“Press play” … “button-mashing” … the very criticism of digital music is often directed at the button or switch, even as the cult hit monome spreads arrays of buttons like a virus.

Well, we’re still interested in what you can do with a button, so to fully focus you, we’re only giving you one button with which to play. The challenge of limiting interaction to one button has already spawned an explosion of entries from game designers, who have fought their way through intense competition for the legendary Gamma indie/experimental game competition. We’ll see the winners at the Game Developer Conference next week.

But we want to see what people can do with a single button and sound. Friday, March 12, sonic (and game-based, and other) objects involving a single button will converge at San Francisco’s Gray Area Foundation, in the midst of GDC.

The deadline is officially today, March 1, but as I follow up on entries, we’re extending that to Friday, March 5, by the end of the day NYC time. There are already some terrific-looking submissions, but we’re willing to entertain the possibility of more, at least for a few more days. (if you have something you want to share online but can’t ship, let us know that, too)

How to enter – simplified rules:

It doesn’t have to be a game. (But it could be.)

It does need to do something – make noise, make lights, move, or otherwise interact.

It needs to operate on its own. We have to be able to plug it in and have it function, without the addition of a computer, etc.

It needs to be shipped to California for March 10 arrival, to be ready for the opening Friday, March 12. It will then be shipped back to you.

Send submissions, as detailed as you can, to:
onebuttonobject@kokoromi.org

Party + Hack

Part of the beauty of the one-button limitation is that it encourages quick hardware hacks and simplified designs. It’s a design you can make even if you’re out of time. We’ll be having a party to finish off creations in NYC on Saturday afternoon, building last-minute creations for Handmade Music Monday night (details forthcoming) and the One Button Objects show in San Francisco. If you want to get your own little hackday going between now and then and join us online from your local hackerspace / studio (anywhere in the world), let us know in comments. Here are details for those of you near NYC – plus some music for everyone to listen to while you solder/code/build:

Handmade Game Objects Hackday + Party
SATURDAY OPEN HOURS @ 2PM – 6PM
L TRAIN – 915 WYCKOFF AVE ( SILENT BARN )

Map
Facebook

Babycastles teams up with Handmade Music Night for a hacking afternoon. Come make crazy new video game objects, art, and controllers with us! We’ll have a jungle of fun stuff like dentures and gloves (high five to play!), but you should bring some fun things too. No experience at all necessary! (Bring soldering irons, tools, etc. if you’ve got them.)

with music by CHEESE’N'BEER CHIP MUSIC COLLECTIVE MATINÉE

ADAMGETSAWESOME »>
http://myspace.com/adamgetsawesome
Adam uses a gameboy with LSDJ and a lot of alcohol! We assure you that his name is not just all talk, he does in fact “get awesome.”

Zen Albatross »>
http://8bitcollective.com/members/Zen+Albatross/
Zen Albatross make stuff with pixels, Game Boys and ancient spirit magick. He also blogs about art, airships, bleeps, bloops and other swell things.

Goatslacker »>
http://music.goatslacker.com/
Goatslacker is Florida’s Josh Perez who promises to fill you up with high octane chip music.

and curry by chef Syed Salahuddin

And yes, that music lineup includes Goatslacker, who did the MUSE covers in 8-bit. It’s the sort of high-energy music that goes well with trying to keep your brain on hardware hacking.

Seriously, if anyone wants to switch on a webcam or IRC chat while you work on your submission, let us know and we can co-hack internationally.

Our Handmade Music series continues this month on Thursday evening, 3/19, 7:30p at 3rd Ward in Brooklyn. Projects are open as always. Bring hardware. Bring circuit-bent stuff. Bring code and patches. Bring works you want to perform. Bring works that don’t work yet. Just, if you can, give us a shout to know what to expect. We have a PA, a mixer, a projector, and some space. It’s a party / science fair-style atmosphere, a chance to have a few beers and celebrate sound and noise with fellow geeks and the musicurious.

I’m particularly interested this month to see if anyone has Java or Processing-based works you want to share, as Sun’s CommunityOne East is in town, meaning lots o’ Java programmers. (Generally, they’re doing serious, work stuff like … um … servers and things. But that doesn’t mean you can’t show off your own, more unusual creations.)

More details of the lineup soon.

Call for Works, Direct Link [Google Docs]
Embedded form below:

The Cybersonica 06 Music, Sound, Art, and Tech Fest in London is shaping up to be a fantastic event. Running in May and coinciding with some other major festivals in London around the same time, the festival goes beyond electronic music to explore fusions with sonic art and visuals. (More about the festival)

And you can be a part of it all: Cybersonica has an open call for existing works. It’s wide open, really, covering areas like “interactive installations, new electronic musical devices, physical audiovisualisers, tangible interfaces, modified game engines.” Just one requirement: you have to interract with something other than a mouse our keyboard. Now you’re talking.

Deadline: March 31.

Cybersonica Call for Works

Let’s get the bad news out of the way first: “It should be noted that it is very unlikely that an artist would have the opportunity themselves to go to the International Space Station, certainly in the foreseeable future.”

Damn. Okay, that said, though, Arts Electric reports the European Space Agency is looking at ways of using the ISS for artistic purposes, contracting an arts consortium that includes the very cool science-and-arts group Arts Catalyst and Leonardo (the MIT journal, not di Caprio.)

So, if you can’t go perform on ISS, what can you do? First, you need to be in Europe. (Damn again.) Second, you can use the “features” of ISS and ground facilities: “Artists and cultural practitioners across Europe are being consulted on the features of the International Space Station and its ground-based support facilities – including launch sites, astronaut training facilities and national user support centres – that would be of interest to them.”

Excellent. I’m seeing new interactive digital opera at the astronaut training facility, which has a giant water tank for simulating zero-G activities. Any takers?

For more on digital music and sound in space: see our space sound roundup, including info on Voyager 1 sound sampling.