Moog’s Werkstatt for Moogfest is a Patchable Monosynth, Leaked in Image

Moog seems to have something special planned for Moogfest – na klar! “Werkstatt” looks to be a kit synth the company has prepared for the event in Asheville, North Carolina later this week. As Synthtopia observes, the photo was revealed on the Instagram feed for the event – and appears to coincide with a three-hour assembly workshop with the engineers. “Werkstatt” means “workshop” in German, so the kit function is obvious. Looking at the picture, a whole lot is clear. The architecture is a single-oscillator monosynth, switchable between saw waves and PWM. Both the filter and oscillator mod can be …

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Five Musical Tech April Fools’ Jokes We Almost Wish Were Real

Like the proverbial Punxsutawney Phil on Groundhog Day, it seems that music tech writers this year saw their shadow and decided to stay in their hole rather than deal with the yearly deluge of fake news that arrives on April Fools’. That’s a shame. Because this year, a few ideas are preposterous enough that we wish they weren’t jokes. (Turning that fool into something real was something I proposed last year, too – and just heard we might see some fruits out of that. Stay tuned.) Emerson, Fake, and Palmer. Moog Music has a tradition of jests on the holiday, …

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Been there. The artist Dillon, working magic on the studio and stage - but finding her muse in bed and beta waves, half-asleep with no one else around.

Writing Music When You’re Vulnerable: Dillon on Finding Creativity in the Middle of the Night

Electronic music has become associated with over-the-top lyrics, the plastic veneer of party-time superficiality. But in any medium, some people are writing from the heart, and that can obscure a simple reality: writing from your most vulnerable places can be hard. Whatever your music-making medium of choice, you may resonate with artist Dominique Dillon de Byington – born in Brazil, raised in Germany, now goes by the simpler Dillon. Berlin-based, English-language Electronic Beats has taken their superb video series Slices from a hard-to-locate DVD to the mass audience of YouTube, and shorts like this demonstrate why that’s good news. Dillon …

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Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes [Videos]

Yes, it’s a good time to be in love with synths and drum machines. But for all the hype around those instruments lately, adventurous guitar effects are also seeing a new renaissance. While guitarists have always had a lovely palette of oddball stompboxes and grungy distortion and effects, they’ve lately been seeing more affordable, more accessible tools for sound design that had been more associated with synths. And, of course, wherever you see the word “guitarists,” any instrumentalists who need stomp form factor will also benefit – bass guitar, electric violin, experimental accordion, whatever. Say the name “Moog,” and most …

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See Moog’s Cool New Instruments: the Flying-Saucer-Shaped Theremini, the Packed Sub37 Synth [Details]

In two instruments, we’ve seen the latest future of Moog. One looks like the future, white and flying-saucer-like, a 70s retro-scifi egg/baguette with an equally futuristic sound. The other expands on the latest Moog synthesis ideas to create a vast timbral galaxy that we’ll hear more in the future. Moog’s Theremini gestural instrument and Sub37 synthesizer made their debut, and we’ve talked to engineering to learn what they mean. You might not knowing it looking at one of them, but the latest stuff from Moog charts new sonic territory by building on recent successes. Those first departures for the North …

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Sub 37, One of Two New Moog Instruments, Features Arpeggiator, Loads of Control

Moog Music says they will release two new instruments this month. For one, they’ve shared the front panel as a PDF on their site. And it looks like a real departure for Moog – an instrument with extensive arpeggiator and sound controls that looks unlike anything they’ve done before. The Sub 37 is a “paraphonic analog synthesizer.” “Paraphony” means the ability to play multiple notes, but without truly independent voices as on a polyphonic instrument. In the case of the Sub 37, the instrument appears to be duophonic. With that duophony, though, you get some extensive sonic controls and an …

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Synth Geeks in the Hills: Legends and Legendary Machines at Asheville’s Mountain Oasis [Gallery, Videos]

Mountain Oasis, indeed. Asheville, North Carolina, that land of impassioned musicians and Moog manufacture, is unusually blessed in musical riches, especially of the electrified variety. And where once Moog gathered informal performances from synth fans, a recent split in festivals has spawned not one but two blockbuster events, turning this southeastern US hamlet into a kind of mecca for musicians of all stripes. These multiply rather than dividing the events. So, now there’s Moogfest, which this year will happen in spring. And then there’s Mountain Oasis, which took place last month. Both are overflowing with spectacular headliners, in the form …

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Minifooger, Affordable Analog For Your Feet: Details, Photos, Video

I don’t know about you, but I’ve never witnessed a hotcake sale. I can’t say how “selling like hotcakes” goes down. Now we’re seeing more details of the affordable analog stompboxes from Moog. Looking like the ideal stomp effects for both musicians on a budget and the guitarist/bass player, these Minifoogers should sell as fast as hotc– well, as Minifoogers. What they have in common: Analog signal path, with “true bypass” (so when they’re off, they’re off) Aluminum enclosures Optional battery power Single expression pedal input for hands-free control (badly missing on many other nice analog effects) Control voltage input, …

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Leaked: Moog Minifooger Stompboxes, $139-199 [Uninformed Analysis]

American retailer Sweetwater leaked news of Maschine Studio yesterday; today, it’s pocket-sized, affordable versions of Moog effects that seems to be out of the bag. Yes, it’s a rumor, non-official, unconfirmed, yadda yadda – but this one’s hard not to believe at face value, it makes so much sense. The units, many of which appear to be intended for combination with an expression pedal: Delay, US$199: bucket-brigade analog delay. Tremolo, $179: Tremolo pedal with sub. Boost, $139: Both volume pedal and “boost” functions, each with either a more Moog-like voltage-coltrolled amplifier or a classic-sounding operational transconductance amplifier for overdrive. Drive, …

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Moog Says Goodbye to Little Phatty with Lush Video, as Company, Synths Grow

What an extraordinary time of transformation it’s been in music instruments – one which has coincided unintentionally with the development of this site. When the Little Phatty first hit the market in 2006, it really was a very different era. While Moog Music had already shipped the Voyager and brought back Bob Moog’s name to their products, the market was dominated by digital instruments and in particular big workstations. Now, a whole lot of keyboards follow the path established by the Little Phatty: provide affordable instruments for musicians, use analog circuitry, embrace the monosynth, adopt one-to-one control of parameters. It’s …

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