Loop points, at last. Side-by-side editing on iPad, too. Photos courtesy NI.

iMaschine on iOS Gets Smarter; How Apps Can Help You Make More Music

They may not be as powerful as their desktop counterparts. But by going with you, mobile apps can help you find inspiration and creativity in moments that would otherwise be lost. And mobile drum machine app iMaschine adds two subtle features that mean a lot more possibility – or at least takes a step in the right direction. iMaschine 1.2, released at the end of last week, adds integration for both Audiobus and Apple’s own Inter App Audio (the latter less-widely implemented, but used in popular apps like GarageBand). The upshot: you can now combine Native Instruments’ mobile drum machine …

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Maschine 2.2 Proves Playability Matters: Scales, Chords, Arp for Your Pads

There are plenty of things computer drum machines / groove workstations can do to show off. There are plenty of long feature lists they might add. But actually coming up with something you can play? That’s what can really make music better in the studio and live. And that’s why Maschine 2.2 is a welcome update. First off, let’s admit something. Amidst all the clever functionality with grid-based controllers, there’s something that remains useful about a big, 4×4 grid of pads and MPC-style workflows for certain kinds of music. Those bigger targets don’t require a lot of accuracy, and it’s …

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Here’s How Clever Hacks Turned Sushi Into a Music Sequencer, with Just Blaze and Tokimonsta

If you’ve ever ordered sushi from one of those rotating belts, you’ll love this musical hack that takes it to an entirely new place. For Red Bull Music Academy (RBMA) Tokyo, Native Instruments engineers teamed up with Just Blaze and Tokimonsta to turn a sushi restaurant into a live electronic remix instrument. And these aren’t tricks – slick as the music video at top my appear. They really did use a combination of cameras and software to make colored plates into a working interface for music. RBMA produced a video that shows some of what’s going on behind the scenes, …

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Beyond Traditional Instruments, a Status Report from the SoundLab

There’s nothing more personal than creative expression. And so experimenting with how you make music is more than just novelty: it’s a way to understand the fundamentals of how we relate to machines. And thinking outside the normal avenues means the ability to reach new people, as SoundLab is doing with audiences with learning disabilities. Ashley Elsdon joins us to give us the latest of how the project is going. A little while ago, CDM kindly posted a piece on our SoundLab project, which aims to help people with learning disabilities make music and collaborate in music creation. That was …

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Groovy, Moody Songs, Flea Market Sound Design Finds: Meet Sofia Kourtesis

Half Greek, half Peruvian, born in Lima but raised between Germany and New York, Sofia Kourtesis is a fresh, emerging voice. Her music interweaves shadows and introspection with smart grooves – seductive melancholy. Her mixes, too, cross similar territory, aided by her broad knowledge of music as a globe-trotting DJ and booker. So, it’s a perfect start to our week this week, with some listening and a peek inside a studio. This is what’s so exciting about being in music now: we get to hear those new artists find original paths. Apart from being a sci-fi movie addict and teenage …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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M-Audio’s Trigger Finger Pro, in Videos: Think Three Devices in One

M-Audio’s first Trigger Finger might be the most ubiquitous controller in laptop music. Pads, faders, knobs. It was almost a stupidly simple equation, but it caught on. The Trigger Finger Pro is something different. It takes on three roles: 1. It’s a controller for included software. If you want hands-on control of software right away, M-Audio has bundled tools that integrate directly with the controller: there’s Arsenal, a kind of drum sampler-style tool M-Audio calls a “production hub,” AIR Drums, a dedicated drum module, and Hybrid 3, a very lovely synth, plus loads of sample content. But what sets Trigger …

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LegoTechno: Sliding Lego Blocks Make Music with littleBits, Maschine, Arduino

Keep watching: this LEGO sequencer, playing a littleBits synth kit, does something amazing. Sliding tiles around actually changes the sequence, all reading the blocks, in a terrific real-world, physical user interface. (Well, it certainly pleased the crowds at the Music Hack Day at SONAR in Barcelona.) And yes, this means the team we saw earlier keeps working on this. Intrepid hackers can use the just-barely-hidden Lua back-end of Maschine to do their own custom scripting. More on that soon. In the meantime, let’s check out the details:

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iMPC Pro Developing Fast, Shows Why Drum Machines Could be Essential on iPad

The sampling drum machine may have been born as hardware – as the Linn 9000 and MPC – but it’s looking perfectly at home on the iPad. And competition is heating up. In many ways, MPC/Linn-style workflows fit the touch tablet perfectly. They emphasize quick sampling and manipulation, with simple editing (in a minimum of taps). They keep sounds organized spatially – thank that 4×4 grid – rather than a complicated, mixer-style layout. Speed and immediacy win out, which is perfect for mobile. Mobile developer Retronyms is documenting progress as they go on the iMPC Pro for iPad, due out …

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Loop points, at last. Side-by-side editing on iPad, too. Photos courtesy NI.

$5 iMaschine App Grows Up, with iPad Support, New Features – And Entertains Amazing Kids

iMaschine was always an intriguing drum machine, with uncommonly-simple on-the-go audio sampling and a workflow that lets you bring drumkits back into Maschine on desktop. But it was hampered by limitations: you couldn’t set loop points properly, and there was no version for the iPad. iMaschine 1.1 doesn’t give you everything you’d ever want, but it gives you enough in a free update (or US$4.99 new) that it could practically be called iMaschine 2.0. New in this release: Native iPad support, with a generous layout that takes advantage of the added space by putting editing and performing on the same …

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