M-Audio’s Trigger Finger Pro, in Videos: Think Three Devices in One

M-Audio’s first Trigger Finger might be the most ubiquitous controller in laptop music. Pads, faders, knobs. It was almost a stupidly simple equation, but it caught on. The Trigger Finger Pro is something different. It takes on three roles: 1. It’s a controller for included software. If you want hands-on control of software right away, M-Audio has bundled tools that integrate directly with the controller: there’s Arsenal, a kind of drum sampler-style tool M-Audio calls a “production hub,” AIR Drums, a dedicated drum module, and Hybrid 3, a very lovely synth, plus loads of sample content. But what sets Trigger …

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M-Audio Trigger Finger Pad Controller is Back – with a Step Sequencer, High-Res Screen

This is not your father’s Trigger Finger. The Trigger Finger has to be one of the biggest success stories in controllers, ever. Back before “controllerism” was a thing, this was what you took along – cheap, light, easy-to-abuse, it was a warhorse 4×4 grid of pads with faders. I’ve watched Flying Lotus tear up his; I’ve seen it win laptop battles. I’ve seen people play them with pads weirdly half ripped-off and all the knob and fader caps missing. I’ve seen Trigger Fingers that looked like someone dragged them through the mud tied to a pickup truck. (I knew that …

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Recording on One Screen: Upcoming Tools From Steinberg, M-Audio Do DAW with Less

Tracks, channels, begone! Ignite focuses instead on recording for musicians – and takes some cues from recent iPad apps, in the process. You’ll be able to get it later this year, but initially only if you buy a bundled keyboard. Image courtesy inMusic. If you’re a musician just looking to record some ideas, desktop computer music software can seem sometimes like going after a nail with a bulldozer. The very term these tools go by, DAW (Digital Audio Workstation), suggests something that integrates a whole lot of functionality. But over the years, music software makers have had a tough time …

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M-Audio, Freshly Parted from Avid, Already Has a New Line of Axiom MIDI Controllers [Images]

Well, it didn’t take M-Audio long to get over that breakup. The world’s most ubiquitous brand of USB MIDI keyboards is out this summer with a refresh to its Axiom line of USB MIDI keyboards, hot on the heels of announcing they’re no longer part of Avid. They’ll now share branding with A.I.R., the German virtual instrument developer that, along with M-Audio, is moving from former parent Avid to inMusic, sharing that corporate owner with the likes of Akai and Alesis. The family shares some features: HyperControl automatic mapping. (I’ve had equal measures praise and frustrated criticism for such things, …

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M-Audio, AIR Join Akai, Alesis, Numark at inMusic: Q&A With New Owners, and a Timeline

M-Audio honored its Midiman roots with an anniversary edition of their (quite useful) MIDI interface line. Photo courtesy Avid. So, you own M-Audio and/or AIR stuff. You want to know what this means as Avid sells those makers to a new owner, right? M-Audio and AIR (formerly Wizoo) this week end their time as subsidiaries of Avid, and take on a new life at a parent entity now called inMusic. (That company has been known to us for some time as the home of brands like Akai, Alesis, and Numark, among others.) There’s a business story here, of course – …

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Avid Sells Off Consumer Side; Numark – Avid – Akai – M-Audio Becomes New Giant

M-audio, b-bye. A-kai, hell-o. Photo (CC-BY) Ludovico Sinz. Avid today announced sweeping changes in a changing market. Having gradually accumulated more businesses, the company now is selling many of them off, keeping its flagship video tool and Pro Tools audio products. Gone are the consumer/entry-level divisions – consumer-level Avid and Pinnacle on the video side and M-Audio on the audio side. Instead, Avid says it will be “more focused and agile” and will focus on the pro side of their business. The key here: most of Avid’s revenue is pro revenue. Combined, the divisions Avid is dumping pulled in just …

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New, Improved M-Audio Axioms, Q&A, and Controller Keyboard Choices

Avid is updating their M-Audio Axiom line of USB controller keyboards. New in this version is DirectLink, which provides automatic mappings for software like Ableton Live, Logic, Cubase, and of course Avid’s own Pro Tools, similar to what’s in the Axiom’s big-brother Axiom Pro. The controller itself has also been improved, with lower-profile faders on the 49/61 model, smooth rotary encoders (not knobs!), an angled-up top panel so you can see what you’re doing more easily, and other tweaks. Perhaps the most significant feature is improved keyboard, with an updated semi-weighted action and adjusted playing angle. The updated Axiom enters …

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Apple iPad May Support USB Audio Interfaces Via Camera Accessory Kit

In this bold, new future of computing, we don’t need USB or ports, huh? Wait – scratch that – you may have your iPad and your USB, too, after all. Photo (CC)

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Digidesign Name is Gone, But Avid Reassures Customers in Open Letter

Avid users of the future? From the Vancouver Film School Sound Design for Visual Media program (CC-BY). A big motivation behind the push to unify its brands, says Avid, is that a new generation of independent producers is blurring the lines between video and audio work. Get used to saying “Avid Pro Tools.” Avid is retiring the “Digidesign” moniker this month as it works to unify its product lines in music production, music notation, and video production. I spoke on the phone yesterday with Mark Williams and Adam Castillo of Avid’s Communications team to talk about their plans. Today, they …

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Meet the Digital Vinyl Systems That Predated N2IT’s Patent

It’s something we take for granted now, but not so long ago, the only way to scratch and cue records was with analog vinyl. Now, of course, simulating those behaviors using digital records on turntables connected to computers is commonplace. But that hasn’t stopped the question of who owns the technology from spawning legal disputes. Most recently, a suit brought by patent claimants N2IT against M-Audio was dismissed. You can read the history from the time N2IT, a two-person company, launched their first commercial digital DJing (for BeOS, no less) back in the late 90s. In patents, “first” is everything. …

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