rockmen-devices

This amp and FX pack shows what you can do with Reason

In music software, you have things that are modular, and things that aren’t. Modular environments like Reaktor and Max/MSP let you build things from scratch with essentially unlimited flexibility. DAWs tend to lock you into fairly rigid options for how you combine different instruments, effects, and other tools. Well, Reason sits somewhere in between. Every virtual synth, effect, and signal tool can be patched into another in a single, integrated environment – even as it still remains a production tool with a timeline and mixer (or mixers). In a great example of why that’s cool, hard-core Reason expert Marco Raaphorst …

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turingmachine

Music thing’s Turing Machine gets a free Blocks version

We already saw some new reasons this week to check out Reaktor 6 and Blocks, the software modular environment. Here’s just one Blocks module that might get you hooked – and it’s free. “Music thinking Machines,” out of Berlin, have built a software rendition of Music Thing’s awesome Turing Machine Eurorack module (created by Tom Whitwell). As that hardware is open source, and because what you can do in wiring you can also do in software, it was possible to build software creations from the Eurorack schematics. The beauty of this is, you get the Turing Machine module in a …

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reaktor

Reaktor Blocks works with modulars, Maschine, adds drums

Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.

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joey

Here are 3 epic performances on modular that aren’t noodling

We revere the modular synthesizers of the past, but that ignores important innovations both in how modules are designed and how people play. Apart from the fact that Eurorack is quite a lot slimmer, lighter, and cheaper than its predecessors, we have vastly expanded the range of what modules do in ways that lend themselves to live performances. That’s not to say it’s for everyone – a modular performance still involves a lot of pre-patching for people, and there’s clearly something to be said for computers and standalone gear. But that’s perhaps partly the point: the modular solution can stand …

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Fully loaded, the environment resembles portions of FL Studio or Ableton Live. You get a conventional mixer display, and easy access to your tools.

A totally free DAW and live environment, built in SuperCollider: LNX_Studio

Imagine you had a DAW with lots of live tools and synths and effects – a bit like FL Studio or Ableton Live – and it was completely free. (Free as in beer, free as in freedom.) That’s already fairly cool. Now imagine that everything in that environment – every synth, every effect, every pattern maker – was built in SuperCollider, the powerful free coding language for electronic music. And imagine you could add your own stuff, just by coding, and it ran natively. That moves from fairly cool to insanely cool. And it’s what you get with LNX_Studio, a …

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messe16_ - 1

Here’s all the coolest new gear from Messe and Superbooth, in one place

There’s a Eurorack craze on. Synth fever continues to spread. Instrument and software makers keep innovating. And there was reason to time all of this new gear madness to the beginning of this month – with not one but two massive trade shows, each a short Bahn ride away from one another in Germany. It’s almost too much. So, we’ve put our favorites all together, to keep it all straight.

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messe16 - 5

Gallery: the cool and strange at Germany’s huge Musikmesse show

It hits you at some point. It could be that you find yourself wandering rows upon rows of accordion exhibitors. Or maybe it’s weaving to avoid parades of the 100,000-odd German schoolchildren who come to look at the exhibits. Or maybe it’s seeing a room the size of an airport full of nothing but strange laser and light products for clubs. But Musikmesse remains something exceptional.

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kyoka2016_2_photo_sylviasteinhaeuser

Kyoka talks about her amazing new raster-noton sounds

raster-noton is already a beloved imprint for those who care about out-there sounds. But if you thought you’d heard every click and oscillation that name could bring, you probably haven’t heard Kyoka – the Japanese-born artist who always manages to wander out into new territory. And even before we had a chance to get the least bit tired of her last outing, she’s fresh from a trip to Stockholm’s EMS with something altogether different. CDM’s Zuzana Friday invites Kyoka over to charm and wow us all over again.

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superbooth - 27

In photos, the synth nerd extravaganza Superbooth

It’s genuinely hard to describe the Superbooth in words. The synthesizer lovefest dreamt up by Andreas Schneider and team in Berlin was a collision between a festival and a trade show, scattered in impromptu fashion through the chambers of the former East Germany radio facility. Visitors wandered from knob-twiddling displays into quadraphonic concerts, from combined performance-demos by modular makers and artists to encounters with legendary synth pioneers over a queue for beer. And the whole week was an exercise in overabundance. Far from the linear experience of a convention floor, the maze of studios and halls at the Funkhaus venue …

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intro_

Now you can plug a guitar or stompbox into your Eurorack

At last, the world of modular meets the world of stompboxes. It’s a no brainer: after all, a modular rack already has a lot in common with a crowded pedalboard. I expected that our friends at Bastl Instruments from Czech would come up with something for this week’s Superbooth synth gathering here in Berlin, and sure enough, they’ve got three new modules, with one stompbox-friendly standout.

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