Jace Rupture, the man who makes plug-ins mystical. Definitely counts as Advanced Ableton. Photo: Xabi Tudela, courtesy DJ Rupture.

Advanced Ableton Only: A Master Class in Live Music Making, from NYC, DJ Rupture [Video]

Tekserve is known to many New Yorkers as the place they go when their Mac is in trouble and need of repair – a place so infamous, it made an episode of Sex in the City, with a waiting room as tense as that in any hospital. But it can also be a terrific hub for tech and knowledge. Amidst many gatherings of Ableton users, the meetup that takes place at Tekserve is heavily tilted to advanced knowledge. Fortunately, you can absorb that wisdom from anywhere in the world, not just on the island Manhattan. Our friend Ben Casey shares …

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wablet

Make a New Sound: Scanned Synthesis on Wablet for iPad Features Utterly Mad Meshes

It’s a good sign when you need to invent a new verb to describe using a music tool. And so, get ready for some wabbling. Feel like there aren’t any new synthesis techniques? Scanned synthesis is a reasonable example. Fundamentally, it involves wavetable synthesis – producing new sounds by playing back recorded wavetable content – but navigates those sounds by “scanning” through pitch and timbre independently at slow speeds. By doing so, it simulates slow vibrations in the real world, and it leans heavily on the way human physical control and hearing work. The technique was developed by Bill Verplank …

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hadron

Grains as Instrument: Free and Open Source Hadron Synth, Now VST, AU Plug-in [Videos]

Synthesizers can sometimes seem stuck in a groove, an endless, repeating parade of identical virtual analog synths. If you want something different, the Hadron Particle Synthesizer could fit the bill. It’s a synth. It’s a sampler. It’s an effect. It’s a synth that can morph from synth to sampler to effect. Based on granular synthesis, sound is transformed into new sonorities, sometimes liquid, sometimes stuttering, layered here for even more complex sounds. Earlier versions ran in the sophisticated, evergreen sound-coding tool Csound, and in Max for Live. But if you felt left out, a new version now works as a …

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EVO2-004

Endeavour’s Evo, Touch-Sensitive Keyboard, Reimagined, Now From EUR499 [Gallery, Videos]

Endeavour’s evo keyboard closely resembles a conventional music keyboard controller. But its piano-style keys and high-performance internals are custom engineered from the ground up for additional expression. High-speed connections mean lower latency than is possible with MIDI, and touch- and pressure-sensitive keys allow additional ways of adding to a performance, all in an aluminum case hand-built in Germany. I was impressed playing the keyboard at Musikmesse earlier this year, but cost put this innovative instrument out of reach of many would-be experimenters. Now, as the product matures, pricing is coming down to Earth. A 24-key version – perhaps just fine, …

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3 Things You Can Do in Ableton Live Now: Modulation, Dual Displays – Sorta, Pressure Grids

The Ableton Live 9 beta is trickling out, but not officially released until next year. Ditto that saucy new Ableton Push controller. And some users are complaining about things that aren’t in the feature list for Live 9. Waiting’s no fun. Let’s do stuff now. Here are three examples of things you can do right now, today, with your current version of Live. In fact, all three wind up being applicable to Live 9, too. 1. Modulate anything. First, I’ll start with my favorite. EXT, at top, is a free Max for Live device that does modulation. Unlike the new …

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The new Session View. Yes, it's a different color. But mostly, look to the bottom of your screen: automation recording in clips, and curves in automation, at last.

Ableton 9 Live: More Tools For Starting – and Finishing – Music [First Hands-On Details]

Ableton today has revealed the details of Live 9, alongside new hardware called Push. The software update brings new ways of transforming sound into MIDI, new and improved devices for shaping sounds, tools for automation that work inside clips and with curved interpolation, a new Browser, and a number of interface and usability enhancements. There are also some features, conceived for Push, that could benefit people using any hardware controller they choose. And alongside these enhancements, you’ll also find a host of new sounds and preset content with which to work. First, here’s a quick look at what’s new, before …

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yodawg

Mind-Boggling Power, as note~ Adds Timelines, Piano Roll, Notation to Max/MSP

Introduction to note~ for Max from Musikforschung Basel on Vimeo. For musicians, this could be the Max external to end all Max externals. Max has long been a powerful, open-ended environment for creation. But sometimes you want a piano roll, or a score, or a timeline. Efforts to do that in the past have been sketchy at best. note~ gives you all these things in a single add-on. At its heart, it’s a classic MIDI sequencer. It records and plays back sequence, and lets you edit note values. That’s already fairly revolutionary to have in the Max environment. But then …

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The Hive synth. Photo: Q.Smith, Yes Dear Ltd.

Of Bees and Oscillators: Bioni Samp’s EP Full of Eco-Influences, Homebrewed Gear [Listen, Gallery]

If electronic music sometimes seems to contain the secret dance language of insects, mysterious coded rhythms and swarms of sound, an EP released this summer by an English producer makes the connection explicit. Bioni Samp sends us his strange and wonderful sonic journey into the colony. In tunes alternately atmospheric and danceable, at least of the sort to which you might wiggle your thorax in a deep, dark hive, The Island uses every possible sonic resource. Artist Bioni Samp is a producer and video artist from Leeds, Yorkshire now living in London. He points CDM not only to these wonderful …

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Live does lighting. Mattijs and Michel working on lighting compositions in Ableton Live. All photos courtesy Mattijs Kneppers.

Playing Live From a Giant, Toothy Monster Mouth: Behind the Scenes with Feed Me

Spectacular spaceship showmanship, or actually synchronizing live electronic dance music performances? For Feed Me, aka Englishman Jon Gooch, the show had to be both. Software developer Mattijs Kneppers harnessed Ableton Live, Max/MSP, and Max for Live to make it all work. You may have seen the video; Mattijs gives CDM a unique look even further into how this is working, sharing a gallery of the stage rig and some of the technical details. CDM: So, of course, this was the summer that brought “press-play” performances into the public eye – and we’re actually I think indebted to deadmau5 for blowing …

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In Films on French Pd Event, a Reminder: You Can Always Make Your Own Tools for Music

Pure [creative] Data / Stereolux Nantes (29-30 mars 2012) from stereolux on Vimeo. A personal note from this editor: I like to start my weekend with a bit of inspiration, so it seems good habit to leave you with the same. Looking through my story inbox, I almost posted a studio video of an artist who will at this moment go unnamed. (He or she may make an appearance when the time is right.) But, while I adore gear and a healthy tingle of gear lust now and then, something today felt wrong. Yes, of course, this artist has a …

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