Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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DS1_top_wlense

MIDI Controller with Loads of Faders, Knobs, App Support: Livid DS1 on Preorder [Gallery]

The world has no shortage of MIDI controllers. There are big ones, small ones. There are, increasingly, loads of specialized controllers designed around apps. The DS1 is designed to be something different: it’s a mixing controller. And as conceived in a partnership between educational studio Dubspot and Austin, Texas boutique builder Livid Instruments, it’s meant to mix in any app. It’s a mixer for prodution, but also for DJing. With templates for a variety of tools, it’s made to be as comfortable in Traktor as in Ableton Live as in Logic. We’ve still yet to test whether it delivers on …

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scratchtrackplug

Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …

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Hands-on with Livid Base Controller, and Streamlined Control of Ableton Live [Musikmesse]

One highlight of Musikmesse for me was getting to catch up with Jay Smith of Livid Instruments. Base, their touch controller (grid plus touch strips), is even more appealing in person than online. And it seems like it could really sit in a niche in controllers, even with lots of grids out there these days. By comparison, Novation’s new Launchpad S, while much cheaper, lacks pressure sensitivity. And Ableton’s Push also leaves plenty of room for Base. Push I still think is a terrific controller, even as it has some growing pains with its initial launch – I’ve had some …

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RGB color grid? Mais ouis! Here, though, add in velocity-sensitive touch strips, too. Product photos courtesy Livid Instruments.

Livid Base: Colored Pads Meet Touch Faders, $399 [Gallery]

So, other than lots of new analog monosynths, the one thing we now have lots of is grids of RGB pads. Livid is betting you want your touch-sensitive, pressure-sensitive pads paired with some touch faders. So, unlike offerings like KMI’s QuNeo and Ableton’s Push, the grid at the bottom is coupled up with a set of strips for fader control at the top. That opens up some flexibility for expression or as a control surface. Specs: 4×8 grid = 32 pads (so, two groups of 16 pads if you want to think of it that way). Nine touch sliders. Eight …

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Faders, Pads, Knobs: Livid’s Alias 8 is a Bread-and-Butter Controller With Things You Actually Want

As controllers get wild and creative and integrated with software, here’s one that might be simple and versatile enough to work with anything for some time. Photos courtesy Livid Instruments. Finally: a boring controller. No, that’s a good thing. We’re in an amazing era of controller hardware, witnessing an explosion of kit with fancy features, tight integration with software, and slick oceans of colored LEDs packed with sophisticated sensors. Only… wait a minute. Sometimes, you want something fairly generic that maps easily to a variety of software, not just the new Abletive Tracktletron DJ Studio Pro Scratchly Edition. Something with …

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Crafted from aluminum, this DIY controller puts some of the store-bought options to shame. Photo by the creator, Adam Dzak.

DIY Maven: Apollo 13 is a Beautiful, Handmade Aluminum Ableton Live Controller

Years ago, when the phrase “controllerism” was still yet-to-be-coined and there was no official hardware for Ableton Live, DJ Sasha had one hell of a custom piece of kit. The Maven featured oversize, hard-to-disconnect plugs and beautiful metal hardware. Years later, it’d still make any Ableton user drool. What’s a Live user to do? Stop drooling, and start building. DIYer and musician Adam Dzak did just that. He created his own MIDI controller, constructed from aircraft-grade aluminum, and used Ableton Live scripting to tailor control to software. The result is something a bit like the APC40 made by Ableton and …

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Control from your [Livid] Code, without [writing] code. And that's an excuse to show this beautiful custom Livid Code controller, one of a number of devices from Akai, Livid, and Korg supported with this powerful tool.

A Controllerist Dream Come True: Custom Mappings in Ableton Live, Without Code

You’re not other people. You want things your way, right away. You might not want to buy a new controller for each piece of software, or, worse, the latest controller that purports to control said software, and then live with the particular way in which the two integrate. You want things to work the way you want things to work, darnit. Hidden in the depths of Ableton Live, MIDI Remote Scripts have for some time allowed you to map controllers to software functions. Now, you could do fancy things with Max for Live, but that means, first, buying Max for …

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HybridControl

Mixing Knobs with iPad Touch: Liine Griid + Livid Code Now Available (and Core MIDI for Griid, Too)

Users of Ableton Live, among other tools, have a dilemma. A touch display like the iPad is really good at simple triggering and interactive displays – navigating Live’s grid of clips, for instance. It gives you visual feedback without having to hunch behind your laptop, and it makes seeing (and touching) clips far easier. But it gets fairly clumsy when it comes to manipulating mixer levels and effects: there’s no physical feedback for what you’re doing, and it’s too easy accidentally jump between values or bump the wrong mixer channel. Physical knobs and other controls are perfect for mixing and …

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If I Only Had a Brain: Livid Builder Brain v2 Could Be Heart of Your Next DIY Project

If you’re dreaming of creating your own controller from scratch, there are certain basic elements you’ll need – and a strong case for reusing, not reinventing, the wheel. There are a range of products out there that cater to you DIYers; Livid’s Builder line is certainly one of the most comprehensive. It’s a line of hardware accessories that help you piece together MIDI controllers with all the requisite knobs and buttons and sensors you might like, and its brain just got an upgrade. The soul of any controller is the electronics and microcontroller that read all of those inputs and …

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