In what is proving to be a NAMM week bonanza for lovers of hardware effects, Korg’s Kaoss Pad Quad may be the best bang-for-the-buck. You can control up to four effects simultaneously, all via the trademark KAOSS-style touchpad, triggering effects you want via single-button toggles. (In fact, this device reminds me in a good way of the superb but sadly now-defunct Entrancer KPE-1 video device, in that everything is neatly accessible.)

Plug in your input from an external source or use the onboard mic input, then control effects from the touchpad with multi-color LED effects for visual feedback. There are four basic modules – looper, modulation, filter, and delay/reverb – each with variations, so that Korg promises 1,295 combinations. (That’s an utterly meaningless number to me, but I’ll take their word for it.)

There’s also a “freeze” effect for each module, so you can lock its settings in place. Some effects:

• Multi-mode looper with reverse and loop slicing.
• Vinyl break.
• Ducking compressor.
• Automatic BPM. But real men and women use the onboard tap tempo instead, so pretend you didn’t read that.
• Pitch shifter, grain shifter.
• Reverb, delay, tape echo.

All that’s missing, really, is MIDI input – it’s intended as a self-contained device, and any sync will be up to its auto BPM feature or tapping in tempos.

If you’re in my house, you’re not allowed to use the fake vinyl break effect. Sorry, them’s the rules. (Keep them for the next time you need to score an MTV reality show.) But otherwise, this looks useful. And at this price, with this kind of ready-to-play control, the whole device looks pretty irresistible. Korg’s ability to keep churning out KAOSS stuff people love is kind of ridiculous.

Kaoss Pad Quad [Korg]

Electro-Harmonix has made a quick-and-dirty vocal effects box. Usable parameters, good fun, and $200 – sure, it may not be the highest-fidelity vocal box ever, but what’s not to love? Our friend Collin Cunningham at MAKE gets the jump on this one.

It’s got some surprisingly unique features:

• 256-band vocoder “designed by the same EMS genius who made vocoding famous,” they say
• It will harmonically match electric instruments as well as vocals.
• 2- to 4-part harmonization, at the 3rd and 5th (labeled “Low” and “High” in case you slept through Music Theory class)
• 9 programmable presets
• Gliss
• Gender bender male/female formant mod (which actually sounds decent, and could be fun with instruments, as well)
• Mic pre, phantom power, balanced XLR output (thanks for not making this like a cheap consumer toy)

And the whole thing is built in NYC. I have to go see where they’re making these things.

I think this line is hilarious: “Diana Ross had the Supremes, Brian Wilson had the Beach Boys, Kraftwerk had The Robots. You have the Voice Box.”

Well, speak for yourself. I want the Kirnaires backing me up (matching sweaters and all) and I still want a Voice Box.

Above: proof you can have a product demo video that isn’t lame. (I’m looking at you, um … almost entire music instruments industry!)

EV appear to have seeded these to other folks to make some YouTube videos. You know what that means: it’s time for a really odd and wonderful cover of Knights of Cydonia. That’s funny, “No One’s Going to Take Me Alive” is the line I last used when I neglected to return a demo hardware loaner.

For an impressive, competing line of products, check out the TC Helicon line. They’ve recently offered up the smaller, stompbox-style Voicebox line, which nicely reduces their high-end effects to a smaller form factor. It’s a good time to be a vocalist shopping for gear.