What can you do with a button? What circuits can you bend? What software and hardware can you construct? Want to meet up with myself and fellow makers from the DIY music and visualist communities? I’m touring and looking for new works, we have one call for one-button objects that (if you can ship it) can come from anywhere in the world, plus upcoming events in New York, San Francisco, and — this month, Amsterdam at the planetary music tech hub that is STEIM.

STEIM + Handmade Music Amsterdam (Netherlands, February)

Handmade Music is beginning in Amsterdam. To kick things off, I’ll be visiting the legendary STEIM research center. The event will be open to anyone with inventions and self-built hardware and software you’d like to share. We’ll plug in and make a raucous noise. I’m really quite looking forward to meeting folks from this area.

When: Wednesday, February 17, 8p – ?
Where: Utrechtsedwarsstraat 134, Amsterdam
Cost: FREE
STEIM Hotspot Lab Event Page

I’ll also do a short presentation of some work TBD; more on this next week.

If you’re attending and want to share what you’re bringing in advance or make sure you see me, use the CDM contact form.

At the risk of becoming Create Digital Monomes, here are two things that make me very happy.

For anyone who thinks it’s too hard to get hold of a genuine monome, or any of those of you who got the kit and haven’t built a proper case for it, this is for you. FYXDESIGN has posted a terrific tutorial enclosing the monome 40h kit (8×8 grid) inside a custom case made from LEGO bricks. The project comes out of a group at New York University’s ITP digital tech school who saved money, beat the monome’s scarcity, and made lots of friends by group ordering a bunch of kits and then assembling them together as a group. The magic here comes courtesy of some smart design sense and a boon to prototypers everywhere, the LEGO Digital Designer software, free for Windows and Macs.

Xiaoyang Feng’s design work is in general worth checking out; if someone with his experience and skill is using LEGOs, you’ll want to take note.

Even if you’ve got a project that’s not a monome, this is clearly a fantastic way to whip up an enclosure in a hurry – and that “prototype” might be all you need. Bless you, LEGO!

With the step-by-step tutorial, this is child’s play, even for someone as tragically un-handy as me.

Build Monome LEGO Case Tutorial

In other news, here’s a lovely live video shot by duo elle p & iftah in, apparently, a bathroom (no reverb needed)! It’s a reminder that, even without velocity control, an array of buttons really can make a musical instrument. (In fact, making performance easier is part of the grand tradition of instrument design – see frets, the Autoharp, the piano, and so on.) In an age of overproduced music (sorry, Glee), it’s lovely to see the Internets striking back with live performance, warts and all, as a way of conveying authenticity and personality. Elle has in her lap another interesting DIY creation that’s not a monome. The duo describe it as a “pixiphone,” a “general purpose d.i.y grid controller based on an old siemens operator interfaced with arduino.” I’ll have to get more documentation on that.

Embedding is acting a wee bit screwy for me today, possibly on Vimeo’s end, but you can always go straight to the video.

SevenUpLive 2.0 Preview from bar|none on Vimeo.

Planet monome is getting to be an exciting place. The biggest news: SevenUpLive, an extraordinary original application that melds the monome as controller with a set of Live functions, is getting a major rebuild and Max for Live support. Mapping the buttons of the monome to a set of Live sonic magic, SevenUp transforms the monome – and Live – into an interactive compositional instrument, with looping, sequencing, and melodic and rhythmic manipulation. With Max for Live integration, that will also allow people writing Max patches for Ableton to use their work as modules, and the simple grid controls of the monome as the interface.

For more on the existing 7up project:
SevenUpLive on the monome wiki
Google Code Project
SevenUp at makingthenoise

MakingTheNoise, the artist behind the project, is himself a terrific performer. I got to play with him last week at Boston’s Enormous Room, and he’s a wonderful guy and inventive artist. We’re both presenting in New York, so expect more on this soon (see the end of the story).

New monome kits, models: Okay, so you want the real thing, and you’re ready for a monome of your own. You have two ongoing opportunities from the source, in addition to the various emulators and DIY projects. Dogs not included (sadly).

Clean is overrated. If you’re ready for a little digital dirt in your synth life, powered by the open-source Arduino hardware, Marc Nostromo’s Squealer is for you. Built atop the wonderful, Arduino-based Pocket Piano kit by Critter and Guitari, it’s a full-blown, simple, digitally-gritty synthesis engine.

You get a monosynth, some fixed waveforms, a resonant filter, decay, and some aliasing tricks for extra grit. The big news: the Arduino Piano Squealer is now under a GPL license.

Official Arduino Piano Squealer Synth Page has everything you need
Announcement of GPL v3
All at Mustalk@noisepages.com

Here’s what it sounds like:

SAP+BOM+Dodgey Eighties Ringing Reverb:
apbom.mp3

Eery piano:
ap-eery.mp3

SAP+Flanging Mini KP:
ardboy1.mp3

The grid is in. While the monome remains the standards bearer for hardware with grids of buttons on it, arrays of buttons are suddenly everywhere, in the commercial Akai APC40 and Novation Launchpad, and, from Livid Instruments, the Ohm64 and now the Block. I think it’s a real compliment to the monome’s creators – and the community that has authored ingenious open software for the monome – that there is this excitement around the design.

The latest entry is Livid’s Block, a compact, aluminum-and-wood controller that’s easy to carry and which weighs less than 3 pounds. It’s not a monome – it eschews the monome’s stringent minimalist design aesthetic and adds knobs on top, faders on the side. That layout has made the M-Audio Trigger Finger a blockbuster hit, so I think it could attract people who want more than just buttons. (That’s why choice is generally a good thing.) But just as importantly, the Block takes cues from the monome beyond the skin-deep. As with the Ohm64, Livid is working to open-source both the guts of the hardware and the software on the computer. The instruments are made by hand using sustainable materials and finishes, manufactured in Texas in their own shop rather than the lowest bidder overseas. The hardware itself encourages hacks and customization. These are principles championed by the monome’s Brian Crabtree and Kelli Cain, and they’re badly in need of some company. Livid, like those monome creators, is a handful of individuals rather then a big company, but they give us new hardware that embodies sustainability, openness, and local production – and that makes the monome and its principles stronger. (Livid has been crafting performance hardware and Max patches for many years.) And while this bus-powered USB MIDI device doesn’t yet support (OSC) OpenSoundControl, that could come – without sacrificing conventional MIDI connections to outboard gear when you don’t have the computer connected. (Clarification: as with the Ohm64, OSC support is not yet available but should be possible. Stay tuned.)

Basic specs: