Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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A Toe-Tapping, Dancing 3D-Printed Robot Plays Music

Making Music With Poppy from Pierre Rouanet on Vimeo. It can “learn” to tap its toe and bob its head. And then it can make sounds as you move its arms. It’s a robotic interface for music – a bit like playing with a very smart toy doll. To show off its interactive/interfacing abilities, the team behind Poppy used music. Poppy is a robot that can be produced with a 3D printer. All the hardware and software are fully open source. The idea – fused with cash from the EU’s European Research Council for funding science and creativity – is …

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Put a Radio in Your Modular: Music Thing Radio Music

Once upon a time, musicians made music from the sound content pouring invisibly, inaudibly from the air. The likes of John Cage and Kalrheinz Stockhausen turned the radio into stochastic source and instrument, a means of making music in the now. And now, you can, too, in the latest Eurorack module. Whether you want a modular or not, this is one module you definitely don’t need. You don’t need to act out Cage-ian fantasies and turn your local hit FM station greatest tracks of the 80s and 90s into an experimental noise performance. Nor do you really need to understand …

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MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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Lo-Fi SES Looks Like a Game Controller, Plays Like a Chip Instrument

What if there were a hacky, hackable handheld game platform – just for making noises? That’s what the Arduino-powered, Lo-Fi SES is all about. It’s basically a little 8-bit music toy, with a control layout borrowed from Nintendo of the past, but expandable, hackable, and open. The sound is very grungy and digital, but it all appears easy to play. The cutest touch: you expand the board with “cartridges,” add-ons that connect to the top to add functionality. “One”Final Sound Adventure” adds more sounds. “USB: A Link to the Hack” lets you program the board from your computer, using Arduino …

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Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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littleBits Adds “User-Generated” Hardware, Launches Store with Oscilloscope, Bleep Drum

littleBits, the snap-together magnetic hardware module system for easy DIY hardware mash-ups, has a unique take on how to add new hardware. Previously, modules came from littleBits; the popular Synth Kit collaboration with KORG being a significant exception. littleBits has certainly offered a lot of options, including the recent Cloud Kit for adding Internet connectivity. But now, it’s opening up hardware development to anyone with an idea. While littleBits calls itself “open source hardware” – founder Ayah Bdeir even co-founding the Open Hardware Summit — that openness has always been restricted when it comes to the magnetic connectors. Those are …

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Will Your Next Controller Be 3D Printed? Meet Adafruit’s Open Source Grid

The original monome project did more than just create a novel piece of hardware for music. It established a design language for what essential digital interfaces might be, in the deceptively simple form of its light up grid of buttons. It’s not so interesting to just copy that hardware, then. More compelling are efforts to extract the elements of the design in ways that can be turned into new things. Adafruit has been slowly building up a nice set of building blocks clearly inspired by monome. Trellis is a system for making the grids component work – lighting the buttons …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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