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	<title>Create Digital Music &#187; musikmesse</title>
	<atom:link href="http://createdigitalmusic.com/tag/musikmesse/feed/" rel="self" type="application/rss+xml" />
	<link>http://createdigitalmusic.com</link>
	<description>Making music with technology</description>
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		<title>Preview: Circle Synth Does OSC, Live Performance, and Flow</title>
		<link>http://createdigitalmusic.com/2008/03/preview-circle-synth-does-osc-live-performance-and-flow/</link>
		<comments>http://createdigitalmusic.com/2008/03/preview-circle-synth-does-osc-live-performance-and-flow/#comments</comments>
		<pubDate>Tue, 11 Mar 2008 21:49:52 +0000</pubDate>
		<dc:creator>Peter Kirn</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[circle]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[future-audio-workshop]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[musikmesse]]></category>
		<category><![CDATA[previews]]></category>
		<category><![CDATA[soft-synths]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[Windows]]></category>

		<guid isPermaLink="false">http://createdigitalmusic.com/2008/03/11/preview-circle-synth-does-osc-live-performance-and-flow/</guid>
		<description><![CDATA[Something interesting is happening in software synthesizer design: after years of trying to boast more of ingredient &#8220;xx&#8221; (whether it&#8217;s modulation, eight-zillion-point envelopes or other whiz-bang features), the new challenge is to make the user experience itself different. The challenge: don&#8217;t just do more sonically &#8212; make it easier to actually make music. I&#8217;ve personally &#8230; <a class="btn read-more" href="http://createdigitalmusic.com/2008/03/preview-circle-synth-does-osc-live-performance-and-flow/">Continue &#8594;</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://createdigitalmusic.com/files//2008/03/circle.png"><img height="369" alt="circle" src="http://createdigitalmusic.com/files//2008/03/circle-thumb.png" width="580" border="0"></a> Something interesting is happening in software synthesizer design: after years of trying to boast more of ingredient &#8220;xx&#8221; (whether it&#8217;s modulation, eight-zillion-point envelopes or other whiz-bang features), the new challenge is to make the user experience itself different. The challenge: don&#8217;t just <em>do</em> more sonically &#8212; make it easier to actually make music. I&#8217;ve personally been a big fan of the elegant tabs in Cakewalk&#8217;s Rapture, the minimalist aesthetic of Ableton&#8217;s Operator, and the drag-and-drop routing in Native Instruments&#8217; Massive. Now, could one instrument really leap forward in terms of guiding its design?</p>
<p>Circle is one of the most ambitious soft synth designs I&#8217;ve seen yet. Its core features read like a wish list for what a modern soft synth would do:</p>
<ul>
<li><strong>On-screen routing</strong> designed for the computer screen, with color-coded circles, drag-and-drop, previews &#8212; and no silly virtual cables. (Sorry, Propellerhead.)
<li><strong>OpenSoundControl support</strong> for the Monome, Lemur, Wacom tablets, whatever you&#8217;ve got &#8212; along wih easy MIDI learn.
<li><strong>&#8220;Live performance&#8221;</strong>-optimized UI &#8212; actually very much a kindrid spirit with tools like Ableton Live or FL Studio in design aesthetic, workflow, and accessibility, but in a synth &#8212; just the thing if you&#8217;ve felt a gap between the sequencing workflow and the synth / sound design working method. And you can even swap presets with an Apple Remote if you&#8217;ve got one.
<li><strong>Easy sound design </strong>(more on this soon)</li>
</ul>
<p><span id="more-3130"></span></p>
<p>The sound engine itself is a good survey of the kind of tools you might want, with a mix of analog- and digital-style waveforms and modulation, but plenty of oddball wave shapes and modulation and effects thrown in, too.</p>
<p>What I like best about developer Future Audio Workshop&#8217;s approach: rather than be the most powerful or the most sonically unusual or the most feature-laden instrument, they want you to achieve a sense of creative &#8220;flow.&#8221;</p>
<p>But I really can&#8217;t <em>talk</em> about the instrument very well as a result &#8212; have a look at the demo videos, and I think you&#8217;ll be as intrigued as I am. (I&#8217;ve been working a little bit with an early build, and really like it a lot.)</p>
<p><a href="http://www.futureaudioworkshop.com/">Future Audio Workshop</a> (skip to the videos, really)</p>
<p>Mac / Windows (Intel, Vista, AU, VST, RTAS)</p>
<p>Pricing TBD (but expecting a fairly reasonable price point); available soon</p>
<p>Stay tuned, as I&#8217;ll be making some music with this software over the coming days and want to report back in more detail &#8212; particularly when it comes to evolving OSC connectivity for hardware like the Monome (and software connectivity, too, naturally &#8212; would be great to couple this with Reaktor, for instance).</p>
<p>If you&#8217;re at Musikmesse in Frankfurt, stop by and say hi to the developers. They&#8217;re also keeping a <a href="http://www.flickr.com/photos/futureaudioworkshop/">Flickr stream</a> of the new goodies at the show &#8212; not just theirs. Hope they&#8217;re able to break away from the booth and look around.</p>
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