

This amazing video proves that live techno is always better

So, today one of the Internet’s targeted millennial marketing conglomerate – cum – music press outlets decided to ask if anyone likes live techno sets as part of a series that could be titled “We Troll The Internet to Increase Click Revenue.” I really wanted to argue with the content of the article, but – well, it’s a bit too easy. Watch: you can’t even make it past the headline. Headline: “Has Anyone Ever Actually Enjoyed a Live Techno Set?” Some voice in the back of the room from a guy named Steve: “Uh, me. Once.” And we’re done. All …

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legoweltdrums

Legowelt turned Amiga floppy samples into a free drum kit

Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.

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link

Link could change how you play music, even without Ableton

You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.

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kaan

Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …

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95_instanthaus

Watch this: Instant Haus + Simpler in Live 9.5 = crazy breaks

Music software can make you feel good. Music software can also make you feel almost guilty. And sometimes that makes you feel good. David Abravanel takes the updated Live 9.5 Instant Haus device (in Max Essentials) for a test drive, in combination with Simpler’s new slicer mode. Somehow, no one has done a video on this yet – maybe because they don’t want you to see how easy is to make breaks. With Instant Haus’ new pattern options for breakbeat-style sequencing, it’s crazy easy. That’s also a chance to show off the extra-gritty new modeled-analog filters. And if you’re thinking …

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screenshot_157

Here are the best new features in Ableton Live 9.5 [Videos]

The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.

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liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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moogmother

Here are some space-y solar Moog sounds by Erika

Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully. Oops, sorry, lost my train of thought there. Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description: * Patch performed live * No overdubs * In this short improvisation, Detroit-based electronic artist, Erika, composes a …

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