Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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morpheme

Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo. Journey into “Morpheme,” a half-hour audiovisual odyssey by Electric Indigo (aka Susanne Kirchmayr) and visualist Thomas Wagensommerer. An exercise in granular extremism, it begins as a delicately crackling mist of noise, as if atoms were dancing. Just about five and a half minutes into this excerpt, someone switches on a light, and it buzzes with pounding, angrily-vibrating rhythms. Electric Indigo’s music is a regular feature here because I never cease to be amazed at the breadth of her musical output, ranging from darkly-grooving club-ready material to more idiosyncratic …

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This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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Yeah, so put them together, and then, you know, stuff.

Midular are the Free MIDI Modules Every Ableton Live Setup Needs

Forget fancy effects or sophisticated plug-ins – day-in, day-out, it’s those simple MIDI modules you wind up using again and again and again and again. It’s like having a bucket of paperclips on your desk. It doesn’t have to be exciting. It’s the simple stuff that gets used. So, one of my favorite demos from the jam-packed sessions at MIDI Hack Day in Stockholm in May was unquestionably Midular. The idea was simple: make some basic modules that do stuff to notes and control events, then combine them in useful ways. It deserved an ovation. And now, you can get …

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polyrhythmus

Polyrhythmus is an Insanely-Great, Free Generator of Rhythms, Arpeggios

Polyrhythmus is the machine generator of notes and rhythms many of us have long dreamt of. It does Euclidean rhythms – symmetrical divisions of time that beautifully produce common polyrhythms (not just for nerds, but modeling a lot of popular rhythms – see the research of Godfried Toussaint). It’s also capable of making other rhythms. It can be polymetrical or polyrhythmic. It’s … also an arpeggiator. It also automates parameters and MIDI Control Change messages. It has loads of modes. It’s modular. It’s dynamic. It’s amazing. It’s a music making nerd’s dream, friendly to anyone who loves rhythms, notes, and …

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guitarrigplayer

How to Add a Tuner and Other Guitar Essentials, Free, for Ableton Live and More

Computers – a category now very likely including the phone in your pocket – open up worlds of utility that previously required dedicated devices. Audio recorder? Metronome? Tuner? There’s really no reason that shouldn’t be right in the box. That said, our friend Marco Raaphorst was musing on the absence of a guitar tuner in Ableton Live – and in the process, reminds us that that other Berlin developer has quite the freebie for anyone who needs a tuner in Live, or simply wants a whole load of cool effects whether they play a guitar or not. Guitar Rig Player …

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Get Amazing Max for Live Devices – And Sound Advice – from Max Ninja Christian Kleine

It’s called Max for Cats. But you don’t play it with a laser pointer and your feline friend. (Note to self: project idea.) The latest from sonic mastermind Christian Kleine, Ensemble and DiGiTAL are in fact terrifically-rich string and digital synthesizers, respectively, for Ableton Live and Max for Live. Getting to know their creator is just important as getting to know those tools, though. Christian Kleine is a uniquely fusion of musician and engineer. Hailing from Lindau but making a name for himself in mid-90s Berlin, his musical career itself is already newsworthy, as a soloist and as half of …

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Free Bass Sounds from Modulars: Ableton Live Sampler Instruments, Free Loops

Do you dream of wires but require some sounds … now? São Paulo-based sound house Spektro Audio has shared a lovely Live pack full of multi-sampled bass instruments, free. They set to work on a very tasty-sounding Eurorack modular, then put together ten Sampler-based instruments in Instrument Racks, complete with options for filtering, distortion, and the like. Using their CV Toolkit, they triggered that same modular setup from their Live set. No specifics on what’s in their rack, but you’ll spot some nice modules from some of our favorite builders: Mutable Instruments (is that Braids?), Tip Top Audio, and MakeNoise. …

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necktie

MIDI-Controlled Necktie Lights Up As You Play, with Internet-Enabled LEDs

As the consumer electronics industry struggles to work out what people want in wearable technology, the people are speaking. We want – no, need – neckwear that lights up in sync to music as we play. Clearly. Well, anyway, that’s what Hector Urtubia – aka Mr Book – is doing in his latest hack. It’s a proof of concept, but it’s good, nerdy fun. And it uses mesh networking and conductive thread. The ingredients: Pinoccio (yes, spelled without the ‘h’), an Internet-connected, compact, Arduino-compatible board. You can even access this board over the Web, so think Internet of Things here. …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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