tubescrop

This is what a steampunk synth with 25 tubes sounds like

Got $13,000 burning a hole in your pocket? Maybe you’re an independently wealthy crazy person, or possibly some sort of disco-producing super-villain, for instance? And therefore need to spend it on a completely insane monosynth? We’ve got the deal for you.

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Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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yamaha

Antiques Roadshow? Yamaha to Celebrate Its Synth Legacy with Vintage Gear

Hey – don’t forget Yamaha. For all the buzz about Roland and KORG (and American makers like Moog), the titan Japanese maker surely deserves its own enormous claim to synthesizer history. This is the company that made one the most influential polyphonic synths of all time (the CS-80), and introduced the world to FM synthesis (DX series) and physical modeling (VP series). You can still make DX and VP sounds that seem like they fell out of the future. And Yamaha are no newcomer, either. This year will mark the 40th anniversary since the firm first entered the synth market …

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KORG’s ARP Odyssey Remake to be Revealed in January

KORG has now made it public: we’ll get to see their ARP Odyssey, a remake of the classic 1970s synth involving one of the original creators, in January. Some sort of working unit at the NAMM trade show seems a likely thing to hope for. And we can also see from the image they’ve posted that they’ve opted to recreate the third-generation ARP aesthetics, faithfully reproducing the black-and-orange labels. (Click for a full-size version, without the text.) The Odyssey is a reasonable enough synth to reissue. Moog Music has already corned the Minimoog and KORG themselves the legendary MS-20; the …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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BassStation II, Hands-on: First Direct Sound Samples from Novation’s Analog Synth [Musikmesse]

Novation’s BassStation II, a US$500 street all-analog monosynth, is already big news. If Korg is bringing back the late 70s/early 80s sound in an analog keyboard, Novation is giving us the early 90s. And since sound is what it’s really all about, we wanted to get a hands-on with the actual sounds of the BassStation II. I recorded directly from the line out on the BassStation (only a mixer in between), into Sonoma WireWorks’ GuitarJack Model 2 for iOS. (That interface, by the way, sounds and feels terrific.) The BassStation II so far shows some serious promise, something that should …

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Hands-on with Korg MS-20 Mini: Exclusive Review, Q&A, Images, Video

Even as technology rolls forward, sometimes the old is more cherished than the new. Perhaps this should come as no surprise in music. Musical relationships span many years – the records you love, the hours you spend practicing and producing. And so it is that we’ve heard a common refrain from electronic musicians: with many makers of the 70s and 80s still producing today, why not re-release the classics? Korg has done just that with the MS-20 mini, in a way many rivals have not. Due soon for $599 in the USA and elsewhere in the world thereafter, it’s also …

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What’s Inside The New Moog: 25-Key Synth Prototype Walkthrough with Pioneer Herb Deutsch

Moog has revealed the innards of the synth they’re launching later this month, and it looks like a cute but sonically-rich analog monosynth: two-octave keyboard, no display, plenty of knobs. What’s best is, we get not some strange Web teaser or blurry cropped photos, but a walkthrough of the prototype with none other than Herb Deutsch. Professor Deutsch is perhaps second only to Bob Moog himself in his influence on the early years of the Moog company and the evolution of the early idea of the synth. He can barely contain his delight as he “doodles” on the new instrument. …

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arturia_angle

The Best New Stuff from NAMM, in Videos: Akai, Arturia, Livid, Moog, Smithson-Martin, Teenage Engineering

Can I have this fun, wacky, sound-shaping Arturia monosynth and the new Moog Minitaur, please? Actually, at their prices, you really could – and still spend less than the cost of a lot of standalone synths. There’s lots of new stuff for musicians. Sometimes, the best thing to do is to leave some of it out, and skip to what’s really interesting. Neil Bufkin did a great job last year covering NAMM for CDM, shooting some lo-fi, informal videos that got right to the heart of what we wanted to know. So, I’m pleased to share Neil’s work again, since …

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