Any CDM readers who live in Chicago should check this out- it’s a weeklong festival exploring/celebrating sound design, motion graphics, and the overlapping regions occupied by both.

In addition to the week’s worth of discussions and skillsharing classes, there will be two “showcase” nights, Saturday Jan. 19th and Sunday Jan. 20th. For those interested, I will be exhibiting two audiosculptural pieces, Octophonopod and Snowy Day during the event on Saturday. There’s a riduculous amount of talent on both nights, amounting to some of the most fresh and innovative people working in sound and motion graphics today.

[- Michael Una]

When purchasing an audio mixer, DJs are quite literally spoilt for choice. Visualists are a little constrained though, with only a handful of companies making a couple of vision mixer models each. This situation is improving rapidly though, with companies such as Vixid getting in on the act with their upcoming VJX16-4, and DJ company Numark with their AVM01 and recently updated AVM02.

I purchased an AVM02 when it was released in Feb, and have been testing it out in preparation for 2 months touring Australia with a rock star.

While I’m very excited about my AVM02, there seems to be some definite resistance from the VJ community as it doesn’t include some features we’ve come to rely on (MIDI, easily accessible effects parameters). However, for DJs wanting to expand their performance to include visuals this may be just the right mix of audio and video.

Unfortunately the lack of MIDI will probably turn off live musicians who are too busy actually playing their instruments to mess with manually selecting video channels and crossfading. Let’s hope Numark release a MIDI capable AVM03 soon.

In the next couple of years I see this product lineup in the video market expanding similarly to DJ mixers, with different layouts, effects and options available for “turntablist” style highly-technical VJing, live looping with onboard sampling and effects, battle-style VJ mixers allowing you to mount your DVD player sideways and tag over your DVD labels like the hiphop kids do… In the meantime the AVM02 is really the only A/V mixer available at anywhere near this price point, and it does a superb job too. If you’re a visualist branching out into the frightening world of audio, a DJ looking to add video to your set, or just someone looking for a solid, competitively priced vision mixer, you should definitely give the AVM02 a try.

Read the full article on CreateDigitalMotion.

Tonight here in New York, I’ll be presenting a free workshop on detecting and visualizing motion from camera inputs, which may be of interest not only for those of you eagerly anticipating the new Create Digital Motion site, but also anyone who’d like to use cameras as controllers for music. Full details after the jump.

If you’re not in New York, don’t fret; I plan to organize this stuff and have online examples/tutorials in the near future. But if you are there, say hi! And yes, I finally plan to deliver on my New York CDM get-together promises in June; my schedule will finally allow that.

Still from a recent performance with Eric Dunlap and Mare Hieronimus at Eyewash, the visual performance series in NYC.

Okay, wannabe cyborgs, you know you want it: no matter the price, you have to have a robotic armature on your body that sends MIDI data. The latest, via Engadget: the Gypsy MIDI controller. (Wait a second, the gypsy MIDI controller? Now, that doesn’t sound very cyborg. Marketing department, please?) It’ll cost you US$855 an arm, or US$1,675 for the whole suit (best value, as the marketing people would say). Sound pricey? No, that’s about typical in the history of these kind of mechanisms. Speaking of which, despite their claims, this is not the first device of this kind. But it can perform wirelessly, and comes configured out of the box for DJs — now that’s new. Let’s take a look at this latest entry, and see which other attempts I can remember . . .