Ableton Adds Lion Support, Better MIDI Sync; For Some Music, Watch Nicolas Jaar Play Live

Ableton this week has released 8.2.5; it’s worth mentioning here primarily as it adds Lion support on Mac OS. I still strongly recommend against upgrading to 10.7 for the time being, until you’ve verified that your particular mix of plug-ins and hardware is also compatible, but it’s a promising sign. Other improvements are also worth a look; via the Ableton forum: – MIDI sync has been improved when Live is a MIDI clock slave – Imported tracks (from the Live Browser) now route to Master if their original output routing can’t be resolved, instead of “Sends Only.” – The default …

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Ableton Live 8 Released (For Real)

Scenes from the Live 8 launch event in Berlin other Live 8. Actually, Live 8 will totally make you feel like eight men. Ableton, you can quote me on that on your press clippings page if you like. (Pictured: Live 8, the relief event, no relation to Live 8, the software.) Live 8 is now officially out – for download versions, that means you can go grab the thing right now; retailers are also offering the software in boxed form today. See my previous look at top features. The sorts of things that might make you like this new version: …

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Ableton Live Tutorial: Learning Operator with Faux M.A.N.D.Y. – Booka Shade Sounds

You’ve seen the splashy “sound just like –” headlines in various music magazines. But imitation is, after all, an essential form of musical development. Something magical happens as you try to imitate something – you begin to hear it differently. Sometimes you wind up nailing something exactly, and in the process discover how you might make your own, unique sounds. And sometimes, the process of translation falls apart, and instead of an imitation you go somewhere else altogether. But I do think you learn something by imitating, however successful you may be. You also often gain new appreciation for the …

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Free Exclusive Ableton Operator Download: “Less Cowbell” 808 Sounds, New EP

The simple interface of Ableton’s Operator belies some truly lovely soundmaking capabilities. Our friend Francis Preve, a principle Ableton sound designer who has contributed hundreds of presets since 2004, has a new single out that makes use of some of those sonic possibilities, combining Operator with juicy spectral and granular effects in Live 7. As a gift to Ableton users on CDM, he’s giving us both the rack he used and some tips on squeezing noise out of the Ableton instrument. (By the way, I’m open to tips for other platforms, not just Ableton — ask for what you want!) …

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