When Novation’s little Circuit came out, it was already an appealing, simple box for making music. You got two polysynths and a four-part drum machine built in, coupled with a step sequencer, RGB pads and encoders for control, and MIDI, all for just a hair above $300. At the same time, though, you were restricted to the built-in sounds. Today, Novation are unveiling a bunch of updates that open up the machine to more customization – to personalizing it for your own use.
Imagine you had a DAW with lots of live tools and synths and effects – a bit like FL Studio or Ableton Live – and it was completely free. (Free as in beer, free as in freedom.) That’s already fairly cool. Now imagine that everything in that environment – every synth, every effect, every pattern maker – was built in SuperCollider, the powerful free coding language for electronic music. And imagine you could add your own stuff, just by coding, and it ran natively. That moves from fairly cool to insanely cool. And it’s what you get with LNX_Studio, a …
The hyperactive genius force that is Jakob Haq is back to show you why the iPad can make a great music tool. This time, it seems KORG have updated their deep Gadget app with some advanced MIDI routing features. Okay, MIDI channel may not be the most sophisticated thing ever. But watch what happens when Jakob puts Fugue Machine (the clever note generation tool) with Gadget’s synths: Beautiful stuff. More details and discussion: http://thesoundtestroom.com/korg-gadget-advanced-midi-input/ Keep these videos coming, mr. haQ attaQ.
There’s a reason “mobile music” has become synonymous with iOS. Apple has been unmatched in terms of how appealing they make their mobile platform to developers. Today’s announcements are likely to be heavily covered by tech and Apple-focused sites, but we can cover the music angle pretty easily. It’s now possible to buy a new phone or tablet very cheaply with high-end performance capable of running demanding music apps. And that means the platform is likely to continue to attract both users and developers, in a continuous cycle. On the phone side, a 16GB iPhone 6SE starts at US$399, without …
Wish granted, hackers. The full specification for Ableton’s Push 2 hardware is now online on GitHub, after passionate Live users clamored for its release. And there’s a lot. This isn’t just a MIDI specification (though that’s there). Every minute detail of how colors appear on LEDs gets covered. (The color “white” has its own section. Yeah, like that minute.) Every animation. The pixels that show up on the display. This isn’t just a guide to how to hack Push 2 – though it’s certainly that. It’s a technical bible on how Push 2 works.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
Modstep is … an app that does a lot of sequencing things on iOS. Step sequencing and sequence recording with … a lot of stuff. And then those things all connect together, and there are templates for… Okay, it’s hard to explain. Those of us in the business have gotten used to the “it does a whole bunch of stuff” quality of DAWs. But now, new organisms are crawling out of the sea and walking on land, and they don’t have a genus and species yet. Fortunately, a new Modstep video does it absolutely perfectly, so let’s watch that.
We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).
Meet a new, special creature. So, you’ve got your own special dream for a musical tool – the instrument or effect or sound machine you want. Traditionally, you’ve had a few options for realizing that – apart from going to the shops and hoping you can buy something that fits. You could develop in software and run that on a computer (via Max/MSP, Reaktor, Pd, SuperCollider, and so on). You could patch together some hardware rig (as on a Eurorack, for instance). But what if a tiny board could be the computer and the hardware? That’s the third category in …
Thanks to the addition of MIDI to a new generation of browsers, a browser tab could as easily be an interface to a synth – not just a place for social media distractions of pictures of synths with cats. Now, we’ve got an (unsolicited) Web editor for our own MeeBlip synth, joining editors for Roland Boutique and Yamaha Reface instruments.