Ableton announced that they’d be doing an orchestral sample library — called, logically enough, the Orchestral Instrument Collection — way back when Live Suite came out last year. But Orchestral Instruments actually didn’t ship then. As of this week, it is shipping.

You can buy the whole library for US$599, or you can pick up sections a la carte for $189 (or, oddly, $159 for Orchestral Percussion). Like the Essential Instruments Collection, the samples come from SONiVOX, with high-fidelity and low-fidelity (read: lightweight for performance) versions. There’s also something new called "SmartPriming" for system resources. I haven’t yet gotten my hands on this, so I can’t comment yet; obviously, it comes down to how important Live integration is to you, or whether you’d prefer a third-party orchestral library.

The a la carte sections, though, makes me think of Garrison Keillor’s Young Person’s Guide to the Orchestra skit. (It’s Classical Music humor. My apologies.) One way to choose sections: think about which God would want you to buy. Excerpt:

But for a Lutheran who feels led to play in an orchestra, the first question must be: are you kidding? An orchestra? Are you sure this is what you want? Do you know what you are getting into? Opera. Is that anyplace for a Christian? Don Juan and Mephistopheles and Wagner and all his pagan goddesses hooting and hollering, and the immorality — I mean, is anybody in opera married?

Not to give away the punchline, but not surprisingly harps and percussion (think about the patience required to be an orchestral percussionist) win out, so that could theoretically guide your purchase decision here. Just remember:

The French Horn takes too much of a person’s life. French horn players hardly have time to marry and have children. The French horn is practically a religion all by itself.

Software is different, of course. A Young Lutheran’s Guide to Music Software, anyone?

Native Instruments is releasing some cheaper ways of getting at their software guitar modeler, Guitar Rig, in the form of a cheaper software version and a hardware bundle:

• Guitar Rig 3 XE is a "lite" version of Guitar Rig, focused on the basics — 5 guitar/bass amps, 12 cabinets, and 21 effects. It also some of the "helper" modules from Guitar Rig, including a metronome, tapedeck, and tuner — but no looping module, which is one of my favorites. (See the full list.) US$99 on its own.
• Guitar Session bundles the XE software with Cubase 4 LE, some pop drums for KORE player via a soundpack, and the Session I/O audio hardware. US$250 for the bundle, available June 1 worldwide.

Multi-touch controller goodness is now as close as your nearest iPod Touch or iPhone; all that remains is to hook it up to some creative music, visuals, or others. (I would prefer the iPod Touch for this reason; then you don’t have to worry about using it as a phone — draining the battery in the process — or needing AT&T service.)

Olle Holmberg has a new solution for using the Touch/iPhone as a controller, by translating input to OpenSoundControl (OSC) and, if you prefer, MIDI messages. He writes:

I was searching everywhere for a way to get my new iPod Touch to work like a wireless touch controller to Pd (and hence to everything else), but couldn’t find one — so I made one. It’s really just an OSC mapping for routing the default Mrmr “Performance.mmr” interface, but if you’re interested it would save you heaps of time, even though it’s not really anything difficult to make.

Mrmr is an “open protocol for mobile devices” for dynamically creating interfaces; we’ve covered it on Create Digital Motion, where vade has interviewed the creator, and we’ve seen it in action coupled with upcoming visual app 3L. Those solutions used proprietary software like Max/MSP/Jitter, though, whereas this works with the free and open source Pd. (We love Max, but having an alternative is good, especially if you just want to hook up your iPod Touch to Ableton Live or Reaktor, etc.) As far as I know, this should also mean compatibility with Windows and Linux, but maybe someone can verify that.

The Pd patch is below — homely but functional, and you can extend it if it doesn’t do what you need.

For more information and download of the first release:

PdiPod - Mrmr to Pd on iPhone & iPod Touch [on pissypaws.tumblr, Olle's blog]
Pd Forum Announcement and Discussion
Files/download

Scratching began as a practical means by which DJs could cue records. (So say originators like Grandmaster Flash; if you’re interested in the history, check out the fantastic documentary Scratch — trailer above.) But something about the gesture, the mechanical feeling of scratching, and all that history has made the turntable compelling as a controller. It’s even taught as an instrument at Berklee.

So, what if you want to scratch for purposes other than conventional DJing?

Getting at Timecode

Digital vinyl systems like Serato Scratch LIVE and Native Instruments Traktor Scratch are designed for DJs. Part of the whole advantage is that you get an integrated system with vinyl, decoding capability, audio interfacing with the computer, and software for DJ functions. If you want to take the turntable to other frontiers, you have to find a way to get the timecode data from the vinyl directly and do something different with it, like control an instrument or scratch visuals. (Only recently did a big-name, mainstream DVS, Serato, take on visuals, as seen on Create Digital Motion, and even then it makes some assumptions about what you want to do.)

We’ve seen a few examples of how to do this:

Musicians have generally had to shy away from slim, light portable PC laptops, but watching the specs on these machines, I’d say that’s finally changing. Take the upcoming Lenovo IdeaPad U110. Like the Apple MacBook Air, you have to rely on an external optical drive, but otherwise, this machine comes pretty close to being a worthy mobile music machine. If shedding pounds and size is important to you, there’s no question you could make this box work on the road.

Lenovo IdeaPad U110 [ Early Specs at GottaBeMobile.com]

• There’s not that much of a price premium: it’s US$1899.
• The specs look good: a 1.6GHz Core 2 Duo ("Merom") plus up to 3GB RAM — not high-end specs, but more than enough to run SONAR, Ableton Live, and the like. (Similar to the equally-capable specs on the MacBook Air side)
• Lots of ports: 3 USB 2.0 ports, so you don’t run out of ports when you plug in, say, a keyboard, an audio interface, and a high-speed USB storage stick. (Here’s where it bests the Air.)
• Lots of slots: Express Card supports high-end audio interfaces, and having an onboard card reader is nice for your camera and mobile recorder
• 2.4 lbs, .66 inch thick (actually slightly thinner and lighter than the MacBook Air) … and super small, meaning this is easier to tote and keep inconspicuous onstage

What’s the catch?

Cycling ‘74 have updated Max 5’s pricing and streamlined a bit in the new release. (That means Max for MIDI and basic data crunching, MSP for audio, synthesis, and signal processing, and Jitter for video, 3D, and advanced data processing.) Since this impacts a number of our readers, it’s worth going over this.

Updated: The story now reflects a clarification from Cycling ‘74 over which Jitter objects work in Max/MSP.

Hidden as an extra, Mario Paint Composer was one of the first software creations to meld music creation with game. It’s been a novelty favorite among 8-bit fans — not really a serious tool, but a curiosity nonetheless. But that requires a copy of Mario Paint. Now you can get the Mario-infected goodness on your Mac or Windows machine, free. (Thanks, Wally!)

Mario Paint Composer [unFun Games]

The Mac software link is broken, so here’s a direct Mac download link (thanks, Hunter!)

It’s not really about Mario Paint Composer the tool, though. For some strange reason, this creation has inspired endless musical oddities, uploaded to YouTube. Witness, for instance, a somewhat randomly-chosen musical cue from the TV show Lost. (Composer Michael Giacchino’s work is lush and brilliant, missing out on the Oscar this year for Ratatouille. Here, however, in 8-bit glory it sounds like a theme from a B-grade action adventure game for SNES. I’m fairly sure I was lost in a jungle playing that at one point.)

The pièce de résistance?

Mario’s rendition of John Cage’s 4′33".

If you have any source of stress this weekend, any difficulty sleeping just keep watching … Mario … run …

All is well.

I wonder which compression codec they used to upload the sound to YouTube? The silence is really pristine — almost sounds analog.

Via our forums, April 22 is the magic release date for Max 5:

Max 5 release date [Create Digital Noise]

And if you’re lucky enough to be near Bellingham, Washington this week, you’ve got pretty good odds on winning the upgrade, plus a 100% chance of checking out some cool stuff. Atomic Afro, CDM regular and maestro of affordable Windows software, will be there.

Max 5 has been a long time coming, and it’s exciting to see the direction the software is taking.

In other news: the cycling74.com site is down possibly not down. So, we’ve learned the entire CDM readership was just sitting at their computers, waiting for the moment that the date got announced. Erm, that or it’s an unrelated bug, but I like the mental image.

As a result, we can’t look at videos of Max 5. We can look at the Monome, however, which runs on Max. What’s Max 5 like? It’s totally like Brian and Kelli’s cat. Just watch the cat. Max is like that now. Softer, more independent. Feline. Four-legged.

Site is back up, so you can check out the sample videos. Thanks, 7oi!

Here’s a phrase you won’t hear often on, say, Download Squad:

"PS The AmigaOS port will be up in a few days."

Welcome to the wacky world of trackers, the music production tools time forgot. While the rest of the world frets over the environmental impact of computing and the cost of digital tools, the music community has a solution: recycle that garage sale / $50 eBay computer as a powerful music tool that might even be better than what you’ve got now.

If you have something with a CPU, odds are pretty good MilkyTracker runs on it. That includes Mac OS X (PowerPC and Intel), Windows Vista and XP — oh, and 2003, 2000, NT, Me, 98, and 95, Windows CE, Windows Mobile, FreeBSD, and emerging builds for popular Linux distributions and, yes, AmigaOS. It’s not just cross-platform. It’s pan-platform. (Hey, just for old time’s sake, anyone want to start a Mac versus Amiga flame war in comments? Go for it. Be brutal.)

MilkyTracker has some other good news: as of this weekend, it’s fully free and open source (GPL).

The new release (unceremoniously titled 0.90.80) has new features, too: tabbed modules so you can see up to 32 modules at once on the desktop version, playing simultaneously and copying-and-pasting between, new resamplers (even including Amiga-style resamplers) for better sound quality, direct rendering, and lots of other goodies.

So, this means MilkyTracker is the tracker to beat, right? Wrong. Tracker preferences are personal and nuanced, and competing tools offer subtle, unique workflows, plus features like the ability to run as plug-ins or support ReWire, and support for gaming platforms and other devices. But if you’re looking for a tracker to try, this should definitely be on your list. And soon you may be able to get that Amiga out of the closet. Reusing beats recycling any day.

MilkyTracker

Proof in pictures that MT can run on lots of different platforms