Ableton Goodies: Max for Live Devices for Spectral Effects, Video, Random Rhythms

Our inbox is full of fun stuff Ableton lovers can download, so we’re pronouncing it “Ableton Goodies” day. Enjoy! Open up a platform to making custom tools, and the user can become the upgrade. They can devise new ways of making music – small inventions to spark creativity. And that’s happened in the case of Max for Live, allowing Max patches to run easily inside Ableton Live. Ableton hardly needs to release their own patches, or take much action at all. The Max community has been robust for over two decades now. Sites like maxforlive.com have rich collections of instruments, …

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A Brilliant 199€ Hardware Sequencer with Jog Wheel: MTRX-8 Preview [Photos, Video, Interview]

Sleek and black, sporting a high-resolution jog wheel, the MTRX-8 is a futuristic sequencer the likes of which you probably haven’t seen in hardware before. Even though it’s the product of a boutique DIY maker – France’s Fyrd Instruments, aka designer Julien Fayard – it’s eschews the usual homebrewed, retro aesthetics. And it’s not expensive, either; the launch price has been lowered to 199€ based on early demand. It’s a MIDI sequencer, it’s a drum sequencer, it’s a performance-geared machine with quick access to presets, and it’s covered with quick access controls rather than confusing menus. At last, it’s sequencer …

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Imagine a Musical Interface, Mirror it on Your iPad: Max + Mira

I heard David Zicarelli once describe Max as a blank sheet of paper – a canvas on which you can imagine any musical creation. Until now, though, there’s been no way to touch those creations directly – other than with a mouse. Mira is a lovely solution to that idea. As users “patch,” visually creating tools in Max, objects that impact user interface interaction (knobs, faders, buttons, musical keyboards and the like) are visible both on your computer screen and on your iPad. You even can add images, new objects for multitouch and motion, text, and images. And you can …

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Bleeding-Edge Musical Innovation, Live from CCRMA; Full Report, Monolake + Tarik Barri Live

Ivory tower, let down your hair. Make no mistake. The slightly-impossible-to-pronounce acronym CCRMA (“karma”), standing for the not-terribly-sexy “Center for Computer Research in Music and Acoustics,” is one of the world’s hotbeds for innovation in electronic music. From the lowest-level DSP code to the craziest live performances, this northern California research center nesting at Stanford is where a lot is going on. So, when they put on a concert, this isn’t just another dry exposition of “tape” pieces, academics scratching their chins and trying not to nod off. (Trust me: I’ve … on occasion darned nearly rubbed my chin raw …

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megagrid

Meganome: A Massive Super-Monome Capable of Jazzy Rhythmic and Melodic Robotic Feats

Minneapolis-based artist Patrick Flanagan is no ordinary drummer or electronic musician. His rig does everything the hard way – and the results are fantastic. With robotic drum kit mechanically playing acoustic drums, his fingers command complex feats of rhythm and melody from an oversized, custom grid controller. There are idiomatic musical possibilities unlocked by software he’s built in Max/MSP and Java. Repeat increments, of the sort found in drum machines, produce complex rhythmic figuration on multiple drums – partly because, unlike the dumber implementation on drum machines, it’s possible to play multiple repeat increments at the same time. (In other …

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Discover Music, Get Free Samples and Live Packs, Get Your Ocarina On

Some CDM commenters accuse this site of being shills for Ableton, of giving disproportionate coverage to Ableton Live and Push. Others accuse us of being hipsters, endlessly talking about things like 8-bit video game consoles and Nintendo. And so, I’m pleased to come to you today with a 30,000 word, peer-reviewed white paper relating the latest developments in high-end studio consoles, using a highly disciplined double-blind test to evaluate the impacts of analog summing on the behavior of migratory birds. Or… no, actually, let’s feed the trolls. It’s hard to believe, but our friend Brian Funk aka AfroDjMac has been …

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Generative Genius: Free Max for Live Patch Lets You Schedule Scenes at Any Clock Time

Bars and beats are great. But people find applications for sound and music that go beyond traditional tools. That has already made Ableton Live a popular choice for triggering audio events and the like. But even Live tends to be biased toward conventional musical time. Sound and multimedia shop Aconica rolled their own tool to create a solution, the brainchild of sound and media artist Martin Backes, and now that tool is available to Ableton Live users for free. (Max for Live, now included with Live Suite as of Live 9, is required.) The name of the plug-in gives away …

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Free Granulator II from Robert Henke for Max for Live; Another M4L Grain Instrument On Its Way

We’re spoiled by modern software as a canvas for experimental sound. Significantly, once constructed and encapsulated, these digital sound devices can fall away, allowing you to explore new noise frontiers through play, not only through calculated sound design. (That very question has come up in very different conversations with developers I’ve had in the last 24 hours or so, so I think it’s worth mentioning – whether it’s something you’ve created or downloaded, you can get to the point where you use your ears and intuition to find sounds.) Let’s talk about that in regards to Ableton Live and Max. …

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Stepping Through Music, Interactively: Drum Kits and Monomes Navigate Notes

Left to right, beginning to end, the same in a loop — there’s no reason music has to work this way once you’ve got a computer. But if you associate generative or algorithmic music with some sort of magical black box machine you switch on, an automaton spitting out notes while you sip tea and stroke your beard, think again. Here are two examples that use interactive structures as a way to make music more live, not less. One is the latest creation from the ingenious mind of monome creator Brian Crabtree (who, perhaps unexpectedly, seems to have redirected the …

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Interfacing Music with Light, A Musical Instrument Makes Performance Mysterious, Surprising

24 light sensitive sensors ‘lightefface’ – arduino + max/msp from kaziem on Vimeo. One of my earliest memories is of the piano. We’ve become so accustomed to this contraption, that it’s easy to lose sight of the pleasure of touching the apparatus of the keys and hearing sound. So, perhaps the endless experimentation with sensors and interfaces – whether entirely practical or not – is a chance to rediscover the wonder of the connection of body to sound. For all we might talk about precision in expression or making clear the connection of gesture to noise for player or audience, …

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