Nina_Kraviz

Go Record Digging with Nina Kraviz, Finding Emotion in DJing and Production

Nina Kraviz appears in a film from vinyl store The Record Loft. It’s short, but she’s strikingly economical and insightful in talking about what it means to mix records, find records, and make records. The Siberian-born PhD dental doctor-turned-DJ/producer is especially noteworthy at the beginning of 2015. Last month, she helmed edition number 50 of the legendary DJ-Kicks series – the gold standard of what a mix should be. What’s nice about the interview is how quickly Kraviz gets to the emotional essence of all the dimensions of her work. Feeling, and capturing a moment, is at the heart of …

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Subscribe, Click, Collaborate: The New Ways to Buy Music Creation Software

It’s been a long time coming, but the month of January has brought more new ways to pay for music creation software than we’ve seen in a few years. When you want to share a playlist with a friend, you can count on giving them full-length tracks with Spotify. (Sorry, Taylor Swift fans, but everyone else.) If you’re on a tight deadline to finish a video edit, you can pay a small monthly fee to use Adobe Premiere – and send it to the film composer knowing they can do the same, rather than having to buy it outright for …

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Roland’s New AIRA Mixer is a Performance Tool For All Your Gear

So, now you’ve got a lot of hardware. You’ve moved beyond just a computer, and you’re back to the joy of making music with boxes with knobs and faders and keys. And you’re playing with them live. And maybe Roland’s AIRA had something to do with that, too. Now, how do you put them together? KORG’s SQ-1 step sequencer is one answer. And Roland has provided the next chapter to its AIRA hardware saga with a mixer, its sixth product in the AIRA line. But this isn’t just a way of connecting all the audio outputs from those devices – …

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MPC Software 1.7: Direct Looping, Better Mixer, Track Automation, Proper Export, and Hybrid Synth

Let’s get one thing straight: now that Akai has made the jump from hardware to hybrid hardware/software, the hardware they make is very, very good. The MPC Studio is slim and messenger bag-friendly, when Native Instruments’ Maschine is big and luggable. The MPC Renaissance is more of a “throw it in your station wagon” affair, but it feels fantastic – the pads are brilliant. The downside has been software. But Akai is making headway there. I’m not convinced the changes are going to make anyone switch, but I can imagine what Akai is delivering here should make existing users very …

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traktor_iphone

With History, Traktor DJ Just Became Perfect Mobile DJ Solution

Who says DJs aren’t useful? With a mind-boggling amount of music released daily, the DJ might be more important than ever. The word “curation” is overused … how about selection, or filter? If you’re like me, you’ve grown reliant in at least some genres on mixes from favorite artists and journalists just to skim the good stuff of the top. The best is really amazing. The rest is really abundant. And, for that matter, who says mobile devices aren’t useful to DJing? (Stay with me – these two ideas connect.) Here’s the thing: Native Instruments’ Traktor DJ has skyrocketed to …

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MIDI Controller with Loads of Faders, Knobs, App Support: Livid DS1 on Preorder [Gallery]

The world has no shortage of MIDI controllers. There are big ones, small ones. There are, increasingly, loads of specialized controllers designed around apps. The DS1 is designed to be something different: it’s a mixing controller. And as conceived in a partnership between educational studio Dubspot and Austin, Texas boutique builder Livid Instruments, it’s meant to mix in any app. It’s a mixer for prodution, but also for DJing. With templates for a variety of tools, it’s made to be as comfortable in Traktor as in Ableton Live as in Logic. We’ve still yet to test whether it delivers on …

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Serato DJs Get Slim-Line Controllers at Last, with New Akai Hardware

Serato DJs swear by their software. But one thing they haven’t had lately is a lot of choice in DJ controller hardware. Sure, there’s now a range of hardware getting updated for the latest software. But even after a transition to the new Serato DJ platform, almost all of this hardware is of the “really wide with two big wheels” variety. That big hardware is a big problem. It leaves out Serato DJs working with vinyl who just want some added control of the software. It adds two big platters, which are arguably something you don’t need in the first …

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This is What High-End Audio Can Do Now: New Trio of Thunderbolt Boxes from MOTU

You’d be forgiven for missing it in the blur of press releases and trade show hand-outs – and, let’s face it, most musicians are too focused on music to pay much mind. But slowly, steadily, audio interfaces have been getting a lot better. Talk to the people who make them, and they can tell you what’s happened even in terms of individual components. Next, they’re about to get smarter and more networked. And so that means it is worth paying attention today as industry heavyweight MOTU unveils a trio of new audio interfaces, compatible with Thunderbolt 1 and 2 and …

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Avid Delays Financial Reporting, But Promises Brighter Future, Including Pro Tools and Sibelius

Avid, makers of Pro Tools, Media Composer, Sibelius, and other products was on Tuesday suspended from being traded on the NASDAQ stock exchange because of a failure to issue timely financial statements. And the company by the admission of its own chief executive faces a changing industry. However, our earlier report included inaccurate information from financial analysis site The Street. Their report included outdated financial data. Our reporting was not correct; we have since spoken to Avid. The Street reporting (and thus ours, in building a report on it) was inaccurate and misleading in that financial data for Avid actually …

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Looks familiar, but that's a good thing. Pics courtesy MOTU.

MOTU 828x: A Favorite Audio Interface Gets Thunderbolt Treatment

The MOTU 828 series has been a workhorse if ever there was one. Since the very first model, its more-then-ample I/O, mixing, clocking, and design have made it a favorite in a market crowded with lots of fairly-similar audio interfaces. It’s just more versatile and has easier access to controls and metering than some of its rivals. That means the arrival of an 828 with Thunderbolt matters. The 828x still has USB 2.0, so you aren’t limited to Thunderbolt connections, and it supports both OS X and Windows. But when connected to Thunderbolt, you get some distinct advantages. The bus …

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