link

Link could change how you play music, even without Ableton

You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.

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kaan

Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …

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95_instanthaus

Watch this: Instant Haus + Simpler in Live 9.5 = crazy breaks

Music software can make you feel good. Music software can also make you feel almost guilty. And sometimes that makes you feel good. David Abravanel takes the updated Live 9.5 Instant Haus device (in Max Essentials) for a test drive, in combination with Simpler’s new slicer mode. Somehow, no one has done a video on this yet – maybe because they don’t want you to see how easy is to make breaks. With Instant Haus’ new pattern options for breakbeat-style sequencing, it’s crazy easy. That’s also a chance to show off the extra-gritty new modeled-analog filters. And if you’re thinking …

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screenshot_157

Here are the best new features in Ableton Live 9.5 [Videos]

The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.

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liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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moogmother

Here are some space-y solar Moog sounds by Erika

Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully. Oops, sorry, lost my train of thought there. Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description: * Patch performed live * No overdubs * In this short improvisation, Detroit-based electronic artist, Erika, composes a …

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nativekontrolddc

Get dedicated hands-on control of your Ableton Live set with DDC

So, we all know we’d like to get our hands on software music making with something other than the mouse. Now — how? How do you actually make that physical knob or button do something useful on screen, and at the right moment? There’s the brute-force method, manually applying MIDI learn. There are fancy dynamic ways of assigning controls. But the former is inflexible and requires extra work, and the latter means that you typically can’t “lock” every control where you need it. (That is, the automatic methods sometimes “outsmart” you to the point of not allowing you to do …

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Octave One by Marie Staggat-23

Octave One Are Back, Improvising Grooves with Machines

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One. I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.) Octave One …

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screenshot_49

These Tools Plus Live 9.2 Could Change How You DJ and Play Live

Ableton Live can be a fantastic tool for playing live, for improvisation, and for studio work. But while some people put together very effective DJ sets, it doesn’t always stack up to other software out there in terms of satisfying certain significant DJ techniques. And that’s too bad. Because if your DJ aspirations include lots of creative juggling of beats, Ableton Live would seem perfect. The DJ Collection from Isotonik Studios – the advanced Max for Live hackers who have been releasing a dizzying array of tools for customizing how Live works – provides some of the tools advanced DJs …

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