Apple Logic Studio 9 Review for Macworld; What Stands Out

Flex Time is likely to be the feature that will have the biggest impact on users, by making audio more malleable. Logic has been a big box of sound toys for some time, but I think what decides whether you really build a working relationship with software like Logic is whether you like editing in it. And that makes Logic Studio 9 worth a new look – and a must-upgrade for fans of the tool. Its combination of subtle tweaks to the editing interface, the ability to edit inside takes, the incredible Flex Time for squishing around audio like Play-Doh, …

READ MORE →

Logic Express Packs Most of Logic for Less; Apple Adds PDF Manual to Logic 9

I have to say I think Express is a model of what a more entry-level edition of a product could be. (I know Apple competitors reading this are shaking their heads and pointing out that Apple is in the comfortable position of selling pricey computers with big margins, but I think Apple still provides incentive to buy the Studio version without feeling the need to cripple Express.) Nearly everything new in Logic Studio 9 is also in Logic Express 9, which Apple began shipping yesterday. Apple Logic 9’s audio editing have been transformed, via a new means of squishing audio …

READ MORE →

Apogee GiO: Foot Control, Audio for GarageBand, Logic, MainStage

The market is clear: guitarists (and other instrumentalists) want to plug in a piece of hardware, fire up their Mac, and start playing with GarageBand right away. The announcement of Apple’s new Logic Studio 9 last week coincided with the release of new hardware from Apogee, the audio vendor that has gone Mac-only and Apple-centric. Today during a meeting with Apple, I got my first in-person look at the GiO (pronounced “Geo,” like the compact car, not G.I.O. as would rhyme with G.I. Joe). A number of impressions that I didn’t get from the press announcement:

READ MORE →