Generative Genius: Free Max for Live Patch Lets You Schedule Scenes at Any Clock Time

Bars and beats are great. But people find applications for sound and music that go beyond traditional tools. That has already made Ableton Live a popular choice for triggering audio events and the like. But even Live tends to be biased toward conventional musical time. Sound and multimedia shop Aconica rolled their own tool to create a solution, the brainchild of sound and media artist Martin Backes, and now that tool is available to Ableton Live users for free. (Max for Live, now included with Live Suite as of Live 9, is required.) The name of the plug-in gives away …

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Chroma + Gris-Gris: Sequence Live with Anything, Then Let the Synth Run Wild [Reaktor]

Chroma and Gris-Gris are a beautiful pairing, a performance-savvy sequencer and a “monster” monosynth. If the release of the OSC implementation we dreamed of in Reaktor wasn’t enough to make you dust off NI’s modular flagship, this will surely do the trick. It’s the work of Montreal-based Reaktor guru Peter Dines, veteran CDM contributor and one of our favorite patchers anywhere, on any platform, for his eminently-practical, sonically-lovely creations. And just as the Chrome sequencer goes nicely with the Gris-Gris synth, the whole thing comes alive with Reaktor’s new OSC implementation, letting you perform sequences – alone or in public …

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Reaktor - and any Reaktor Player instrument/effect - meets easier hands-on control. iPad, no brainer. Images courtesy Native Instruments, for createdigitalmusic.

Reaktor 5.8, with OSC: Now, Easily Control Reaktor-Built Sound Creations with Touch – Even in Play Mode

With any instrument, getting your hands on the sounds is essential. Reaktor is a platform for all kinds of strange and wonderful instruments and sound makers. It’s been that for Reaktor DIYers in particular, but it also powers a variety of creations used by Komplete owners and built in Reaktor Player. Today’s update to Reaktor 5.8 might easily fly under the radar. But make no mistake: improving control capabilities is potentially huge, because it makes it easier to make sound hands-on. Adding a few cool new ensembles, for instance, is nice. Being able to control Reaktor creations more easily is …

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3 Things You Can Do in Ableton Live Now: Modulation, Dual Displays – Sorta, Pressure Grids

The Ableton Live 9 beta is trickling out, but not officially released until next year. Ditto that saucy new Ableton Push controller. And some users are complaining about things that aren’t in the feature list for Live 9. Waiting’s no fun. Let’s do stuff now. Here are three examples of things you can do right now, today, with your current version of Live. In fact, all three wind up being applicable to Live 9, too. 1. Modulate anything. First, I’ll start with my favorite. EXT, at top, is a free Max for Live device that does modulation. Unlike the new …

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In Bad Hotel, Addictive iOS Game, Composing Music to Tapped Interactions [Behind the Scenes]

What if a game made you both player and remixer/composer? What if that music plugged into your gameplay brain just like the interactive elements? This week, we get another try at just that – and find out how the whole thing works behind the scenes, with free software you can use, too. If you’re like me, you’ve loved the soaring, gaslight-style music soundtrack, as it makes its sweep across a film, swelling at just the right moments. Or you’ve closed your eyes and enjoyed the frozen narrative of a great score or great record as it washes over you. But …

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Learn “3D” Projection Mapping, From the Start, with vvvv [Video]

Arguably, democratizing a technique is an excellent way to improve craft. (See: linear perspective in Renaissance painting.) So, why not do that with projection mapping? Here’s the latest installment. Elliot Woods of Kimchee and Chips is one of the leading practitioners of the projection-mapping arts. He also gives away a lot of his tools (see GitHub, below). And now he’s giving away some of his knowledge, not only for projection mapping, but what he calls “3D projection mapping.” More on that in a moment, but first, let’s review his work: An Augmented Tree, and Free Tools Power 3D Voxel Projection …

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Learn "3D" Projection Mapping, From the Start, with vvvv [Video]

Arguably, democratizing a technique is an excellent way to improve craft. (See: linear perspective in Renaissance painting.) So, why not do that with projection mapping? Here’s the latest installment. Elliot Woods of Kimchee and Chips is one of the leading practitioners of the projection-mapping arts. He also gives away a lot of his tools (see GitHub, below). And now he’s giving away some of his knowledge, not only for projection mapping, but what he calls “3D projection mapping.” More on that in a moment, but first, let’s review his work: An Augmented Tree, and Free Tools Power 3D Voxel Projection …

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Shuffling, Slicing, and Glitching Audio, and Other Modular Max for Live Devices

For fans of slicing, dicing, glitching, reversing, and shuffling incoming audio streams, this Max for Live Device is for you. Shuffler 2.0 is the latest in a series of “modular” Max for Live devices from developer Isotonik Studios. Mappable to MIDI, the suite of Devices focuses on simpler tasks in ways that can be combined. There are interactive Follow Actions, for instance — a feature I’ve long argued should be native to Ableton Live — plus tools for more easily mapping MIDI to envelopes. There’s a convenient Looper. From last week, there’s a module called Smart, capable of mapping some …

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Free Generative, FM Sequencer for Max/MSP, Max for Live

If you liked the generative, probability-based sequencing seen earlier this week, here’s another example – and it’s free and open source, so if you do want to pick it apart and you own a copy of Max/MSP or Max for Live, you can. Co-creator Giuseppe Sorce points us to the work: This is a simple generative music synthesizer built in Max/MSP created by Diego Caponera, Nicolò Paternoster and Giuseppe Sorce. It involves 5 FM generators which play notes randomly based on a root key and intervals defined by the user. It’s an university project made for an exam for Sound’s …

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Some Number on the Floor: Uncanny Sequencer for Ableton Live

Labeled as ready for IDM or “Braindance” music, The Uncanny Sequencer could be something tasty for those tired of regular rhythms. The creation of Julien Bayle, The Uncanny Sequencer is a graphical, generative, multi-part sequencing Max for Live device built for Ableton Live. At its core, it creates polyrhythms and irregular rhythms by making the appearance of each beat probabilistic rather than determinate. Thanks to Julien for sending this our way. (Matrixsynth and Synthtopia deserve credit for being faster.) Features, as described by its creator:

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