There’s a lot of hype around the latest schemes for changing how artists get their music to fans, but not actually a whole lot of news. (It always seems to boil down to a website with some unpronounceable name.)

Well, this is news: Harmonix is opening up Rock Band to anyone who wants their music in it, and giving you the same sophistication of tools they use themselves. That’s a real game-changer – literally.

And I don’t mean just for the actual game Rock Band. Sure, Harmonix was the house that made music games a phenomenon in the US. They learned well from Japan’s Masaya Matsuura, perfected music games’ mechanics in Amplitude and Frequency, popularized the formula by launching Guitar Hero, then rocked collaboration with Rock Band before convincing the infamously-guarded Beatles to finally embrace digital tech. But the sad reality of game music in general is that it’s been a playing field for the old guard – it’s licensing deals with major labels to promote music you’ve already heard. It’s the top hits on the radio, redigested onto your game console. There’s commercial calculation behind even the tune that’s in the background while you’re paging through a screen in Madden. Harmonix has already changed some of the economics, and disrupted even what could be a hit, as kids discover classic metal for the first time or geeks grab music by Jonathan Coulton and Stephen Colbert. But that’s not quite the disruptive shift in game music so many people have expected.

I think Rock Band Network could be the first real sign of that shift.

Rock Band Network promises to be something really different. How?

• Anyone can get their music in the game. You don’t even need a label. You need a few (cheap) software tools, a computer, and some basic MIDI chops, and for a fraction of the cost of pressing a couple hundred CDs, any artist can get their work into Rock Band 2.
• It’s a real community-driven process. Your A&R people don’t have to shmooze with MTV. You don’t have to enter into some complex developer agreement with Microsoft or Sony. There isn’t even a shady, mysterious review process like the Apple iTunes App Store. Actual Rock Band fans will get to play your music and tell you that the animation needs fixing and the difficulty level needs to be fixed on the drums.
• You use Reaper – an actual music production tool for grown-ups. Harmonix could have given us some weird in-game tool they cobbled together themselves. Instead, they give us a special verison of Reaper, the brilliant, full-blown Digital Audio Workstation that inexplicably costs just US$60 but blows the pants off a lot of better-known tools. So you actually get to assemble your music the way Harmonix has been doing for years, with a real tool. Fortunately, the process has been made much easier and copiously documented, but it’s nice to be treated like adults for a change.
• If it works, Rock Band is just the beginning. It’s impossible to see into the future. RBN is a leap of faith both in the artists and the game fans, in terms of their taste and the amount of effort they’ll invest. But if it works, Rock Band Network could change the way people think about interactive user-created content, well beyond just furniture in the Sims or Little Big Planet.

Anyway, enough of the big picture – let’s talk details. I got to sit down with the Rock Band Network team from Harmonix high above Times Square in MTV’s offices this week to get a full-blown demo – including some seriously fun nerding out with composer/sound designer Caleb Epps, plus Senior Producer Matthew Nordhaus and MTV’s games man, Paul DeGooyer. (In a sign that the big media world still doesn’t quite get what’s going on in this field, no one at the Viacom security desk had even heard of Harmonix.)

The team was extremely generous with technical details of Rock Band Network, and walked me through the process of how artists would get going with RBN. Here’s a first look at that process.

I’ve been talking to folks about sonifying or music-i-fying data a lot lately; I even created a soothing, gamelan-like melody from my Gmail spam folder at South by Southwest last spring. But this particular example is, well … special.

I hesitate to share this, because a) YouTube numbers suggest you may have seen it already and b) it’s pretty depressing. On the other hand, it’s not like the fact the economy is depressing is news, exactly, so I suggest we employ the time-tested coping method that is laughter. Thanks (?) to Paul Norheim for this.

It also suggests a pleasing solution: the world economy just has the pitch control set wrong! Just start that turntable up again.

Or, more disturbingly, the fall of the economy is all part of some deep Schenkerian urlinie, a global capitalistic descent to the tonic. (What? No one up for some Friday afternoon theory humor?)

And yes, with apologies to the very-talented Microsoft Songsmith team, your product is becoming the new Hitler meme.

That’s it. We’re out for the weekend. I got nothin’.

Okay, so you’ve seen the painful demo video for Microsoft Research’s Songsmith software – it was intended to me tongue-in-cheek, I think, but the self-parody didn’t quite work. But the idea of auto-accompaniment software that interprets your recorded singing remains impressive. And I’ve gotten some tips that it is possible to make Songsmith sound good. Naturally, the biggest variable will be the quality of your own singing. But to make the software side of the equation more interesting, it is possible to extend the tool.

Garritan, maker of the samples in the tool, has two add-ons. There’s an orchestral pack with the usuals, and Garritan’s sampled orchestras do sound very, very good. Better yet, there are some analog synths to add, including some bass, J-60, Jupiter, and other action. These don’t come with styles, but they do give you some new sounds. Whether you use them for more evil and cheese is up to you. US$9.99 each.

Band-in-a-Box maker PG Music also has Style PAKs that are compatible with Songsmith, too. The key with these is adjusting variables in the accompaniment, and tweaking chord progressions.

I can’t say I’m entirely sold yet because I’ve never been a fan of auto-accompaniment – though, okay, I did pass some enjoyable hours messing around with electronic organ and Casio keyboard presets as a youngster, so I take that back.

Here’s my challenge to you, if you are a Windows user and give Songsmith a try. Go. Make something really great. Maybe it takes this in a new direction — sample Hatebeak’s heavy metal parrot screeches. Maybe you just happen to be a brilliant singer. Report back. The world’s ears thank you in advance.

Image: roadsidepictures.

Breaking News: If you were David Lee Roth, and you decided to use Songsmith, you would sound something like this. (Thanks, Neal Johnson! Actually, what’s a word that means not so much “thanks” but “please, never, ever send anything like this again, for the love of all that is good?”)

Warning: The following link may cause permanent hearing loss, after you gouge out your ears.

Runnin’ With The Songsmith [Metafilter Music]

CDM has been publishing for over four years.

For once, I actually can say … nothing. Please provide your own snark in the comment space below. The CDM family thanks you.

Beamz ad, there’s a new sheriff in town.

Gizmodo: Beamz Infomercial Is Most Stupid Promo Video in History [Published in the more innocent times of April 2008]

Updated: Yes, this is the Microsoft Research team doing the video. So, in their defense, they don’t do promo videos or music for a living. We love you, Microsoft Research. It’s not even worth saying “Don’t Quit Your Day Job.” As we have previously learned, the best way for researchers to look really cool is either to involve head crabs or, if they must do vocals, be sure to involve particle physics.

In a surprise announcement (well, surprising me, at least), the experimental MySong shown by Microsoft Research earlier this year will be available for sale. US$29.95 will buy you a downloadable auto-accompaniment tool. Windows-only, but it sounds as though a Mac release is in store (seriously). It’s a bit like Band-in-a-Box for singers: sing in a line, and the software will generate accompaniment to your singing with styles of your own choosing. There are thirty styles included, and apparently Microsoft focused on the content end in bringing this product to market: there’s a 1 GB space requirement and partnerships announced with PG Music and sample house Garritan.

I’m guessing PG Music, the makers of aforementioned Band in a Box, have helped smooth out the slightly unmusical arrangements generated by the first version. Now, okay, admittedly I was skeptical of the output I heard of the first version. Maybe I’m scarred because I had a high school jazz teacher who player trumpet, not piano, and therefore insisted on running Band-in-a-Box over top of me while I tried to comp on keys. But there are reasons this is cool:

• Garritan’s sample content sounds great.
• PG Music has made its auto-accompaniment a lot more musical over the years.
• The thing could be a decent sketchpad for people who find this helps them imagine musical ideas – realizing there’s no substitute for the real thing.
• Most importantly, bringing research to market is a great thing.

And let me emphasize that last point. I love that Microsoft has made this available. Too often, R&D achievements get one demo, a patent filing, and then languish in some dark closet, never to be seen again. Sure, some of them probably were never meant for the light of day, but very often people love the demo and want to give the thing a chance – and why not let you decide?

Songsmith at Microsoft Store, via istartedsomething

So a big congrats to the Microsoft R&D team. And here’s to more research seeing that light of day, whether through open source availability or commercial release (or, where appropriate, both).

So Songsmith will accompany your vocals, Apple will get Sting to teach you to play and explain how he wrote Roxanne – okay, as if this week, you really have no excuse not to graduate from Rock Band, ye casual musicians!

Updated: Oh, wait. (*&(*&$#&*. The promo video is … ?

(*&(*&$#&*. Can Microsoft just let Sparrow do all the promotion from now on, please?