Stockholm-based design technistas and boutique synth shop Teenage Engineering have evidently worked out how to keep busy and brighten those dark Swedish winters. They showed up in Southern California this week with a slew of new stuff to show off. And while mention of their OP-1 synth may elicit controversy in comment threads online, their booths are crowd pleasers. In contrast to the buttoned-up, business-like atmosphere of a lot of tech vendors at NAMM, TE’s whimsical science lab seems to spill out onto the show floor, and – along with more analog-tilted booths Big City and Analog Haven – attracted crowds like no other tech.

What was actually going on? There’s a new OS update and a new product. The OS update delivers new drum and sequencer modes and badly-needed MIDI sync, plus cool MIDI modulation. Combined, it seems the OP-1 has really matured – sync alone removes a major obstacle for some adopters.

The new hardware is Opbox, a combination USB host / MIDI / CV box with analog sensors – and it has pretty plug-in modules and even custom-made shoes to match. The shoes may not be terribly practical, but the Oplab fits a unique niche in hardware I/O and DIY projects – provided it’s a niche that people actually want. We’ve got some details plus some exclusive images.

OP-1 Update

New in the OS:

• Finger step-sequencer, with 32 step patterns per key and 14 polyphonic patterns. (It’s an unfortunate name, given that’s also Tim Exile’s excellent Reaktor creation. Toe? But it looks cool.
• DrumBox, a drum synth. More on that in a second.
• MIDI LFOs for modulating four parameters at once – very cool.
• MIDI sync – at last, you can sync to clock messages.

Bonus: you get Reason integration (if you enjoy superior Swedish engineering), and, oddly, a game.

http://www.teenageengineering.com/products/op-1/os-update

I ran into CDM reader Neil Bufkin on the show floor, and he’s back with a new video of the OP-1 update and other goodies. Watch:

Teenage Engineer David Ericksson also shares some thoughts with CDM on DrumBox:

The idea behind DrumBox is to provide a spiced up version of classic beat box designs with everything from digital wave-shaping to FM and more. You get 24 keys each with a custom 2 oscillator setup where you can morph between different modes. The same knob also includes a volume envelope to balance the drum sounds. It’s been very tricky to build this up using only 8 parameters and still get a versatile drum machine. The payoff is that it’s pretty hands on and when you start using the LFO’s to control these params you can really do crazy stuff.

TE also shares with CDM the rough sketch from which this feature originated, plus a look at how it looks in the final product:

Oplab

Oplab is an all-new product. It’s marketed as complementing the OP-1, but it’s really a general-purpose board. Imagine an Arduino-like prototyping platform on steroids, with stuff you’d want to use for music applications. And then imagine that, much to the surprise of me and a number of other people with whom I spoke, that they made a bare circuit board look strangely beautiful and finished. This board looks better than a lot of housings. In one box, you combine lots of I/O connections and inputs for sensors.

• Three USB connections. One turns the Oplab itself into a USB device, so you can connect to a computer. But the other two are USB hosts. That means you can use the Oplab with USB devices and no computer in sight.
• Three MIDI connections. MIDI IN, MIDI OUT, and then a third MIDI port that can be either THRU or SYNC24.
• 2 CV in, 2 CV out for analog connections – using any analog connection you like.
• Program select switches. Easy access to settings.
• Ins and outs for anything else. 2 12-bit connections can be switched to input or output, so you can do everything from add sensors to use as music controllers or drive lights or motors. Now, that’s not many connections – but notice also the headers and coming development kit.
• Plug-and-play sensors. For those who want something that lets them hack around without having wires pop up or worrying about delicate, exposed boards, TE is making ready-to-use sensors. Flip is an accelerometer, Poke a pressure sensor, and Tap a piezo. You could also make your own and save some scratch.

http://www.teenageengineering.com/products/oplab/

All of this goodness costs you – US$299 is the price for the board, sensors costs $49 each, and the pretty red tray with the sensors and board all put together top US$425. But you do get some fairly sophisticated functionality in the form of adding MIDI and CV and USB hosting. Hosting isn’t easy. This also opens up some new interconnections with devices like iOS and Android and the OP-1, since the USB hosts can negate the need for a dedicated computer for USB MIDI gadgetry.

In fact, it’s nice to see a polished, designed product that does this kind of DIY stuff; that’s something we had seen in past entries from vendors like Eowave but had largely fallen away in recent years. There’s just no question that if you’re on a budget you should look to other ways of doing this. And I think the bigger question is whether people will like this I/O setup. It won’t suit people with lots of CV, and it’ll be overkill for people with simpler setups. My guess is it’ll make a lot of people happy in between, but I honestly don’t know. Let us know if you’re intrigued.

All of this is capped off by more Teenage oddities. The latest addition: they’ve designed their own custom shoe, complete with a pouch to hold their accelerometer.

More information – and lots of ideas for how you might use the Oplab, put quite articulately if a bit scant on technical details – at:

http://www.teenageengineering.com/products/oplab/
http://www.teenageengineering.com/products/op-1/os-update

Updated: Making Over Your Lifestyle with Design

Comments are getting a bit … heated … below. So, I simply wish to take this opportunity to say, if you don’t like the chic design of Teenage Engineering’s products, you can be easily replaced.

(PS – IKEA is now based in the Netherlands, so it’s fitting this is a Dutch, not a Swedish, film. But watch and learn. Now, if you’ll excuse me, I’m going to pop open a can of Budweiser and use a real synth – one with wooden endcaps – in the back of my truck, before catching the NFC championship football game. None of this Swedish nonsense. And remember, all national stereotypes in your head are completely true! America!)

It bears saying: a lot of the taste for Scandinavian design was cultivated in the US. Along with other European modernists, key designers settled places like Los Angeles, and their style mingled with American style. If you don’t like the looks (or, crucially, function) of this, tell us what you do like: more variety is better.

What’s the sound of ten Stylophones buzzing?

Truly awful — deliciously so.

Answering the question on everyone’s mind, “how could we form a band using nothing but Stylophones, and what timbres would result?”, the Los Angeles-based troupe LA Stylophonic here plays original music for the stylus-controlled electronic instrument. Adding that many Stylophones together produces a sound that can best be described as … well, unique, certainly. Composer Paul Fraser does actually give them some musical meat into which the ensemble can sink their teeth, with a minimal music-inflected, rhythmic composition that lets that buzzy, edgy sound fly. I love it.

If you think this group is alone, though, you’re sorely mistaken. Stylophone seems to be enjoying a renaissance of sorts, as tracked by the superb:
http://www.stylophonica.com/

Synth legend Vince Clarke bought a new stylophone for his tour. Celeb Mark Ronson jams on one on a national British talk show. Electronics lovers are building their own, using Arduino and kits. There’s a boutique retailer online that caters to those who believe only the original Rolf Harris model has the authentic sound. (An admirable philosophy, if a bit akin to searching out only high-end kazoos.) And a relaunched model is regularly out of stock, thanks to surging popularity. Not bad for an electronic instrument invented before humans traveled out of Earth’s orbit.

What I do enjoy about the hipster (nerdster?) troupe wielding their Stylophones above is that there’s some compositional intent – ultimately, that’s what lets any instrument shine. Thanks, Paul! (Directed by Nick Flessa – a moving portrait, indeed.)

And with all due respect to the late, great Steve Jobs, maybe it isn’t true that “if you see a stylus, they blew it.”

paulfrasermusic.com

Look at a music software interface – particularly a tracker-style interface – and you might easily see something resembling a spreadsheet.

So, why not gaze into the cells of a spreadsheet and begin to imagine music?

Karlsruhe-based electronic artist and programmer Patrick, cappel:nord, had just such a flight of fancy about office software. He explains:

A spreadsheet could be used as a music sequencer. If you know your spreadsheet software well, the built-in functions can be used. I don’t! I also struggle with the interface The last time I used spreadsheets is 10 years ago or so.

This was the second time trying this, so I make a lot of mistakes. It’s more a proof of concept. This was a 3-hour hack so don’t expect much from the source code. But here it is:

http://www.cappel-nord.de/files/libre-jam.zip

You have to figure out how it works for yourself. I don’t give any support .

I did it for the lulz.

Lots of similar brilliance, sounds, and geekery – like a pixel matrix for Processing, audio players, code, and music – at his blog (not recently updated, but worth plumbing anyway):

http://blog.cappel-nord.de/

Thanks to headchant for the tip!

As it happens, in the first few months of CDM’s existence, I wrote up a little story on what people were doing with Microsoft Excel:
Microsoft Excel for Music: Applications Bizarre and Useful

Applications: building a drum set, a drum machine with sequencer, databases of music, music library tracking, and even a tuning calculator. I’m sure there are more.

I hear these spreadsheets also do something with numbers and finance, but where’s the fun in that?

If you can find a spot in the rotation with your Mannheim Steamroller collection for something a bit different, CDM reader Leigh Walsh of Cork, Ireland sends in her work. She describes it as “punky gothy electronic … for Christmas,” with any proceeds benefiting Autism research. The single sounds crazy, but for me, things get good with the game world-like, shimmering “Secret Inside the Ice Level” and “Melody for the Sewn Princess” tracks.

I can find myself mentally wandering an 8-bit ice cave level right now…

Loving her work, hoping to here more, hoping not to get folks’ genders wrong next time… oops.

Heck, let’s take this playlist a little further out.

One darned trippy Christmas: HAPPY XMAS PEBBLES LAILA ROCKET YUSUF! By London-based artist Affie Yusuf, via SoundCloud:

HAPPY XMAS PEBBLES LAILA ROCKET YUSUF by AFFIE YUSUF

Thanks, Laila!

If that doesn’t cleanse your palette after hearing too many of the Christmas standards on repeat, I just can’t help you.

Now, go and use this to freak out your families and friends.

As Christmas revelers head out for last-minute shopping in the last surge of pre-holiday capitalism, they might catch over piped music the ouvre of one Mannheim Steamroller. For all the electronic artists we might imagine as representing the genre, this guy has sold one heck of a lot of Christmas records, in a strange brew of hyper-active electrified timbres and New Age. How many records? Well, enough that he is able to, from his Omaha home, raise wolves.

Not yet fully grown, they require a full-time trainer (they now respond to commands in German), walks up to three hours long, acres of space to roam and a professional meat grinder to create their diet of sushi-grade raw salmon and whole chickens ground up with their bones.

And thus begins the tale of how Mr. Steamroller – erm, Mr. Chip Davis, in fact – lives on the fortune of his musical output, one that might be described, fairly, as a bit eccentric. Hence, the Egyptian artefacts and replica sarcophagus, and crystal balls and cape (yes, he’s worn it while producing, at least on occasion), and apparently flown-in female companionship. Even the wolves get their own iPod speaker and framed pork chop artwork. (Come to think of it, actually, I could go for a picture of some pork in my living space, so maybe I’m not so unlike the wolves. I’m, meanwhile, learning to respond to words in German.)

A must-read article in The Wall Street Journal Real Estate section. (This will be the first and last time you ever hear me say that.)

A Wild Holiday Home: The eclectic Omaha property created by the founder of Christmas-music group Mannheim Steamroller

Eat your heart out, Skrillex. Here’s what a real crossover electronic artist looks like.

Now, if you’ll excuse me, I’m suddenly craving salmon.

It’s that time of the year, when the halls echo with the sound of … horrible electronic synthesized Christmas tunes, playing on endless loops from strings of lights and other cheap electronics!

But wait – what if you could take those sounds and embrace their low-fidelity, chippy sounds to more inventive musical purposes?

Turn to our friend AfroDJ, who has gradually built up several dozen Ableton Live racks. The latest samples Christmas tree lights for a festive, chiptastic holiday timbre.

I just put up my Christmas tree and put on some lights that play Christmas songs. The songs are comprised of very simple monophonic melodies, coming out of a tiny little speaker, but as soon as I heard it I was transported back to my youth sitting around the tree late at night. Naturally I had to sample it. So I put my AKG C3000 right up to the speaker and let it play. I selected four different notes to use in the instrument.

With reverb and the wave shaper inside Ableton’s sampler, those samples get a bit more creative. (If you don’t have a copy of Live, you can use the samples and add your own effects chain.)

The results are good fun, and could be just the thing for an improvised track while fiddling with your laptop, the warm glow of Egg Nog spreading through your fingers. Enjoy! (And if you make a track with this, do send it our way!)

Want more inspiration? AfroDJ is selling packs at 50% off through January 1. So take that holiday, and make some music.

Ableton Live Rack #39: Christmas Tree Synth

Music lovers are hacking Apple’s Siri voice recognition technology. By connecting to some of the “intelligence” of the cloud, these tools can make your phone rap or send music files to a player piano for instant musical playback.

First up: Yamaha’s piano taking requests, thanks to music grabbed online. A Yamaha rep explains:

Yamaha consultant Craig Knudsen demonstrates a unique implementation of Apple’s incredible Airplay technology in an exciting new way.
Here’s how it works:
Take a standard MIDI songfile and convert it to an audio file (while maintaining the MIDI data). The songfile is then sent wirelessly via WiFi to an Apple Airport Express (which is mounted underneath a Yamaha Disklavier reproducing piano. The audio output of the Airport Express is then connected to the analog MIDI inputs of the Disklavier, using a standard audio cable.
Then, you simply ask Siri to play your favorite song from your iTunes library, and Siri responds immediately, by making the Disklavier’s keys and pedal move up and down, recreating the performance, including full orchestration.
The result is nothing short of magical.

Of course, the actual “playing” is thanks to the capabilities of the Yamaha Disklavier. I’m actually a bit puzzled as to how the online conversion works, exactly, and I was curious for any Disklavier-owning CDM readers whether this is something publicly available. I’m waiting to hear back from Yamaha.

And now, for something completely different: Siri rapping. (Somewhat … erm … badly, if amusingly. It is a hack.)

My friend Robert “Robb” Böhnke had a lot of fun combining Siri’s voice synthesis and the lyrics of Notorious B.I.G.

My hack for the Music Hack Day 2011 in London, a 24h Hackathon for all things music.

SiriProxy is used to intercept the communication with Apple’s servers. Notorious Siri then sends Notorious B.I.G.’s Hypnotize to the device.

Siri’s speech synthesis is synced to the beat using the timestamps obtained from the Echonest API which were then manually tweaked, to smooth out delays in the text-to-speech engine.

Thanks to Universal Music for awarding me a nice pair of Dr. Dre headphones

The Echonest API, by the way, is an amazing do-everything “API for music,” one that analyzes musical files and connects to a vast storehouse of musical intelligence.

Warning: this video is most definitely Not Safe For Work. (Heck, even the thumbnail isn’t, exactly.) If that concerns you, just go listen to the Yamaha video again, okay?

Siri FAQ [Apple.com]

Previously: Google Translate Beatboxing

…and, of course, that means: Android, your move.

When we last saw Onyx Ashanti, he was speaking of a grand vision to remake himself into a music-performing Tron. Now, the elements of that vision are coming together, with a crowd-sourced funding campaign that ends today, Friday. Update: Apparently after seeing this story, IndieGogo extended the funding deadline for five days, with the new deadline Thursday, December 1.

I knew Onyx back when he was playing more conventional wind controllers. Now, that fingering arrangement is freed from the virtual wind instrument, handheld and movable through space. Because of the plans to open source everything he’s making, you might yourself pick up that hand controller – or, if you’re like Onyx, go full-tilt with physical training to make your body do new things and a carbon fire, full-body prosthetic transformation.

Onyx has been at auditions for the main TED (the big one, not TEDx), experimenting with a beatbox configuration, and honing alien-like futuristic human reinvention with the help of artist Christopher Logan, aka Loganic. Loganic makes the art, then prosthetic engineer Uli Maier – with doses of carbon fiber – translates those notions into physical form. And the whole thing is mobile; Onyx draws on his busking background to take this thing wherever he goes.

Initially built as an open/proprietary hybrid, the new system is increasingly open source from the ground up, from customized Linux-based software to Pure Data (Pd) patches to open source designs for the molds. The wearable system can be 3D printed. Plans for the system also were featured in Make Magazine.

It’s actually quite a lot to digest, but Onyx has been posting videos, the most recent and illustrative of which I’ve included here. And because there’s a lot to do physically, from personal training to buying clay to engineering the prosthetics, Onyx is relying on crowd-sourced funding. In place of Kickstarter, which has specific requirements for minimum funding and other restrictions and requires US-based banking, he’s opted for IndieGogo.

If you invest just a few dollars, you at least get music; with successively larger donations, Onyx throws in his software, custom artwork and posters, t-shirts, or starting at US$500, the custom hardware itself for your use.

The IndieGogo campaign ends Thursday, December 1:
IndieGogo: Beatjazz System

– but we’ll be in touch with Onyx on an ongoing basis, so let me know if you have questions for him or want to watch this continue to evolve.

Videos showing the making of the elements of the system:

Above: New visualizations in 3D have vastly expanded the now-Pure-Data-based audio system with heads-up displays worthy of the spacesuit. Below: Some of the beautiful concept artwork produced for the project.

IndieGogo Campaign

Previously: Onyx Wants to Make Himself Into Helmeted, Wearable-Music-Tech Tron, With Your Help

This update I believe is worth a second post, as it makes visible the otherwise-mysterious algorithms producing music in our previous post.

And yes, I believe this is “music,” naysayers aside. Whether it’s good music is in the ears of the listener, but if you can describe this much sound with this little code, imagine what’s really possible in computer music. Whatever it is you want to hear, it’s within the power of your imagination to describe it, on a score or in code, either one.

Thanks to none other than Stephan Schmitt for the tip.

Topic:
musis

Message:
i need pad

Okay. Guess you do.

Topic:
Cassette tapes

Message:

I am having a “clear out ” at home and have several music cassettes
What can I do with them.?? Includes, some Elvis, Christmas
collections,Richard Rogers musicals,Andrew LLoyd Webber

If you have some solutions you’d like to suggest to these folks, let us know and we’ll pass them on.