AudioMulch 2.0 live patching screencast from AudioMulch on Vimeo.

Wonderful things come from Australia. Developer Ross Bencina has released AudioMulch 2.0, the audio patching environment, now on both Mac and Windows.

Audiomulch is all pretty in black now with a new UI. But why is it special? AudioMulch has always been distinguished in its quick workflow, its ready-to-use objects that allow sophisticated patches with relatively simple structures, and its idiosyncratic soundmakers. The Metasurface multi-parameter controller is also a favorite.

The price is higher, which may scare away some – US$189, or $89 upgrade. There’s a 60-day trial that you can try out.

But the best part of this launch is that, instead of releasing a flashy demo with pans over girls in bikinis or booming drum beats and type flying through that says something like “THE FUTURE OF MUSIC IS NOW … HOLD THE SOUND IN YOUR FIST … BE THE MUSIC … WHERE IS YOUR GOD NOW?”, they just released a video showing someone making a piece of music. (What a concept!)

The video at top is a live-patching video, and it really reveals how, powerful as many interactive music environments may be, having some objects that get straight to what you want musically makes a real difference. (That’s something to keep in mind even as you create macros or code in other environments, too, I think.)

I like the idea of other people doing live-patching videos that work as music and not just tech demos, not only in AudioMulch but whatever your tool of choice may be.

If you give AudioMulch 2 a try, let us know what you think.

http://www.audiomulch.com

Loops have gotten an unfortunate reputation as being a stand-in for real musicians or real musicianship – perhaps because, too often, they are. That’s why it’s always refreshing to see a discussion of how looping can incorporate musical technique. Like many electronic musicians, I have zero background in drumming; I’m a keyboardist and was trained in Classical Piano. But then, part of the gift of being a composer is getting inside the heads of musicians who play instruments you can’t. And when it comes to understanding rhythm, there’s a limitless supply of work to explore from around the world.

Ryan Gauss writes us to share a blog that’s all about rhythm and drumming. Blogging can be a distraction from music making, but in this case, he’s using it to help be even more disciplined in building technique:

Every day I record and post a new drum loop (with a link to the Logic session and .wav files). I organize the beats by category (rock hip hop, jazz etc) and try to change up the production style with every loop.

So far, there’s a terrific piece on “linear drumming” – a style in which you hit only one part of your kit at a time. (Now, this really inspires me in terms of some of the rhythmic sequencing ideas I’ve been thinking about – I’ll have to explore. Maybe I can build a linear pattern sequencer.) See notation at top.

Linear drumming for dummies. | ryangruss.com

There’s also a fantastic video from drummer Shawn Pelton, who to me really exemplifies the marriage of great drumming and sophisticated use of technology (Ableton Live, in this case).

Shawn Pelton’s studio | ryangruss.com

I’ll be reading this site, for sure. Thanks, Ryan.

http://ryangruss.com/ “Fresh Drum Loops Made Daily”
(question – are they best hot, as with Krispy Kreme?)

In the midst of the US election, I missed an important announcement: the smash hit Buddha Machine, a mysterious little $25 gadget that generates its own ambient music, has a sequel. You might think of Buddha Machine 2 as Buddha Machine Pro. New features:

• A bigger sonic palette, with nine loops
• Pitch bend (which the creators describe as being “like a whammy bar for your buddha box”)
• Three colors (well, it is a consumer product of sorts!)

Expanding the sonic capabilities will be a welcome change. The packaging is wonderful, with a symbolically-appropriate lotus flower and a round hole that lets the speaker poke through. The only thing that makes me not immediately excited about the Buddha Box is that I’m really fond of open platforms, and this seems like a closed box – albeit a really beautiful one. While the RjDj project looks promising, the vision of a box that streams endless generative musical ideas to you, even on the new Mac-like iPods and iPhones, still hasn’t yet been realized. Of course, I do love the idea of a musical object that is meditative.

I haven’t gotten my hands on Son of Buddha Machine just yet, but here’s some good reading below. And at $25, it’ll be hard to resist picking one up. Check your hip indie record store or head to Cargo UK, Rough Trade (UK, which has a great write-up, too), or Forced Exposure (US).

Buddha Machine 2 released: Ambient device [Digital Tools]

Official site from FM3 collective

Hands On: Buddha Machine 2 [Gear Log, which does a real mini-review of the box]

And here it is in action. It sounds utterly fantastic – it really is a musical work of art, as an object:

Looping and scratching audio is so familiar at this point that it may be hard to know what more can be done with the concept. But I like the looks of Touch the Wave, a new iPod touch / iPhone app. It gets back to basics with some fairly simple audio looping and repitching. The twist: it uses multiple, color-coded loop points, and has the ability (if I’m looking at this right) to download audio from URLs. The app is the work of Yuki Yasoshima, and it’s free.

Touch the Wave on iTunes App Store (in Japanese, but available outside Japan, happily!)

Touch the Wave developer page @ Objective Audio

Jordan Harris, who sent this in, writes:

I stumbled across a really awesome free application for the iPhone 3g called "Touch The Wave."  All of the information on the developer’s website, and on the iTunes store, is in Japanese.  But it’s a pretty useful application that allows you to loop and scratch audio with multiple loop points. It is in the iTunes store if you search for "Touch The Wave"  But you’ll have to play with it for a bit as there are no English instructions or descriptions…  It comes with one sample song, but supposedly you can upload your own tracks.  I’ve been playing with it a little off and on, but it’s mostly just trial and error.

So, I have two questions for you:

1. Anyone with Japanese language skills care to translate some of the instructions? (Even if just a simple excerpt!)

2. What might be some alternative ways of approaching sample playback, looping, and warping?

One interesting take on audio warping is the free Nintendo DS app repeaterDS:

repeaterDS Project Page

It’s a simple idea – repeat length on the vertical axis, playback offset on the horizontal access. In other words, you set the start point and the length of the loop, the two critical looping parameters. Doing that via a different interface changes the results, and, nicely enough, repeaterDS makes the whole affair glitchy and unpredictable.

Other interesting sample interfaces you’ve seen? Anyone with fun Max/Pd patches, etc., you’d like to show off?