Singing Circuits: Who Needs Synths When a No-Input Mixer Sounds This Gorgeous?

Hypnotic and chant-like, this Christian Carrière composition hums and vibrates with what sounds like a chorus of electronic synthesizers. But that’s not what you’re hearing. It’s actually all a “no-input mixer” – a rig that makes use of controlled feedback rather than any other source of sound. It is, as Montreal-based composer Christian describes it, the sound of the circuits inside the mixer singing. And while you may associate feedback with angry distortion, here it’s beautifully tranquil, the rich tones of the circuitry themselves transformed into oscillators. The patterns and layers are all made with a looper. 35-minute mix:

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No-Input Pärt: ‘Fratres,’ Played on a Mixer, is Eerily Beautiful

Arvo Pärt’s music is always spare and gorgeous, inspired by Medieval counterpoint and voicings, and you’d expect it to be such on any instruments. But here, you get something truly unique: a transcription of the composer’s ‘Fratres,’ normally played on string quartet, on a mixer. The no-input performance uses exclusively tuned audio feedback to generate sound, creating an almost vocal quality to ringing timbres generates entirely in the mixer. Details: Camera : Jimmy Hayes Console : Christian Carrière Research residency, Summer 2011 OBORO, Montreal, Canada oboro.net/ Console : Allen&Heath GL2400-40 Thanks to Claus Frostell of Erikson Pro, who lent me …

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