teletypestudies

Watch the fusion of analog and digital in monome teletype videos

Teletype Studies Part 1 from tehn on Vimeo. We have inherited from the last century a whole language built from the archaic details of office machines. And we use all of these for music. We patch together telephone cords between modules, via the tactile interface once used to connect calls. We type on keyboards and point with devices like mice. We have grids of pixels, constructions that once plotted the trajectory of missiles before they were repurposed for simply games about missiles (and email, and Facebook, and everything else). We use code, and language, and turn dials, and press light-up …

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j74

A grid of anything, as Launchpad tool lets you play in new ways

From frets to keys to finger holes, musical instruments in every culture have provided ways to easily access musical ideas quickly. But these are physical, acoustic instruments, so any solution they find is more or less restricted to a single set of choices. Digital hardware can do what digital software can: it can be a blank slate for new ideas. The monome and Tenori-On grid instruments, each in their own way, demonstrated that a radically simple grid can generate a surprising range of possibilities. The monome’s claim to fame, above its other applications, was the way a companion Max patch …

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This Teletype Eurorack from monome is the Nerdiest Module Ever

Yo dawg I heard you like teletypes so I put a teletype in your module in your Eurorack so you can type while you teletype while you patch while you monome. monome’s Brian Crabtree has an exceptional way of finding the essence in musical computation. The original monome grid you can think of as a reduction of the very spirit of a display – in 8 by 8 pixels. His arc encoders did the same, but with lit wheels. aleph was a kind of computer; more recent modules brought inventive compositional ideas to that format. And now, he’s put a …

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Novation_Launchpad_Pro

How Does Novation’s Launchpad Pro Stack Up Against Ableton Push?

One of last month’s more predictable NAMM announcements was, at long last, an update to Novation’s Launchpad line that adds RGB color support and pressure sensitivity. But that means that it’s easier to compare the new Launchpad Pro with the spendier (but also more powerful) Ableton Push. It’s been a few years since the original Launchpad first commercialized the “grid performance instrument” concept popularized by the monome. Since then, we’ve seen Novation’s LEDs get brighter and the body get slimmer, plus the welcome addition of class-compliant support (opening up iOS and Linux compatibility and driverless operation). But the Launchpad itself …

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mp-full

USB is the new CV: monome meadowphysics as Modular, in New Video

meadowphysics possibilities from tehn on Vimeo. Here’s a lovely new monome demo, demonstrating their meadowphysics module interfacing between Eurorack hardware (that’s the stuff with the cables and knobs and things) and monome (that’s the stuff with the light-up grid). Call your family and random strangers and tell them that today you’re really stoked about “rhizomatic cascading counters,” which is what this is. (In more technical terms, let’s go with “chimey note-y thing.”) I’ve heard people who don’t like computers much complain that USB is some sort of source of planned obsolescence. On the contrary, with serial and standard class-compliant implementations …

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white whale Makes your monome Into an Amazing Modular Step Sequencer

It seems everyone is getting in on modular gear these days, thanks to the Eurorack format. But many of these modules are variations on a theme – new models of old classic modules, existing synthesis components and filters that have just been reborn as a module. monome white whale, shipping this month, is something different. Connect a monome grid controller to a modular, and suddenly that array of light-up buttons becomes a probabilistic sequencer. It’s live performance oriented in a way too few modules are. The results are surprising and lovely. The solution isn’t cheap – you need a monome …

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Beautiful New Music from tehn, the Maker of the monome [Interview]

Brian Crabtree, alongside partner Kelli Cain, nicely exemplifies a lot of this site’s raison d’ĂȘtre over the the past ten years. Artmaker and toolmaker are indistinct roles; they’re both flipsides of the act of making. The monome, the invention for which Brian is best known, is at first blush nothing more than a box of buttons. It’s even lifeless until connected to a computer. But in its design is a statement that draws a thread from the design of tools to the design of music. Ideas about compositional technique are embodied in the software; notions of aesthetics are evident in …

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Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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monomeblur

Watch the Wonders of Grids, as monome Makers Defend Minimal Design

As electronic musical instruments have evolved, it’s been surprisingly easy to point to specific designs that lead others. Creators do often reach the same cluster of ideas at about the same time. But the specifics of how those ideas catch on have very often coalesced around one iconic instrument. Bill Hemsath’s layout, with Bob Moog, for the Minimoog became the standard for monosynth keyboards with knobs. Roger Linn’s design for velocity-sensitive pads, and eventually the MPC 4×4 grid, became the standard for drum machines. And Brian Crabtree and Kelli Cain I think deserve credit for making the 8×8 grid the …

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The Curious Digital Modular: Watch aleph bees in Action

aleph bees introduction from tehn on Vimeo. It’s like having a roomful of modulars inside a mysterious magic box. It’s like using Max/MSP with the control interface of an Etch-a-Sketch. It’s … okay, really hard to describe. But aleph bees is certainly unlike digital hardware we’ve seen before. Using just knobs and text, and silky-smooth sound features – everything runs fast and glitch-free, even hot-swapping hardware – aleph bees is a kind of experiment in computer minimalism. It’s as open-ended as a computer, but in ruggedly-simple hardware. It lets you program custom software with a few twists of your wrist …

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