apollostudio

Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …

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500aira

Roland AIRA Modular: Tabletop, Eurorack, Digital, Analog, Our Comprehensive Guide

This is how much the world has changed: we aren’t just talking the resurgent, enduring synthesizer. Nor are we talking about retro reissues. We aren’t even talking the return of analog control voltage. We’re uttering “Roland” and “Eurorack” in the same breath. Roland has taken the wraps off their AIRA modular plans, and they’re extensive. Make no mistake, this is still AIRA, and it’s still Roland – these are devices that look and sound like the AIRA series. That is an obvious point of differentiation for the boutique makers, the sometimes one-person manufacturers, and the uniqueness of what they produce. …

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marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

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Roland’s SH-101 Plug-out for AIRA SYSTEM-1, Premiering Thursday in UK?

If you’ve seen a review of Roland’s AIRA SYSTEM-1 synth – the keyboard and final member of the original AIRA quartet introduced earlier this year – it’s probably premature. Word from Roland is that the SYSTEM-1 is still not quite finished. We’ve played it in an earlier form at Musikmesse. But at that point, firmware was still not done, and the synth model was the onboard default for the SYSTEM-1. You can hear Roland’s AIRA component modeling applied to a synth, and indeed, the SYSTEM-1 itself is straight out of the box a new, if fairly conventional, synthesizer. Part of …

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K2

Pianoteq 5 Improves Piano Modeling, Without Eating Up Your Hard Drive

If you want a fake piano, you can have a fake piano. You can have increasingly-good models and samples in hardware, but you can really get a fake piano on your computer. You can buy entire hard drives just to store the gigabytes of samples. You can load massive instances of Kontakt with different recorded sounds for every note, every articulation. You can have new pianos, old pianos, countless Steinway samples. You can even have a ridiculously-tall upright. Or, you can have Pianoteq. Whereas others gobble hard drive space, Pianoteq uses sophisticated modeling techniques that skip the samples, meaning it …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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Five Musical Tech April Fools’ Jokes We Almost Wish Were Real

Like the proverbial Punxsutawney Phil on Groundhog Day, it seems that music tech writers this year saw their shadow and decided to stay in their hole rather than deal with the yearly deluge of fake news that arrives on April Fools’. That’s a shame. Because this year, a few ideas are preposterous enough that we wish they weren’t jokes. (Turning that fool into something real was something I proposed last year, too – and just heard we might see some fruits out of that. Stay tuned.) Emerson, Fake, and Palmer. Moog Music has a tradition of jests on the holiday, …

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Abbey Road at Home? Waves Emulates Double Tracking Made Famous by Beatles, $99 Sale

It all started in 1966 as a way to fake multiple takes – and it works pretty well for any vocals. And now, in one of the more ambitious emulation efforts undertaken recently, software engineers are hoping to recreate a sound you know quite well from artists like The Beatles. And oh, yeah, even if you don’t want to sound like Paul or John or George, this turns out to be a pretty easy way to double up vocal recordings. That is, if they’ve done a convincing emulation. Plug-in giant Waves Audio has partnered with Abbey Road Studios themselves, and …

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A Guitar Amp That Doubles as Home Speaker System: AMPLIFi, with Bluetooth and iOS Integration

Line 6 made a name for themselves by making amps that used digital models to change their sound. AMPLIFi is their latest notion in amps. Instead of just being something guitarists would use in the studio and stage, for the first time it’s an amp system you might want to bring into the home. AMPLIFi is an amp, first and foremost. And like other Line 6 products, it uses digital models to change tones and effects. But while it can be loud like a traditional guitar amp (in 75- or 150-Watt versions), inside is a full-spectrum, five-speaker system. That means …

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AIRA - maybe you'll just want to use it in the dark, or on a table designed by Stanley Kubrick.

Roland’s Four AIRA Instruments: Now We Know a Lot – Keyboard, Component Analog Modeling, Too

Roland’s AIRA will be public this month, and you can bet CDM will have all the details we can get from the company. But through its various teasers, the picture of AIRA is already pretty clear. The new line reflects a new approach for the company, one that would seem to show, paradoxically, both greater respect for the company’s legacy and greater interest in today’s tech tastes. And most importantly, Roland has revealed their approach to new component modeling of analog circuits. That may not please analog purists, but it could be a way to balance the versatility of digital …

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