iproducer #4 – Unlink and Conquer + Bonus from Gustavo Bravetti on Vimeo.

Exclusive to CDM (and Vimeo), Live guru Gustavo Bravetti offers a deep tutorial in sound creation in Ableton using “unlinked envelopes.” He assembles quasi-modular routings of effects into one another to create some unusual sounds. I think there are some inspiring techniques here, even beyond Ableton Live – I’d watch it even if I weren’t a Live user.

Gustavo writes:

“This workshop demo video is about using Live’s unique clip unlinked envelopes and Ableton’s effects to easily create elaborated sequenced sounds as well as a “how to” create a bass, a tuned bass drum, a clap and hi hats.”

So, what’s the beauty of the “unlinked envelope”? By separating the envelope length from the length of a sample, you can take a sample of one length and modulate it in time independently with an envelope of a different length. A short sample can warp in a longer block of time for more variety – a 1/16th note sample, for instance, transformed over a bar or two. Add the ability to route the envelope into effect modulation, and you can start to think extreme sonic freakiness. Here, that serves Gustavo’s own electronic palette, but it could suit a variety of musical aims.

“Peak” is a long-standing name in audio editing on the Mac. I recently got to review its latest iteration, Peak Pro 6, for Macworld and Macworld.com.

Macworld Review: Peak Pro 6
Sample editor and audio suite tweaked for pros, sound designers, and podcasters

I still believe audio editors are valuable tools, especially for anyone who spends a significant amount of their time on sound design – whether that’s sound effects or building the perfect drum kit. Peak is an unusual tool, in a way, in that it remains a stereo waveform editor only, whereas most of its competitors have added multitrack compatibility. On the other hand, Peak also bundles an unusually rich set of tools in the box, which explains the higher price of the full-blown Pro versions.

Here’s my breakdown for Macworld:

Pros
Attractive bundle; seamless podcast export; powerful playlist assembly and export; envelopes; deep plug-in routing; fantastic cross-synthesis sonic powers.

Cons
Multi-window UI can be clunky to use; still no real multi-channel or surround support; lacks more full-featured, non-destructive editing; no spectrum view.

I do want to call particular attention to a couple of points:

Native Instruments Spark plus Blackbox from Create Digital Media on Vimeo.

Hands-on control is a wonderful thing, as NI founder and Reaktor “mastermind” Stephan Schmitt noted in our story yesterday on his creation Spark. And LFOs are often not terribly interesting. But even using your feet for modulation, you may eventually run out of limbs. So if you want to record automation but keep the human element, a motion recorder is not a bad way to go. Spark is just out, but our NI minisite writer Peter was so into it that he created a motion recorder for himself just to use it:

BlackBox Recorder: Free Reaktor tool to Enhance Spark and Kore

Now, as it happens, you don’t necessarily have to use this with either Spark or Kore, so it’s worth mentioning here. You will need Reaktor to use the patch, though maybe this will give folks ideas for creating something similar with Max or Pd.

It’s a simple tool, but motion recording can lead to all sorts of other ideas. Got a favorite tool for recording human automation quickly? Let us know.

Reaktor is a massively powerful toolkit for building instruments and effects, but that power can easily be overwhelming at first. Peter Dines has completed a five-part introduction tackling sequencing events. It’s one of the trickier bits, but also the skill that will help you have the maximum amount of fun.

Be a Reaktor Sequencer Ninja

Here are the five parts for CDM’s Kore minisite:

Part 1 – introduction
Part 2 – the X+ module
Part 3 – the event table
Part 4 – the snap array
Part 5 – the mouse area

(See the clocks/events refresher to get going.)

See also: Reaktor forum discussion

Downloadable Instruments, Effects

As you’re learning, it can help to grab more ready-to-use instruments and effects. Here’s a sampling, though of course you’ll find many more in the NI User Library.

Don’t believe the tutorial can spawn new creations? Boombox is a drum machine built with the Roux sequencer macro Peter Dines uploaded for his tutorial series.

Boombox Drum Machine (Direct download link)

HaasCheezburger is a new LOLcat-powered stereo delay effect from Peter.

You can also download Peter D’s Grain Delay effect

Teaser: New Spiral Ensemble

This is an upcoming Reaktor 5 ensemble from one of the great virtuosos of instrument/effect patching (in any tool, not just Reaktor), Lazyfish. The creator of Gaugear and Newschool turns his attentions to a new, swirling, animated modulating synth. It demonstrates what’s possible when you take sequencing to the edge, and has the typically inspiring take on user interface Lazyfish is known for. I’ll be able to share more about this soon, but NI has already said on the forums that this ensemble will be free to existing Reaktor 5 users.

Our own Peter Dines notices the similarity to the Whitney Music Box. The possibilities for where instruments can go conceptually and in terms of interface just continue to unfold.

For more Reaktor getting started resources, see our story from last month:

Learning Reaktor: 10-Step Path to Building New Sequencers, Beatboxes, and Effects

Updated: Native Instruments has announced the SoundPack this comes from, the new Reaktor Animated Circuits. If you don’t own Reaktor (or Kore, for that matter), you can run Reaktor Animated Circuits and get all the sound goodness from SpaceDrone, Metaphysical Function, Skrewell, Newscool, and this new ensemble Spiral Sequencer. But, of course, we think you’ll be even happier if you get Reaktor and start tinkering yourself (and you need Reaktor to see Spiral’s nifty graphics). That’s just how we roll.

How to use it: Spiral is a sequencer, so you do need to hook it up to a sound source. Wondering how to do that? We’ve got a screencast that explains from resident Reaktor guru Peter Dines.

If you do have Reaktor, Spiral is now available for download via Service Center, so have at it!

In today’s over-saturated virtual instrument market there are plenty of powerful samplers out there vying for the attention (and green) of your average music software consumer. This is much more apparent on the PC end of things where there are dozens upon dozens of alternatives both in plug-in (Kontakt, HALion, DirectWave, etc) and standalone (Gigasampler, Reason’s NN-XT, etc.) forms. It’s tough for a small company to really stand out amongst such strong competition. One such company that has been trying to make a name for itself is Vember Audio, makers of the powerful Surge synthesizer and Shortcircuit sampler. Their design philosophy bucks the current market trends in virtual instruments by delivering quality products designed around the needs of sound designers rather than preset users in much the same way as Native Instruments circa 2001. Their interfaces are logical, but stripped of much of the flash that the big names have (no 3D rendered hardware-style “pots” here). Instead of focusing on huge libraries of sounds, they deliver great platforms for users to create their own sounds from scratch.

Now their sleeper hit sampler Shortcircuit is being released for FREE!

Details after the jump.