arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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modularbrainwash

Add Visuals to Ableton Live with One Device, and Other Neat Tricks

Isotonik Showcase – Part ONE from Isotonik Studios on Vimeo. Music software can treat devices as melodic instruments, as percussion, as audio effects… so why not visuals, too? Of course, there’s no substitute for a dedicated visual artist / VJ in a set, but Brainwash HD at least gives you the tools to integrate performance visuals as an element of a set in Ableton Live. It’s the visual equivalent of the sound modules we’ve been looking at lately. And Brainwash is just one of a number of clever little Max for Live modules from Isotonik Studios, as seen in the …

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modular

OSCiLLOT is a $99 Virtual Modular Rig for Ableton Live – No Cables Needed

The renaissance in modular synthesis has sent a strong message. Open-ended sound design, made by connecting sonic capabilities, can inspire musicians’ imagination. Now, part of the joy of racks of modular gear is the chance to feel these connections in your hand – plugging cables, turning knobs. But that doesn’t mean that the required hardware is always the most convenient or accessible way to work. Why not have the same sorts of powers in your laptop, too? And why not work in an environment that is itself already modular? And why not choose between using just software or connecting your …

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max7collage

DIY Tool Max 7 Arrives; Here Are The Best New Features

Being “software about nothing” isn’t easy. Max has for years been a favored choice of musicians and artists wanting to make their own tools for their work. But it’s been on a journey over more recent years to make that environment ever more accessible to a wider audience of people. The aim: for beginners and advanced users alike, work faster, producing tools that work better. Okay, those are easy goals to set – a bit like all of us declaring we’re going to “get in better shape” in a few weeks from now on New Year’s Eve. But Max 7 …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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morpheme

Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo. Journey into “Morpheme,” a half-hour audiovisual odyssey by Electric Indigo (aka Susanne Kirchmayr) and visualist Thomas Wagensommerer. An exercise in granular extremism, it begins as a delicately crackling mist of noise, as if atoms were dancing. Just about five and a half minutes into this excerpt, someone switches on a light, and it buzzes with pounding, angrily-vibrating rhythms. Electric Indigo’s music is a regular feature here because I never cease to be amazed at the breadth of her musical output, ranging from darkly-grooving club-ready material to more idiosyncratic …

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lippokkirn3

Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …

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smwtrio2

Listen to Gerhard Behles (CEO, Ableton) and Matt Black (Ninja Tune, Coldcut) on Music and Democratization

Music in the Age of Democratization: Gerhard… by SMWBerlin Music as social medium is perhaps as profound as any connection as we can have between people. And it’s a unique pleasure to get to reflect on that with someone like Gerhard Behles or Matt Black. Yesterday, we got both at the same time. I’ll even listen to this conversation again; there’s plenty of fuel for further thought. Before apps, Gerhard Behles and Robert Henke shared their Monolake Max/MSP sequencer (by Henke – still available); back when music production offered little in real-time, they had the vision to offer Ableton Live. …

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max7

Max 7 Shows Off New Interface – And Explains What It’s For, with Mushrooms

Max 7 is the newest version of Cycling ’74 visual development to… um… erm… Well, actually, it’s really hard to explain what tools like Max, Pd, Reaktor, Plogue Bidule, and the like can do. Sure, they’re nerdy environments for making stuff. But because they’re open ended – because what they do is really up to you – just calling them a “development tool” doesn’t really say a lot. So, in a cute new video, Cycling ’74 shows off Max 7. It’s really stuff you could do with previous tools, showing visual and sonic capabilities. But if you didn’t fully grasp …

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A Week of Spatial Sound on 4DSOUND at Amsterdam Dance Event; Open Hack Lab Call

As if Amsterdam Dance Event, the electronic music mecca of Europe and the world’s largest festival of its kind, weren’t packed enough already – there’s more. Tucked inside the festival we’ve got five days of programming devoted to spatial audio, on the 4DSOUND system. As part of ADE Sound Academy, itself focusing on threads between technology, practice, and music, the event at Amsterdam’s Companietheater will explore the frontiers of new settings for music and sound. From plumbing the possibilities of the 4DSOUND’s forest of speakers to opening a discussion of immersive sound and music now and in the future, a …

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