AudioKit

Free AudioKit Lets iOS, Mac Developers Code Synths and Sound

AudioKit is a promising-looking new open source tool set for coding synthesizers, music, and sound on Apple platforms (though it could certainly be ported to other places if you have the time). The draw: you get not only a robust library but loads of examples and tests, too, for a variety of applications, in both Objective-C and Apple’s new Swift language. And it’s free. The contributors will look familiar – and the core engine comes from community contributions around that most enduring of synthesis tools, Csound. (For those worried about obsolescence and the pace of technology, Csound has its roots …

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syncengine

Can an Open Source Library Fix MIDI Sync on iOS?

ATastyPixel, maker of the wonderful Loopy, is busily working on the cleverly named Loopy: Masterpiece Edition – taking all that looping goodness and making it more robust for serious applications, from loop functionality to how it works with other tools. That’s already good news. But developer Michael Tyson yesterday announced he’s going one step further. Not satisfied simply by finding a solution for MIDI Clock sync in his own app, he wants to create an open implementation all app developers can use, for free. The vision: make apps and hardware all sync together with better performance, in a more usable …

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People Will Come: There’s Already a Free Sample Editor for volca sample

Getting “open” still scares many music manufacturers. Maybe they should double-check those fears. See, if you add simple jacks (MIDI, audio), if you add driver-less operation (via USB and the like), let alone if you design simple APIs or create open source interfaces, you open the door to people making things that work with your creation, for free. They have to want to be there – but we make music. We love music gadgets. If your gadget is worth using in the first place, it’s worth opening up to other things. You know. “If you build it … people will …

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october

Make DJ Charts from Traktor, and More Free Playlist Tricks

If DJing with vinyl leaves traces in our memory, recollections of physical handling of album sleeves and crates, then for digital DJing, we must rely on data. Traktor DJ is quietly noting everything you do as you play – at the gig, in the studio. The key is how to do something with that data. The coolest trick came last month from our friend Tomash Ghz – he of the superb Digital Warrior, among others. (Very keen to get back to my desk in Berlin to muck about with the latest step sequencer there, but I digress.) Tomash has whipped …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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DSC_0108_blur

Lo-Fi SES Looks Like a Game Controller, Plays Like a Chip Instrument

What if there were a hacky, hackable handheld game platform – just for making noises? That’s what the Arduino-powered, Lo-Fi SES is all about. It’s basically a little 8-bit music toy, with a control layout borrowed from Nintendo of the past, but expandable, hackable, and open. The sound is very grungy and digital, but it all appears easy to play. The cutest touch: you expand the board with “cartridges,” add-ons that connect to the top to add functionality. “One”Final Sound Adventure” adds more sounds. “USB: A Link to the Hack” lets you program the board from your computer, using Arduino …

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ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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volcasample

Meet KORG’s New Sample Sequencing volca – And its SDK for Sampling

The KORG volca sample is here – and it’s more open than we thought. We’ve seen KORG’s affordable, compact, battery-powered volca formula applied to synths (BASS and KEYS) and a drum machine (BEATS). I’m especially partial to the booming kick of the BASS, the sound of the KEYS (which despite the name also works as a bass synth), and the clever touch sequencing interface. Well, now having teased the newest addition to the family, we’re learning about the details of the KORG sample. It’s not a sampler per se – there’s no mic or audio input – but what KORG …

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Hack Biology, Body, and Music: Open Call for MusicMakers Hacklab

For the past two winters, CDM has joined with Berlin’s CTM Festival to invite musical participants to grow beyond themselves. Working in freshly-composed collaborations, they’ve built new performances in a matter of days, then presented them to the world – as of last year, in a public, live show. This year, they will work even more deeply inside themselves, finding the interfaces between body and music, biology and sound. And that means we’re inviting everyone from choreographers to neuroscientists to apply, as much as musicians and code makers. Playing with the CTM theme of “Un Tune,” the project will this …

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anodewood

Reviews Weigh in on Our MeeBlip anode Synth; Here’s What They Said

MeeBlip anode, our ready-to-play bass synth with an analog filter, is now shipping and in dealers worldwide. We knew we wanted to make something that was accessible to those new to hardware synths, but had enough personality to surprise advanced users, too – even in a small box, for US$139.95 list. And we also now know what the critics think. It’s always easy to explain what you wanted a creation to be. It’s a different, if exciting, experience when you read someone else’s take on what resulted. But that makes me all the more pleased to share a round-up of …

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