2_apollo_mbp

Apollo: UA Adds Low-Latency Effects in Audio Interface, Proves FireWire, Thunderbolt are Cool

Universal Audio has long had a successful business selling hardware DSP effects, many of them carefully-modeling classic analog gear. These products use dedicated DSP hardware for number-crunching, requiring that you connect an extra box to your computer. UA has certainly had their loyalists, and for fans of the products, the dedicated gear is simply a convenient way to get all of these sound-processing goodies. But it’s fair to ask the question, as many producers have who read this site, what’s the advantage? Why not simply use native processing on your computer? Apollo, UA’s new hardware, answers that question more emphatically. …

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iZotope_Ozone5_MeterTaps

Ozone 5 Arrives: More Visual, Space Age UI, and Updated DSP in Mastering Tool

Let’s get straight to it: Ozone has already established itself as a do-everything mastering tool. It’s a suite of interconnected modules handling frequency and dynamics, designed to work together in an integrated interface. It does so much, in fact, that it’s hard for an upgrade to do more, but Ozone 5 promises new sound and visual feedback that could further entrench this popular tool. And that could explain how Ozone 5 stole the Audio Engineering Society trade show in New York. AES is a flurry of knobs, dials, and faders, but some of the major buzz we heard was just …

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Good Listening: King Britt, Carl Craig’s Planet E Label, and Some Mastering Talk

Carl Craig. Photo (CC-BY-ND) James Kendall. “It must be a Thursday. I never could get the hang of Thursdays.” -Arthur Dent, in Douglas Adams’ The Hitchhikers’ Guide to the Galaxy If you’re having any issue getting through your Thursday, it’s tough to beat some proper, good techno – the kind of techno anyone can love, even if they keep shouting about how they “hate” it. Techno pioneer Carl Craig is still going strong, the kind of artist whose work seems to flow freely. He’s got the roots, having begun with Derrick May in Detroit, but he’s remained a font of …

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loudness

From the Trenches of the Loudness Wars, A Broad Survey of Research

This goes to ele—augh, no, aside from over-compressing, we need to stop overusing that joke. Photo (CC-BY) Orin Zebest. You’ve heard the gripes, and heard and seen the somewhat unscientific demos. Now it’s time to examine the over-compression of music with – science! Earl Vickers of STMicroelectronics examines the Loudness Wars in an academic paper, as noted to us by reader photohounds. The Loudness War: Background, Speculation and Recommendations [PDF Link, sfxmachine.com] The paper comes from last November, but it’s as relevant as ever. It’s not just the usual take, either. Its history begins with Phil Spector and vinyl, considering …

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iloveyouvinyl

Vinyl Poised to Make Further Gains; Time To Ask, “What Does it All Mean”?

Kids today, with their new-fangled desire to listen to music cut into grooves on big circular platters… Photo (CC-BY) Matthias Rhomberg. At first, it seemed like it might be just a blip: amidst generally declining sales of physical music, down sharply from their 1990s boom, vinyl sales were trending up. The reversal started with a slight uptick in 2007 – already noticeable as the CD had begun its collapse. That slight uptick has turned into a small boom. From a tiny 300,000 units in US sales in 1993, the vinyl record is projected to do some 3.6 million units in …

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Ozone4_EQ

Learn Mastering Technique in Free Videos: Limiting, M/S, Dubstep Bass

Mastering to me is a bit like applying stain to wood: done correctly, it brings out the definition of what’s there rather than covering it up. But making mastering effective is a really special art. Danny Wyatt, a veteran mastering engineer now working as an instructor with Dubspot, has some serious credentials both on the mixing and mastering side and as an educator. He’s worked with a range of artists over the years (Wax Poetic featuring Norah Jones, Curtis Mayfield, Thievery Corp., the Roots, Ultra Records, and Mos Def, to name a few). But he also doesn’t mystify his knowledge: …

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mixbusupclose

The $79 Virtual Analog Console, Now on Both Mac and Linux: Harrison Mixbus

Harrison is a company with a rich legacy in high-end consoles. Mixbus, their software product, is something of an anomaly. Its analog tape saturation, EQ, filter, compression, and mixing should be sold a la carte for a few hundred bucks each, given the usual business model in this industry. The product should run on some proprietary DAW, and should definitely come with a hardware dongle. And it absolutely, positively shouldn’t run on Linux, because everyone knows you can’t sell a product for Linux. Instead, Mixbus sells for an intro price for US$79.99. You get the whole package: an entire DAW, …

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Universal Audio UAD-2 SOLO Will Add DSP Power to Your Laptop for $499

I’ve been waiting for the near-ubiquitous ExpressCard slot on laptops to see some audio goodness, so one of the more welcome announcements of NAMM is that there’s now finally an ExpressCard-enabled version of the Universal Audio platform. The UAD is a DSP platform for computers, with an emphasis on high-quality, boutique mastering and effects plug-ins, including some recent, familiar emulations of classic Roland and Moog gear. UA’s stuff really does sound great, and host support has been improving (look for the key words “latency compensation” in your host of choice). So it’s about time that laptop users get in on …

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Giving Musical Thanks: Help Kick Off CDM Notes, Win T-Racks 3

Any holiday that’s an excuse to give thanks (not to mention, eat) is a worthy one, whether you’re an American or not. Photo ()CC) riptheskull/Dave. Thanksgiving is an American holiday on this international site, but the basic ideal for which the day has come to stand – giving thanks – is a noble one. So we want to do three things here for CDM: 1. Ask you what for you’re thankful, musically speaking. It might be a synth, or a collaborator, or an album, or a song, or the metronome you’ve used since you started playing, or having more discipline …

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MOTU Digital Performer 6 Released, With Tasty Sound Tools

DP6 is here (or will be here soon, say commenters), with a badly-needed UI update and a number of new features. The results still look like DP – in the way that should appeal to current users, that is – but enhancements demonstrate that the ongoing DAW battles carry on. DP6 New Features In the usability category: Updated UI with vertical track resizing (about time, jeez!) and better zooming and resizing Window tabs, which are a pretty cool way of switching between windows and tabbing views a la Firefox, Safari, et al (I’m surprised we haven’t seen more tabs in …

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