Claude VonStroke plays Billie Jean, NYC from Dancetracks on Vimeo.

Michael Jackson fever may have already put you into overload, but 24-hour news channels aside, there’s still something powerful about the musical legacy people leave and the way it can become a shared experience. It’s something ineffable, well beyond the reach of words – but it can be something you get from a musical moment.

So you can imagine the feeling in the room Saturday night at New York’s summer-only Water Taxi Beach when Claude VonStroke played his own edit of Billie Jean. dancetracks got some video footage, but they tell us that the feeling in the room barely comes across in the video — a crowd going wild like New York’s clubland hasn’t seen in ages. (VonStroke owns Dirtybird and Mothership and is making his own mark on the American musical scene.)

VonStroke apparently finished his club-friendly edit on Amtrak from Boston down to New York the day of the gig, working entirely in Ableton Live.

It was striking to me, too, to hear from guys like Quincy Jones, whose work had one of the greatest impacts on the sound of the 20th Century of anyone, talking about Jackson’s musical talent. It’s tough to know, sometimes, what to make of Michael Jackson the person – least of all when he’s a distant celebrity. But as the global reach of music spreads further and further down the long tail, and as we even wonder if this kind of superstardom will ever happen again, at least the impact of the music is without question.

Claude VonStroke Plays Billie Jean, Club Goes Crazy [dancetracksdigital.com]

It’s easy to forget how deeply strangers can be connected by music in recordings and performances. Sadly, we too often take this connections for granted until we lose someone. When Telefon Tel Aviv’s Charlie Cooper passed away earlier this year, the loss sent shockwaves through the electronic music community. Because his work was influential for many people here on the CDM community, we certainly welcome musical tributes.

Our friend King Britt of Five Six Media today posted a couple of heartfelt, beautiful tracks from Fhloston Paradigm, a mysterious duo from Philadelphia. They’re described as “songs of love and admiration.” I’ll leave it at that and hope you enjoy them. One thing, happily, musicians do not have to leave behind: silence.

Download / play links on this story require Flash.

Direct link to Five Six Media:
FREE DOWNLOAD: FHLOSTON PARADIGM TRIBUTE TO CHARLIE COOPER

I’m incredibly saddened to learn that Charlie Cooper, half of Telefon Tel Aviv, has died at age 31. His death on January 22 was revealed by Josh Eustis on the Telefon Tel Aviv MySpace page.

We have been so fortunate to tour the world together, while at the same time having a massive amount of laughs at one another’s expense.

Aside from Charlie’s singular genius and musical gifts, I can tell you that he was a total sweetheart of a guy, and a loving friend and confidant to people everywhere. His musicianship was surpassed only by his greater gift to the world – his warmth, his generosity, his unquenchable humor, and his undying loyalty to those whom he loved. In the spirit of honorable mention, however, I should mention that he had a shoe collection that was marvelous, knowledge of hip-hop that was profound, and knowledge of wine that was subtle.

He is survived by a sister, a neice, a nephew, his mother, his stepfather, me, and more adoring friends than the Universe has dark matter. As such, his family and I ask for your discretion and consideration of our privacy during these extremely turbulent waters.

Reflections on the news from CDM contributor Liz McLean Knight:

Fairenheit Far Away: Charlie Cooper of Telefon Tel Aviv will be missed [Liz Revision]

I certainly wish to respect the privacy of his family and friends, but I suspect that his musical celebrity is such that some of the details of this tragedy may inevitably become public. XLR8R.com points to a CBS Chicago report that he went missing last Wednesday night; an autopsy is scheduled.

RIP Telefon Tel Aviv’s Charlie Cooper [XLR8R.com]

Elsewhere:

Our friend Charlie Cooper from Telefon Tel Aviv has passed away. An unstable time caused by concrete facts and when it is decided that things have settled – it is we who have changed.

A Friend Passes [TRASH_AUDIO]

My heartfelt condolences to Charlie’s family and friends. The musical world will miss one of its great innovators and creative spirits.

I’d certainly welcome thoughts and memories from readers and ways in which we can honor his memory. Feel free to leave ideas in comments.

Sad news has arrived via Scott Looney:

I have the sad news to report that STEIM’s founder Michel Waisvisz died peacefully in his home last night "after fighting the mean cells in his body for eight months" – which i assume is a reference to the cancer he had been battling. Michel developed one of the very first alternative controllers in the 1970’s called the Hands and subsequently the Krakdoos – aka the Cracklebox. He subsequently founded STEIM and served as its head for 27 years, and inspired many musicians and improvisers around the globe.

Obituary at STEIM:

Michel Waisvisz

I imagine STEIM will accept gifts in his honor, but haven’t yet seen details. Our condolences to the friends and family of a brilliant visionary.

It’s been a rough week for electronic music — having lost Bebe Barron, we’ve now lost one of the other great early pioneers of electronic music, South Australian Tristram Cary.

Tristram is credited by some as the father of tape music, originating tape music techniques in World War II. He’s notorious to the general public and sci fi fans as the composer of the music for the Daleks in Doctor Who (along with other music) — like an evil counterpart to Delia Derbyshire, who built the studio Cary would later use. But he was also a pivotal composer of music for film, electronics, voice, and instrument alike, a well-known Australian music critic, a leading figure in studios and academies, and, oh, yeah, he did the visual design (product design, really) for the legendary portable VCS3 "Putney" synth from EMS, the synth maker of which he was a founding Director.

It’s safe to say that, out of this web of contributions to electronic sound, Tristram Cary is another of those people who charted the course for what music technology is today. From the technology to his extensive music to his work in popularizing musique concrete in England, his impact is felt even by those who don’t know his name.

Christian Haines writes to let us know of Tristram passing, evidently following a long illness.

If you don’t know his work, there’s no time like the present to discover what he’s given us.

Official Tristram Cary Site

Wikipedia article, with lots of references and an extensive composition list

Resources at the Australian Music Centre

EMS, the "Moog Music of England", lives on (apologies to our UK readers, but Americans are just discovering EMS); see also the Synthi blog

And for a little Tristram Cary listening:

Trios LP by Tristram Cary (EMS) is a trio of EMS synth plus turntables; full tracks on the Synthi blog courtesy the composer. Really brilliant sounds:

And, you know, looking at all of this I’m reminded of why things like the Dalek connection are important. For whatever reason, mysterious science fiction worlds have been the entry point for listeners around the world into the sometimes alien and frightening new timbres of electronic music. We’re all lucky enough to have grown up in a time in which we’re challenged to create music that evokes other parts of the universe, real and imaginary.

Christian sends along a complete obituary provided by the Director of the Elder Conservatorium, David Lockett: