turingmachine

Music thing’s Turing Machine gets a free Blocks version

We already saw some new reasons this week to check out Reaktor 6 and Blocks, the software modular environment. Here’s just one Blocks module that might get you hooked – and it’s free. “Music thinking Machines,” out of Berlin, have built a software rendition of Music Thing’s awesome Turing Machine Eurorack module (created by Tom Whitwell). As that hardware is open source, and because what you can do in wiring you can also do in software, it was possible to build software creations from the Eurorack schematics. The beauty of this is, you get the Turing Machine module in a …

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mtboard

Axoloti board makes sound box the size of a game controller

Hot on the heels of our write-up of a board that makes any hardware you can imagine, here’s a mod that takes all that power and fits it in a handheld space with hands-on controls.

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anodeweb - 1

Now you can edit a MeeBlip synth from a Web browser

Thanks to the addition of MIDI to a new generation of browsers, a browser tab could as easily be an interface to a synth – not just a place for social media distractions of pictures of synths with cats. Now, we’ve got an (unsolicited) Web editor for our own MeeBlip synth, joining editors for Roland Boutique and Yamaha Reface instruments.

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anode_25

MeeBlip at five: better, and at a new lower price

Five years ago this month, CDM unveiled the MeeBlip project. It was a chance to put our love of synthesizers into a physical form we could share. And we had no idea where it would take us. Five years later, we’ve sold thousands of the musical instruments, all engineered by their creator James Grahame in Calgary, and all fully open source. In that time, we’ve also worked hard to make the MeeBlip constantly better, and easier for more people to get their hands on and use. Today, we celebrate five years, and what we think is our best MeeBlip yet. …

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meeblip_albino

What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …

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IMG_6674

An ‘Interspecies’ Music Interface Combines a Mask, Bacteria

Organum Vivum – a interspecies interface from Paul Seidler on Vimeo. Your next digital interface might be grown, not made. Organam Vivum drops the usual combinations of knobs and hard surfaces and wires for something organic – an “interspecies” interface. The sensors are grown from bacteria, formed into alien-looking, futuristic materials and a mask. The bio-interfacing project began as a collaboration between Aliisa Talja (who has a background in industrial design) with Paul Seidler at the CDM-hosted MusicMakers Hacklab at CTM Festival earlier this year. Not only are the materials literally organic, but in touching and breathing into these delicate …

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This is MeeBlip anode limited edition: White Case, More Direct Control

MeeBlip anode is in a new limited edition with a white case and more hands-on control – only 250 will be made. Details, plus a jam with two anodes from Berlin’s legendary Schneidersladen.

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holly

7 Ways SONAR+D is Asking Bigger Questions About Music Tech

Lineup Sónar+D 2015 from Sónar on Vimeo. There’s nothing inherently wrong with asking the same questions repeatedly. Cyclical inquiries are necessary in any practice. And over time, you refine answers. But this year’s SONAR+D program promises something different. SONAR+D is the younger, digital discourse alongside Barcelona’s massive electronic music festival. SONAR itself deserves a lot of credit for helping create the template a lot of digital music and media festivals follow today. And as that has since blurred into a parade of headliners, SONAR+D added a lot of dimension. There were good talks, hacklabs, workshops, and a showcase of makers. …

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krystall

Teaser: The Joy of Music with Light, From Russia and Beyond

::vtol:: “luminescence” workshop from ::vtol:: on Vimeo. Artists are, in endless cycles, rediscovering techniques that might otherwise have been discarded. And that includes performance concepts in the audiovisual realm. I’m this week in Moscow as a guest of the Polytechnic Museum (specifically their Polytech.Science.Art program. There is, I think, no more historically apt place on Earth to explore the connection between sound and image than the land of Scriabin, Kandinsky, Ballets Russes, and constructivist art, this epicenter of the audiovisual revolution. What you probably don’t know so well is audiovisual experimentation from the later Soviet period, and that was partly …

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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