Get Amazing Max for Live Devices – And Sound Advice – from Max Ninja Christian Kleine

It’s called Max for Cats. But you don’t play it with a laser pointer and your feline friend. (Note to self: project idea.) The latest from sonic mastermind Christian Kleine, Ensemble and DiGiTAL are in fact terrifically-rich string and digital synthesizers, respectively, for Ableton Live and Max for Live. Getting to know their creator is just important as getting to know those tools, though. Christian Kleine is a uniquely fusion of musician and engineer. Hailing from Lindau but making a name for himself in mid-90s Berlin, his musical career itself is already newsworthy, as a soloist and as half of …

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Free Bass Sounds from Modulars: Ableton Live Sampler Instruments, Free Loops

Do you dream of wires but require some sounds … now? São Paulo-based sound house Spektro Audio has shared a lovely Live pack full of multi-sampled bass instruments, free. They set to work on a very tasty-sounding Eurorack modular, then put together ten Sampler-based instruments in Instrument Racks, complete with options for filtering, distortion, and the like. Using their CV Toolkit, they triggered that same modular setup from their Live set. No specifics on what’s in their rack, but you’ll spot some nice modules from some of our favorite builders: Mutable Instruments (is that Braids?), Tip Top Audio, and MakeNoise. …

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MIDI-Controlled Necktie Lights Up As You Play, with Internet-Enabled LEDs

As the consumer electronics industry struggles to work out what people want in wearable technology, the people are speaking. We want – no, need – neckwear that lights up in sync to music as we play. Clearly. Well, anyway, that’s what Hector Urtubia – aka Mr Book – is doing in his latest hack. It’s a proof of concept, but it’s good, nerdy fun. And it uses mesh networking and conductive thread. The ingredients: Pinoccio (yes, spelled without the ‘h’), an Internet-connected, compact, Arduino-compatible board. You can even access this board over the Web, so think Internet of Things here. …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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Cure Dull Sound and Transform Rhythms By Adventuring Into Convolution [Watch]

Convolution is a process fundamental to understanding digital sound. Any audio can be imagined as the combination of the frequency and temporal domains. With convolution, you can simulate the combination of one sound with another, or one sound with an environment. Traditionally, that has meant reverbs. But it can mean more – a lot more. Apart from simulating instruments, it can synthesize never-before-heard and impossible sound. Our friend Diego Stocco has been hard at work opening up some of those doors to producers. When we last joined Diego, he was teaching you sound design techniques. This time, he has both …

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Rhythm, Recoded in Plug-ins, Ableton Live: A Conversation with WaveDNA

Music software is at its best when it goes beyond cookie-cutter regularity, and spawns something creative. And sometimes, the path there involves retooling how that music is made. That’s why I’m pleased to get to share this interview with WaveDNA. Liquid Rhythm is something unlike just about anything else in music software. It looks like a music theory class collided with a mandala. In colored patterns, arrayed in bars and wheels, you can produce all kinds of new rhythms, then integrate deeply with your host software. If you use Ableton Live, the integration goes further still. Whether you’re using Drum …

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AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI

Part of the appeal of the Roland TR-8 drum machine and TB-3 bassline synth is their hands-on control. But apart from the normal reasons you’d additionally want external MIDI control, you’ll need it for certain kinds of automation recording. The problem is, the AIRAs (at least with their current firmware) lack the ability to record automation internally. You can record patterns on the TR-8 and TB-3, but not changes to sound parameters, effects, or that Scatter thing. So, if you’re making a pattern and find a shifting timbre or glitchy effect you like, there’s no way to save it easily …

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See the Max Patch Robert Henke Built Before Ableton Live; Hear the Music it Made

This is what a Monolake live set sounded like in 1999. And in the days before Ableton Live was a finished product, running patterns was a job for self-built software in Max. Robert describes the music thusly: This is a live recording, captured at Ego club in Düsseldorf, June 5 1999. The music has been created with a self written step sequencer, the PX-18, controlling a basic sample player and effects engine, all done in MaxMSP, running on a Powerbook G3. The step sequencer had some unique features, e.g. the ability to switch patterns independently in each track, which later …

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Full Immersion in Audio, as Artists Explore 4DSOUND in a Spatial Grid [Ableton, Max, Lemur]

New sound experiences demand not only new content, but new terrain – architectural audio, spaces that can take on new meanings. And that’s why 4DSOUND in Amsterdam is such a compelling canvas. 4DSOUND is a unique installation, 256 square meters (2700+ square feet) of floor, divided into an equal grid. On that grid, columns house 48 omnidirectional speakers, as nine sub-speakers rumble beneath the floor. The result is a sonic bath, a three-dimensional audio environment. Ableton Live (with Max for Live) and Liine’s Lemur iPad app work with that system to finely position sound in the new space that’s created. …

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Fake a Modular Rig inside Ableton Live with DopeMatrix, Then Play it from a Controller

Are modular rigs too pricey for your budget? Hate the thought of all those patch cords, and wish you could just have everything at the ready on your laptop? DopeMatrix might just be for you. That’s “Dope” as in “Doepfer,” and they aren’t just making something modular-ish here. They’re actually giving you a set of sounds from popular Eurorack synth modules – think A-110, Plan B, Cwejman, and Piston Honda. Those four oscillator modules are coupled with twelve effects modules and a step sequencer with matrix controls. Built in Max for Live, you can add the modules (and dozens of …

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