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MOTU Track16: Finally, Slim-Line Audio Interface That Doesn’t Sacrifice I/O? [Preview]

Try a little thought experiment. In one column, write down everything you want in an audio interface. You probably come up with things like physical controls, proper meters so you can see levels, and lots of ins and outs (including digital and MIDI). Now, in another column, describe what you want it to look like. (You can draw a picture.) There are interfaces that will satisfy the whole wish list of the first category. But very often, they come in a big, hulking rack-mount case – actually perfectly ideal for dedicated studios or people who tour with a truck, but …

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prevecrowd

A World of Sounds: Academik’s Francis Preve Shares Label’s Music, Studio Advice, Samples for Live

Francis Prève works the crowd. Photo courtesy the artist. The abundance of music, and the preceived ease of producing it, comes to some as bad news – or even harbinger of apocalypse. But load up a craft with quantity, and quality is what stands out. Francis Prève is a perfect Renaissance producer. With years of experience as a music technology journalist and sound designer, his own, signature flavor of tech-house is uniquely focused on timbre. His label, Academik Records, debuted last year at Austin’s South by Southwest, but it’s just now kicking into high gear. (If you are in Austin …

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Digital Performer Runs on Windows; Hell Freezes Over; SONAR Left in the (Windows-Only) Cold

Digital Performer, and Performer before it, has been a Mac-only program for almost as long as you’ve been able to buy a computer called “Macintosh.” The first Performer release was available in 1985. (Professional Composer, before that, was out in ’84.) Performer, accordingly, has had a big impact on the history of the sequencer, and later the audio and MIDI arrangement hybrid that came to be known as Digital Audio Workstation, throughout the history of the genre. But it’s never run on any Microsoft platform – until now. In an announcement I doubt anyone saw coming, MOTU has announced they’re …

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MachFive 3, in Pictures: Hybrid Sonic Powers, Nerdy Programming Features, and Prettiest Sampler Yet?

MOTU’s MachFive sampler, while perhaps not getting the kind of attention rivals from NI and Steinberg have, has had in its history some compelling features. Those features were in a multi-window interface, though, that not all of us loved – while I can’t find the review, I know when I covered it for Keyboard, I praised powerful editing features like the slicer but lamented the UI. MachFive’s new UI looks radically different. The tabbed layout and modules and preset browsing all recall NI’s products, but there are new twists, too, like slick, readable waveform views, gorgeous EQ visualizations borrowed from …

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audioexpress

Mixing and Audio Interface, in the $450 MOTU Audio Express

The competition for your audio interface dollar is pretty heated these days, but MOTU’s latest – the Audio Express – packs a pretty impressive feature set for something costing US$449 list. It’s both a 6×6 audio interface and a mixer, with standalone mixer functionality so you can mix signals from the front-panel knobs without a computer attached. It also has connectivity features generally seen only in pricier, physically-larger boxes. MOTU tells CDM the quality is equal to their higher-end offerings, and other rivals in the $500-800 range. MOTU winds up on my short list as far as hardware that makes …

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28 Ins, 30 Outs, Loads of Features, as MOTU’s 828 Meets Firewire and USB2

FireWire may be getting rare these days, but new hardware proves that doesn’t mean serious external audio interfaces are in any danger. In the latest iteration of its tried-and-true 828 line, MOTU combines both Firewire and USB 2.0 for Mac or PC, and a wide range of features. The MOTU 828mk3 “Hybrid” in a nutshell: 28 inputs, 30 outputs. Combo jacks for 1/4″ guitar in, XLR mic. Phantom power, of course. Balanced/unbalanced 1/4″ analog ins and outs running at 24-bit/192kHz. Separate main XLR outs with dedicated volume controls on the front panel. (Quick, turn that down!) Two headphone jacks with …

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MOTU DP Gets Native iPhone, iPod, iPad DAW Control Free

Mixing, transport, and other shortcuts now appear on Apple mobiles with the newest version of MOTU’s Digital Performer (DP) DAW on Mac. Photos courtesy MOTU. First-party touch control is gradually coming to big-name DAWs. There are plenty of third-party applications that allow control of music software, but until now, we’ve only seen Cubase iC from Steinberg for native control. Anyone who was betting Apple would be first for GarageBand or Logic, guess again – following Cubase over one year earlier, MOTU Digital Performer now comes with bi-directional mixing, transport, and editing features. (This should come as little surprise after MOTU …

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MOTU Digital Performer Adds Native OpenSoundControl

And there were three – three major production apps now have OSC control. Once considered the domain of “DIY” apps or developers, OpenSoundControl is beginning to look like a viable option for open, standardized controls of music apps. Open-source Mac/Linux DAW Ardour has fully-documented OSC support as we saw in the spring, and this week tracker Renoise added OSC in a public beta. They join environments like Max and Pd, and a wide range of live visual software. Add to that list DP. MOTU’s Digital Performer is the first mainstream, commercial DAW heavy-hitter to get OSC support, in its 7.2 …

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DIY MPC: User Builds the Controller MOTU’s BPM Drum Sampler Forgot

David Pogue made the immensely-successful Missing Manual book series in order to fill in for the manual that should have been included with software. But an impassioned fan of MOTU’s BPM drum sampler went further than that – a lot further. Simon (ssp/plastikaudio) has constructed an entire hardware controller for BPM. It gives MOTU’s software tangible form, with more than a little nod to the classic Akai samplers and Roger Linn. The form factor is oversized and roomy, with big knobs and faders and pads you can reach out and grab – no tiny hands or mice required. Now, naturally, …

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