IMG_4055

A report from the futuristic Continuum Fingerboard’s first Con

The 19th Century was the century of the piano. The 20th Century, for all its innovation, still saw the piano keyboard as the dominant interface for all those new sounds. But the 21st Century finally looks to offer some choice. And so it’s high time for the Continuum Fingerboard to get its day. The instrument allows you to find pitch as you can on a piano keyboard, but with expressive continuous control both in pressure and position – letting you bend pitch and shape sound more fluidly. Now having inspired instruments like the ROLI Seaboard (and with ROLI raking in …

READ MORE →
animoog

Making a light sculpture a musical instrument, played with Animoog on iPad

Light organs have been in use for generations. But this is the first generation that has grown up in a world of image and sound in which expression across electronic media might seem simply second nature. And oddly, as screens have become more ubiquitous, so, too, has thinking beyond them. What we see here, then, isn’t a projection. It isn’t a display. It’s a big bundle of lightbulbs, making rhythmic poetry in off and on once connected to a jumble of wires. Play the Moog app Animoog on an iPad, and that mountain of electronic junk winks back at you …

READ MORE →
System_35

Moog’s Historic Big Modulars Return – You Say You Want a Resurrection?

Synthesizers are now old enough to become “classics,” to have a canonical form – much like the Steinway D in pianos or the Stradivarius violin. So, that leaves us a choice: do we make something new, even if fashioned out of the old, or do we reissue the historical instrument as it originally was? Answer: all of the above. At NAMM this week, I expect you can find representatives from the whole spectrum between past and future. But the company that more than any other has defined what it means to be a “classic” is now setting their time machine …

READ MORE →

Moog Werkstatt-ø1 as Solder-Free Kit for $329 – But Expect a Fight to Get One

It seems popular demand worked. Moog’s peculiar, brilliant Werkstatt synth was a huge kit as a workshop-only build for premium Moogfest attendees in April in North Carolina. And not only that, the design swept the Internet. It seems your pleas were heard, as the instructional project is turning into a product. Just expect it to be in “extremely” limited quantities, says Moog, at a handful of their boutique-minded US dealers. Because it’s solder-free, even including those through-hole parts, the “kit” aspect is largely putting it together. But it’s still a clever, rich-sounding, versatile single-oscillator analog synth with some semi-modular routing …

READ MORE →

Moog Werkstatt: Listen to its Creator Make Sounds; Why It Could Bring Moog Back to Modular

The newest Moog Music synth is in the hands of a select few. Werkstatt means, effectively, “workshop” in German. And so, Moog Music at Moogfest this year unveiled a synth you can’t buy anywhere but in a workshop. (Not to be confused with the one you might be able to buy, but can’t afford! Start on those lottery tickets!) Available exclusively to Moogfest Engineer VIP Package purchasers, Werkstatt was more than just a fun piece of gear. Designer/engineer Steve Dunnington of Moog Music, creator of the instrument, led participants in soldering and assembling the synth, then into exploring the world …

READ MORE →

Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes [Videos]

Yes, it’s a good time to be in love with synths and drum machines. But for all the hype around those instruments lately, adventurous guitar effects are also seeing a new renaissance. While guitarists have always had a lovely palette of oddball stompboxes and grungy distortion and effects, they’ve lately been seeing more affordable, more accessible tools for sound design that had been more associated with synths. And, of course, wherever you see the word “guitarists,” any instrumentalists who need stomp form factor will also benefit – bass guitar, electric violin, experimental accordion, whatever. Say the name “Moog,” and most …

READ MORE →

Back to the Future: Waldorf Does 2-Pole Analog Filter; Moog Makes Crazy Futuristic Theremin

Our own Marsha Vdovin is working the NAMM floor, too, and her radar is leading her straight to some really nice gems. I had to pull two of these out, as they’re big surprises and look tasty indeed. And who would have thought a filter and a Theremin would be news? Well, these are drool-worthy, nonetheless. Waldorf’s mystery knob is the filter control from a big filter in a box. That’s right, Waldorf is introducing a 2-pole filter. And one heck of a 2-pole filter it is: Filter with cutoff and resonance, but also a Drive setting, Rectify, and switchable …

READ MORE →

Inside Strange Sounds, Gear, Made in America: Richard Devine, Make Noise [Videos]

The lust for new sounds can take many forms. It leads some to reduce, forcing themselves to stick to minimal choices to channel their creativity. It leads some to reuse and recycle, repurposing old gear. But it leads some into a quest for arcane racks of gear, spaghetti tangles of wires and flashing screens alike, a buzzing laboratory of choices and possibilities. For this chapter in the story, we take a peek at the modular obsessed and toy-packed studios, with Richard Devine, Make Noise, and friends. The southeastern USA is a pretty summery place now, the day before the Fourth …

READ MORE →

A Dirtier Moog: Inside Moog’s New Sub Phatty Synth; Gallery, Behind-the-Scenes Interview

Forget clean: we want things dirtier. What can you do with a two-oscillator synth to retain the classic design, but give creative sound makers a twist? This is looking like yet another week of new analog synths, as California celebates the biggest American music trade show, NAMM. Moog this week unveiled the Sub Phatty analog synth as their answer to the question. It’s still a very Moog approach to what a synth should be, but adds an aggressive edge thanks to the addition of the new Multidrive circuit, a filter-stage distortion and overdrive. We saw the guts of the Sub …

READ MORE →
elektron

Out-There Electrified Jazz, Trumpet + Electronics, Meets North Carolina and the Moog Factory

Look closer, as that’s not a Moog – it’s a clever, two-Elektron rig. Love that retro-styled case. Photo courtesy RPE Duo. Melding trumpet with live electronics and synths, RPE Duo is doing some hybrid jazz, further out. The pairing of (Doctors) Matt Postle (trumpet/synths) and Radek Rudnicki (electronics) is straight out of England – the two met while doing a PhD at the University of York – but here, we get to see it in the North Carolina hills. (Matt moved there, and they work remotely.) Synthesizers, southern fried. For the video here, they find a nice setting, too: the …

READ MORE →