simplertools

It slices! Patches make Ableton’s new Simpler more powerful

By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more. 

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j74

A grid of anything, as Launchpad tool lets you play in new ways

From frets to keys to finger holes, musical instruments in every culture have provided ways to easily access musical ideas quickly. But these are physical, acoustic instruments, so any solution they find is more or less restricted to a single set of choices. Digital hardware can do what digital software can: it can be a blank slate for new ideas. The monome and Tenori-On grid instruments, each in their own way, demonstrated that a radically simple grid can generate a surprising range of possibilities. The monome’s claim to fame, above its other applications, was the way a companion Max patch …

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microdrum

Robert Henke’s Free MicroDrum Will Take You Back to the 80s

Cue Huey Lewis and the News singing “Back in Time,” because we’re going back to the 80s. And where we’re going, we don’t need … stereo. Robert Henke (who has of late mostly shed the Monolake moniker) has a brilliant new Max for Live drum machine that borrows some of the limitations of vintage 80s drum machines. There’s a particular nod to drum machine pioneer Roger Linn (credited as such). But this isn’t just 80s nostalgia. MicroDrum’s restrictions, sound, and use of ideas from that hardware can bring new creative possibilities. Features: Zoom in on samples to 10 ms and …

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Reaktor Users Can Start Playing with Komplete Kontrol Now – Even Without Hardware

Pretty lights are no fun if they’re off limits. So, Reaktor gurus, your fun starts now. As promised here, you get some example patches to begin working with those light-up keyboards from Native Instruments (Komplete Kontrol S-Series, to be technical). And they’re available now: Here are two example ensembles showing how to control the KOMPLETE KONTROL S-series LEDs and key properties from Reaktor. HWControl_BasicUse.ens – can be used with an S-series keyboard to directly control the key LED colours and note properties. HWControl_KB-LED-Simulator.ens – includes a keyboard LED simulator instrument so that you can test your Reaktor HWControl messages without …

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polyrhythmus

Polyrhythmus is an Insanely-Great, Free Generator of Rhythms, Arpeggios

Polyrhythmus is the machine generator of notes and rhythms many of us have long dreamt of. It does Euclidean rhythms – symmetrical divisions of time that beautifully produce common polyrhythms (not just for nerds, but modeling a lot of popular rhythms – see the research of Godfried Toussaint). It’s also capable of making other rhythms. It can be polymetrical or polyrhythmic. It’s … also an arpeggiator. It also automates parameters and MIDI Control Change messages. It has loads of modes. It’s modular. It’s dynamic. It’s amazing. It’s a music making nerd’s dream, friendly to anyone who loves rhythms, notes, and …

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Get Amazing Max for Live Devices – And Sound Advice – from Max Ninja Christian Kleine

It’s called Max for Cats. But you don’t play it with a laser pointer and your feline friend. (Note to self: project idea.) The latest from sonic mastermind Christian Kleine, Ensemble and DiGiTAL are in fact terrifically-rich string and digital synthesizers, respectively, for Ableton Live and Max for Live. Getting to know their creator is just important as getting to know those tools, though. Christian Kleine is a uniquely fusion of musician and engineer. Hailing from Lindau but making a name for himself in mid-90s Berlin, his musical career itself is already newsworthy, as a soloist and as half of …

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tb8

AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI

Part of the appeal of the Roland TR-8 drum machine and TB-3 bassline synth is their hands-on control. But apart from the normal reasons you’d additionally want external MIDI control, you’ll need it for certain kinds of automation recording. The problem is, the AIRAs (at least with their current firmware) lack the ability to record automation internally. You can record patterns on the TR-8 and TB-3, but not changes to sound parameters, effects, or that Scatter thing. So, if you’re making a pattern and find a shifting timbre or glitchy effect you like, there’s no way to save it easily …

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diachronic2

Diachronic is a Completely Insane Looper Inspired by Turntablism, Free for Max for Live

If loopers have been getting you down by being a bit, well, repetitive, this is for you. It starts as a simple, drag-and-drop looper. Add it to Ableton Live and drop your audio on it. But then things get a little … um … different. Inspired by turntablism, loops in Diachronic cycle continuously. But speeds can be changed spontaneously, as if the hole in the record could be shifted in position. And the results are absolutely nuts. (Underscoring that effect, the promo video for version 1 is narrated by a calm British narrator, intoning parameters solemnly, with names you’d be …

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A Free and Open Source Compressor, Built in Pd and Perfect for Mobile

Whether you’re building an experimental effect or performance tool or writing the Next Big Thing in Mobile Apps, you might need some signal compression. Working in Pure Data (Pd), it’s easy to create patches that get unruly, especially once you add live audio input. For mobile developers, things get even worse: you have to make your app work anywhere, with a range of devices, acoustic environments, microphones — the list goes on. The folks at Two Big Ears, who are working on their own rather lovely Android synth, have come to the rescue of Pd hobbyists and mobile developers alike. …

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Abuse Sampling for Sound Design: Free Tutorial, Rack in Ableton Live

The response to the breaking Live 9.1 news this week was fast and furious; we were honestly surprised at the vast readership of the story. A lot of you must have multiple displays or virtual desktops you want to use (or, now, even a Push). But sometimes the best upgrade is the one you can install in your brain. Improve your technique, and an array of musical possibilities open up. Take this terrific tutorial from DJ Vespers as an example, which involves varying very small sample slices in Ableton’s Sampler to create unique pads. It works especially nicely with Sampler’s …

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