anoderhythm

Here’s a Track Made From Just Teenage Engineering PO-12 and MeeBlip, And Another with MeeBlip Vocals

Not just less is more. More from less. Call it the sub-$200 studio. Our friend Tomash Ghz has made a track with sounds produced using only the Teenage Engineering PO-12 and the MeeBlip anode. Listen: And, very cool, have a go at the project files via Splice: https://splice.com/ghz_tomash/tomash-ghz—teslacoil For the record, that’s US$59 for the Teenage drum machine, and US$139.95 list for the MeeBlip. (In fact, MeeBlip is on sale now for a very limited time for US$119.95 with free US/Canadian shipping or discounted international shipping.)

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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blue

See All the Synth Gear in Schneiders’ Booth in 1 Minute, 39 Seconds

You… might not want to watch this if you’re prone to motion sickness. The array of press releases and new gear at a show can be dizzying. But this is literally dizzying – though not boring. This is a fly-through of the bigger-than-ever 2015 Musikmesse Schneidersb├╝ro Superbooth, hosted by our friend Wouter of KOMA Elektronik and shot with an iPhone and Instagram’s Hyperlapse. There is just a whole lot of modular here. (Schneiders’ has a lot, but not even all the boutique makers here at the show.) And… it’s just plain cool. It’s blinky. It has lights. It has knobs. …

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Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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Here’s What Korg’s $99 SQ-1 Step Sequencer Can Do [In Depth Guide]

It costs just a hundred bucks. It’s tiny, in a metal case with ultra-compact knobs and light-up buttons for hands-on control. And with MIDI, USB, CV, and even dedicated littleBits ins and outs, there’s a reason I described the announcement of KORG’s new SQ-1 sequencer as a sequencer that does everything. But doing everything in such a little box is a tall order. And the SQ-1 packs in so much, it’s not obvious what its capabilities can be. One one hand, there are some powerful features that you might completely miss (like MIDI-to-CV capabilities). On the other, it has some …

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poundforpound

Watch How Much Hardware You Can Jam With On a Budget

Who said electronic musical bliss required deep pockets? We’ve seen a steady flow of budget-minded gear over the last few years. What makes this equipment special isn’t just that it’s cheaper. It also has personality and produces distinctive sounds, loads of hands-on control, and fits compactly into carry-on luggage, meaning it’s a no-brainer on the road and in small live performance spaces. That’s encouraging more people to play live. MeeBlip owner Zachary Hollback sent over a video that sums up why this can be fun. This isn’t necessarily about inventing new kinds of music: it really is, in the mode …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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Photo (CC-BY-ND) Bill Selak.

Here Are Your Best Black Friday Deals on Music Tools

Sure, Black Friday may conjure unpleasant images of hordes rushing a Wal-Mart. But with so much of music gear now online in software form, it is a chance to load up with some new music tools for the winter (or, erm, southern hemisphere, the summer), save some money, and make more music. And that’s a good thing. So here are some of the nicest-looking deals in our inbox, too good not to share.

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anodewood

Reviews Weigh in on Our MeeBlip anode Synth; Here’s What They Said

MeeBlip anode, our ready-to-play bass synth with an analog filter, is now shipping and in dealers worldwide. We knew we wanted to make something that was accessible to those new to hardware synths, but had enough personality to surprise advanced users, too – even in a small box, for US$139.95 list. And we also now know what the critics think. It’s always easy to explain what you wanted a creation to be. It’s a different, if exciting, experience when you read someone else’s take on what resulted. But that makes me all the more pleased to share a round-up of …

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