The ReMOTE SL Mk II series is on its way, an improved version of a controller keyboard of which we’ve been big fans at CDM. In an ideal world, there would be a truly standardized specification for control of music production software – and I still dream of mainstream OpenSoundControl support as a way to start to develop such control. But in the meantime, Novation has done a pretty intelligent job of mapping lots of functions in popular software so that they can feel fairly transparent to control.

The whole “automatic mapping” area is getting juicier, too, with new entries like the Akai APC40 for Ableton Live, and a set of keyboards from Avid/M-Audio focused on smart tangible mappings for software (including, naturally, Avid’s Pro Tools). As it happens, M-Audio just started shipping its own Axiom Pro this week. I want to give the Axiom ample coverage, so look for that starting next week – the short version is, the two keyboards take a different approach to layout and integration, and as a result there are some good arguments for each.

The SL does have a very nice keybed from Fatar, though, and a layout to which a lot of us are accustomed. So I talked to Novation about what was new in the Mk II that wasn’t already in the new Automap Pro 3 software. The software is already available for existing SL owners. But what’s new to the hardware?

Simon Halstead from Novation has a thoughtful set of answers for CDM. Have a look, and judge for yourself how this stacks up against the previous SL – I’m curious to hear from current and prospective owners what you think.