Gestrument, Shaping Music with Kinect, Touch, and Acoustic Ensembles [Videos]

Swiping through clouds of timbre and melody, using Gestrument is an experience of a different musical animal. Jesper Nordin and Kymatica / Jonatan Liljedahl created the iPad version, available now for ten bucks. But it’s worth looking at that side by side with Gestrument for Kinect, as the same metaphors can translate across input methods. Both employ a kind of meta-composition – instrument as conductor of musical structures, more than an object for exclusively solo expression. What’s especially nice is hearing these digital, synthesized environments meld with acoustic instruments. The solution may not convince everyone yet, but there’s clearly potential …

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Worth A Thousand Words, Easy: Videos Tour WaveMapper iOS App with Creator

You can see only his fingers and hear his voice, but that’s Wolfgang Palm narrating walk-throughs of his WaveMapper app, seen here last week. And he’s one important guy doing these screencasts. Hamburg-born Wolfgang built synths for Tangerine Dream, and developed ideas in wavetable synthesis and inter-synth communication that would come to impact every digital synth made since. And watching this probably makes more sense than reading my explanation from last week. I know owners of the previous PPG synth on iOS might have liked this in a new version of that app. But here, with the “mapping” matrix applying …

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livefx

LiveFX: Touchable Effects on the iPad – Any Source, AudioBus App, 12 Years After KAOSS [Videos]

It’s hard to believe it’s been 12 years since the introduction of Korg’s influential KAOSS Pad. Now, Dutch developer Victor Bergen Henegouwen gives a nod to the Korg hardware with a new iPad app. And Victor writes CDM to let us know it’s hit the iTunes Store now. Like the original KAOSS Pad, you can use any instrument or source, in a way that could appeal to DJs, musicians, and producers alike, and control effects with a sweep of your finger. But in the context of an iPad, LiveFX adds multi-touch control, free mixing of parameters, and the ability for …

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In-app editing, at last. Without switching to your Mac or PC, you can now edit or create layouts right on Lemur. Images courtesy Liine.

Make Controller Layouts Right on an iPad: New Lemur Arrives, LiveControl 2.0 Soon [iOS; Gallery]

Once the layout is done, using an iPad as an interactive, do-anything-you-want, Star Trek-style music and visual controller is a unique pleasure. But as your fingers surf through virtual knobs and faders, the idea has surely occurred to you: why can’t I actually do my editing and layout on the iPad? Lemur is perhaps the most powerful controller app anywhere, a terrific demonstration of why a tablet controller can be useful. And its editor – directly descended from the editor that went with the original, pre-iPad Lemur hardware – is powerful, unquestionably. But switching between an editor on the desktop …

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konkreetonipad

Hands-on: Spacey Futuristic Beat Control, as Konkreet Performer for iPad Meets Reaktor

Connecting Reaktor 5.8 with Konkreet Performer from Konkreet Labs on Vimeo. Mapping control from one place (like an iPad) to another (Reaktor) is tough to describe, but easy to see. Watch as strange, spacey geometries control futuristic generative sounds and beats, and it all starts to make sense. And so, this hands-on video is a brilliant example of why we get excited about new control methods, here in the form of better OSC support in Reaktor 5.8. Konkreet Labs’ Konkreet Performer is an ideal candidate, eschewing traditional MIDI knobs for interfaces that delight and challenge the user. And it’s little …

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What if your DAW were completely open-ended and modular, allowing you to send audio and control anywhere, and control from any device - including touch? Or, if that's too abstract for you, what if Usine ran on the Mac?

Sensomusic Hollyhock: An Open-Ended, Modular DAW from Usine Makers, Now Mac + Windows [Beta Preview]

Driven by musicians’ need to do a lot of the same things, and expecting certain ways of doing those things, DAWs have traditionally been mired in the same molds. Sensomusic Hollyhock, an upcoming DAW from the makers of Usine, promises to be genuinely different. Like Usine, it’s built around an entirely open-ended, modular environment – you can patch together only what you need, and can patch together just about anything. But building on Usine, Sensomusic have created an entirely rewritten app, with new audio engine, rebuilt interface, new MIDI management, and, among other things, cross-platform 64-bit support for Windows and …

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wablet

Make a New Sound: Scanned Synthesis on Wablet for iPad Features Utterly Mad Meshes

It’s a good sign when you need to invent a new verb to describe using a music tool. And so, get ready for some wabbling. Feel like there aren’t any new synthesis techniques? Scanned synthesis is a reasonable example. Fundamentally, it involves wavetable synthesis – producing new sounds by playing back recorded wavetable content – but navigates those sounds by “scanning” through pitch and timbre independently at slow speeds. By doing so, it simulates slow vibrations in the real world, and it leans heavily on the way human physical control and hearing work. The technique was developed by Bill Verplank …

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samplr

Samplr is an OP-1-Inspired iPad App Focused on Touching, Slicing Waveforms

On computers and most hardware, waveforms have been a “look, but don’t touch” affair. Now, that view is coupled with multi-touch capabilities. Samplr is, as the name implies, an app that focuses on working with sound. With rhythmic slicing modes and multi-touch manipulation of samples, it’s a lovely-looking way to surf sounds from your fingertips. Some of the sonic modes, and certainly the visual appearance, take more than a passing inspiration from Teenage Engineering’s OP-1 hardware. That said, the actual modes are a bit different, though they draw on some of the “tape” concepts, and the actual workflow with touch …

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Not available in stores: the custom touchscreen solution, running an original sampler, that turns Hans Zimmer's musical ideas into reality. Mark Werry is the person who made it all possible.

Interview: Mark Wherry, Man Behind Hollywood’s Digital Musical Instruments, Hans Zimmer Collaborator

Computer innovator Alan Kay famously said, “The best way to predict the future is to invent it.” Mark Wherry is doing as good a job as anyone of inventing that technology. Powering scores from the latest Batman films to Inception, working closely with Hollywood’s leading meastro Hans Zimmer, the work Wherry is doing really does invent instruments in order to invent sounds. New samplers, new touchscreens, new rigs all have to come together just to keep up with the feverish sound design demands of film and game titles. And with sophisticated surround delivery, at a time when studio veterans complain …

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Audulus, looking quite nice on iPad. Click for the full-sized version. Courtesy the developer.

Patch Anything: Audulus Could Be Killer Modular for iPad [Exclusive Video]

Sometimes, it can be quicker and more expressive to simply patch together what you want from basic building blocks, rather than wrangle with something built for a specific purpose. And that explains the ongoing appeal of modular software environments. Audulus is an elegant, efficient modular environment on the Mac. It’s not as deep or broad as some alternatives, but it does bring a range of ideas to making these features easy to use. And now, it’s coming to the iPad. That’s significant for several reasons. First, it could be one of the nicest modulars to grace the iPad, for people …

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