EVO2-004

Endeavour’s Evo, Touch-Sensitive Keyboard, Reimagined, Now From EUR499 [Gallery, Videos]

Endeavour’s evo keyboard closely resembles a conventional music keyboard controller. But its piano-style keys and high-performance internals are custom engineered from the ground up for additional expression. High-speed connections mean lower latency than is possible with MIDI, and touch- and pressure-sensitive keys allow additional ways of adding to a performance, all in an aluminum case hand-built in Germany. I was impressed playing the keyboard at Musikmesse earlier this year, but cost put this innovative instrument out of reach of many would-be experimenters. Now, as the product matures, pricing is coming down to Earth. A 24-key version – perhaps just fine, …

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yodawg

Mind-Boggling Power, as note~ Adds Timelines, Piano Roll, Notation to Max/MSP

Introduction to note~ for Max from Musikforschung Basel on Vimeo. For musicians, this could be the Max external to end all Max externals. Max has long been a powerful, open-ended environment for creation. But sometimes you want a piano roll, or a score, or a timeline. Efforts to do that in the past have been sketchy at best. note~ gives you all these things in a single add-on. At its heart, it’s a classic MIDI sequencer. It records and plays back sequence, and lets you edit note values. That’s already fairly revolutionary to have in the Max environment. But then …

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The Hive synth. Photo: Q.Smith, Yes Dear Ltd.

Of Bees and Oscillators: Bioni Samp’s EP Full of Eco-Influences, Homebrewed Gear [Listen, Gallery]

If electronic music sometimes seems to contain the secret dance language of insects, mysterious coded rhythms and swarms of sound, an EP released this summer by an English producer makes the connection explicit. Bioni Samp sends us his strange and wonderful sonic journey into the colony. In tunes alternately atmospheric and danceable, at least of the sort to which you might wiggle your thorax in a deep, dark hive, The Island uses every possible sonic resource. Artist Bioni Samp is a producer and video artist from Leeds, Yorkshire now living in London. He points CDM not only to these wonderful …

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Live does lighting. Mattijs and Michel working on lighting compositions in Ableton Live. All photos courtesy Mattijs Kneppers.

Playing Live From a Giant, Toothy Monster Mouth: Behind the Scenes with Feed Me

Spectacular spaceship showmanship, or actually synchronizing live electronic dance music performances? For Feed Me, aka Englishman Jon Gooch, the show had to be both. Software developer Mattijs Kneppers harnessed Ableton Live, Max/MSP, and Max for Live to make it all work. You may have seen the video; Mattijs gives CDM a unique look even further into how this is working, sharing a gallery of the stage rig and some of the technical details. CDM: So, of course, this was the summer that brought “press-play” performances into the public eye – and we’re actually I think indebted to deadmau5 for blowing …

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Interface an Arduino with Ableton: Light-Controlled Dubstep Wobble Bass

Over the years, we’ve seen all kinds of far-out interfaces for music. But where do you begin if you want to just get started? Interfacing a simple sensor with your music software is a decent place to begin. Nick Latocha, aka myredhotcar, uses Max/MSP to connect Ableton to the output of a photodetector (a resistive sensor that is sensitive to changes in light). Yes, in this example, the result isn’t so different from turning a knob, but that’s the point: starting with something basic like this is the best way to learn. The result: move your hand around, and change …

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Traversing a Score in 3D Space: Free IanniX Explores Strange, New Worlds

IanniX — From UPIC to IanniX from IanniX on Vimeo. In the beginning, there was the bar. Actually, wait – that came later. In the beginning, there were sketched outlines of notes. And the notes became fixed in pitch space, and then, increasingly, in time, in divided measures from left to right. And so, what we know today as Western music notation came to be. But then, in the 20th Century, composers began to undo the rigid boxes that score produced. First with pen and paper, later armed with the computer, composers connecting graphic and sound started to violate those …

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Gameplay, With Your Ears: Meltdown Lets You Squash Monsters Using Binaural Sound

Meltdown – Gameplay from Varun Nair on Vimeo. Crack – that snapping wood might just be something about to eat you! There is likely some evolutionary need for human hearing to be good at localizing sound in space. Whatever the reason, human perception is exceptionally precise when it comes to working out the position from which a sound originates. Conventional stereo sound just doesn’t do much with it. Using binaural sound, by contrast, you can position sound more accurately. And then you can play a game with your ears instead of just your eyes. “Meltdown” applies that idea to gameplay, …

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noisyjelly

Noisy Jelly: Gelatin Achieves Powers of Sound (And Make Your Own)

What if your musical instrument were gelatinous? Edible? “Noisy Jelly” is the latest project to imagine that scenario. Thanks to the capacitive quality of gelatin (known to us Americans by the brand name JELL-O and to some simply as “jelly”), you can mix up a set of colored instruments that jiggle when you touch them. Powered by the open hardware platform Arduino to read sensors and Max/MSP to produce sound, it’s the work of a couple of Paris-based students, Raphaël and Marianne Cauvard. Check out the terrific video featuring wide-eyed children, and specs below. What makes this more delightful is …

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kinectarui

From Beautiful Ambient Modern Dance to Dubstep, Gestures to Music in Kinect (Download the Tool)

It started as some compelling demos or proof of concept, but it’s plenty real now: the tools for translating movement, gesture, and dance from the body to interactive music march forward. Empowered by Microsoft’s Kinect and an artist-friendly toolchain, even a single, clever developer can do a lot. Sound designer, music producer, and Max/MSP developer Chris Vik of Melbourne has been one of those busy early pioneers, with an incredible tool called Kinectar. So, the tech is cool and shiny and impressive: what about the actual music? And, even more importantly, what if all the hand waving and moving about …

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repatchershield

rePatcher: Make Your Computer a Real Modular, with Knobs and Cords; Pd and Max Right Now

For the last few decades, generally speaking, we’ve had computers, and we’ve had physical, modular, analog gear. Computers are endlessly patchable, but not using physical cords. Modulars use physical cords, but they lack the flexibility (and affordability) of a computer. Now, US$25 and an Arduino can change that. rePatcher is a simple, tangible modular interface for computers. It could work with any software, but right out of the gate it already works with two popular (virtual) patching environments, Max/MSP and the free and open source Pure Data (Pd). You use physical patch cords to make connections, and those connections are …

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