anodewood

Reviews Weigh in on Our MeeBlip anode Synth; Here’s What They Said

MeeBlip anode, our ready-to-play bass synth with an analog filter, is now shipping and in dealers worldwide. We knew we wanted to make something that was accessible to those new to hardware synths, but had enough personality to surprise advanced users, too – even in a small box, for US$139.95 list. And we also now know what the critics think. It’s always easy to explain what you wanted a creation to be. It’s a different, if exciting, experience when you read someone else’s take on what resulted. But that makes me all the more pleased to share a round-up of …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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Polymer-Promo-Screenshot-No-Words

Polymer Makes Multiple Synths into One [Exclusive]

So, you’ve assembled a nice collection of synthesizers. Maybe there’s hardware – some KORG volcas, a MeeBlip or two, or even modular. And of course, you have software synths, as well. Playing each individually – that’s kind of limited. Why not treat these as the digital instruments they are? That’s the idea behind Polymer, a new Mac app out today on the Mac App Store. It can turn multiple monophonic synths into a polyphonic synth – making a “giant mutant polysynth” out of devices you’ve got. In fact, you don’t even have to use hardware exclusively – it works with …

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There’s an Unofficial Eurorack Version of MeeBlip anode

You can’t buy it – it’s a one-of-a-kind model – but someone was enough in love with the sound of MeeBlip anode that they built their own modular version.

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Video Tour – What’s New in Analog and Boutique Instruments, with Andreas Schneider

“O CAPTAIN! my Captain! our fearful trip is done –“ Yes, Andreas Schneider is an ideal gentleman to lead you through a trade show, to show you what is genuinely interesting in new musical inventions. The famed (notorious?) synth guru from Berlin behind Schneidersladen and now distributor ALEX4, he is a fierce and fearless champion of the unique, the boutique, and the odd in electronic musical instruments. And if you ask him for a video tour of his booth, you will not get the “used car salesman” effect of a typical product rep. Instead, he gives us a rapid-fire look …

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MTRX04

One Awesome Jam, Four Sequences, 32-Steps: New MTRX Hardware Sequencer Video

Fyrd Instruments’ MTRX is a beautiful-looking, boutique hardware sequencer. But its one drawback had been the 8-step sequencer. Now, this should give you steps: think four simultaneous sequences, 32 steps, and the ability to output on the MIDI port and USB port simultaneously. Commenters frequently complain that technology for its own sake gets in the way of music. Well, that may be so, but here, the sequence sounds excellent. Our own MeeBlip (in the older SE version) joins some other great hardware and software: the Shruthi open source hardware, Native Instruments’ Monark, and Madrona Labs’ Aalto – three of my …

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So Many Wires and Knobs: Enjoy Synth pr0n Goodness in Our NAMM Gallery I

Now, we get to transport you to the toy store of sound-making gadgets that is the NAMM show in Anaheim, California. James Grahame, the engineer behind MeeBlip, gets to show off his love of synthesizers in his photolog. And we see some of the big winners at the show for electronic instrument lovers: Boutique makers are doing more wonderful stuff than ever. It starts with modular, yes, but look for products in other areas, as well. We were thrilled to get to insert MeeBlip anode at Pittsburgh Modular and Studio Electronics, as they already had some of my favorite stuff …

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Review: MTRX-8, The Hardware Sequencer You Can Reprogram

The standalone MIDI hardware sequencer has had formidable competition in the age of the computer. But it seems ready to make a comeback in a big way. With more hardware, more affordable hardware, and more fans, all-in-one tactile control is just what the doctor ordered. Of course, having used a computer, you’re less likely to be accommodating of inflexibility. That’s why the MTRX-8 from Fyrd Instruments shows real promise. It works as a standalone sequencer, true, with MIDI in and out ports. But it also coincides nicely with a computer – from programmability over USB to doubling as a MIDI …

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anodetop

MeeBlip anode: Compact Bass Synth with Analog Filter, A CDM Collaboration

The challenge: fit everything you really want from a bass synth into a 4″ x 4″ square. Make every parameter hands-on, with full-sized knobs and switches. Give it an analog filter that can be angry, not just nice. Our solution: MeeBlip anode. It’s the new collaboration between CDM and instrument designer James Grahame. Together with James’ engineering work, we’ve cooked up a little package that focuses on packing personality: Digital oscillators meet an original analog filter Grungy, bass-heavy sounds Compact, 4” x 4” case (approx. 100 x 100 mm) Modulation, envelope, tuning, and pulse width controls MIDI input for compatibility …

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