Mudit is an Inexpensive, Open Source Gestural Loop Performer [Pd + Arduino]

Knowledge on how to build dazzling new interfaces for music is spreading. And because musical performance depends on sharing knowledge and practice, that could have a transformative effect. Literally as I’m walking out the door to leave for a showcase of gestural performance in Berlin, I get a chance to look at this team from Argentina. They’re purposely giving away the plans for their open source live performance instrument, built in turn with open source hardware (Arduino) and software (free graphical development environment Pd).

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Jace Rupture, the man who makes plug-ins mystical. Definitely counts as Advanced Ableton. Photo: Xabi Tudela, courtesy DJ Rupture.

Advanced Ableton Only: A Master Class in Live Music Making, from NYC, DJ Rupture [Video]

Tekserve is known to many New Yorkers as the place they go when their Mac is in trouble and need of repair – a place so infamous, it made an episode of Sex in the City, with a waiting room as tense as that in any hospital. But it can also be a terrific hub for tech and knowledge. Amidst many gatherings of Ableton users, the meetup that takes place at Tekserve is heavily tilted to advanced knowledge. Fortunately, you can absorb that wisdom from anywhere in the world, not just on the island Manhattan. Our friend Ben Casey shares …

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You know, Windows 8 ... on a desktop. Photo (CC-BY-ND) Filip Skakun.

Windows 8 for Desktop Music Making: Faster, No Reason *Not* to Upgrade

“Windows 8,” in Microsoft brand vaguery, can refer to all sorts of technologies, from infamous new sets of colored tiles that mostly confuse users to touch-enabled ultrabooks to tablets to Surface to Surface Pro, from computers that run Intel chips that run traditional Windows software to ones with ARM chips that don’t. In the near future, some of this could be cool. Imagine a conventional laptop, for instance, you can convert into a tablet for touch-enabled live performance — no iPad required. But yes, “Windows 8” is also the version of Windows that follows “Windows 7.” While we await more …

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The Analog Four, stuff of dreams, as immortalized by eBoy in a parallel universe with a lower polygon count. (CC BY-NC-ND 3.0)

Elektron Analog Four Preview: Four Voices, Step Sequencer, All The Trimmings [Video, Audio]

Following its endless teasers and science fiction mini-movies, Swedish machine maker Elektron this week has announced features, specs, and preorder pricing for its Analog Four synth/sequencer, along with some sample sounds and a promo vid. It’s also been immortalized in a wonderful image, above, by artist eBoy. Just in case you needed a version to tack up above your bed. Ahhhh…. The damage: US$1099 / 1099,– € including VAT, shipped. The date: December 3. Yes, it’s analog, and even the early sound samples suggest a color of its own. And that’s a good thing. But, of ourse, that can’t be …

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reactable_live_s4_02

Reactable as Artist Instrument: On Mobile, Live, and Tangible

Milivingroom.com presenta Carles López-Reactable from Milivingroom on Vimeo. Can the Reactable be artistically meaningful, as well as technologically impressive? New performances, and new releases – interactive “label” releases for your iPad/iPhone and updated hardware for those of you wanting to try the whole experience yourself – might just answer that question. Listen to designers of futuristic musical devices talk about what they hope to create, and a common theme recurs again and again. They want to make musical instruments – something you’d practice, something for which there would be virtuosos and performances that would knock your socks off. It’s tough …

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Switched On Bees.

King Britt’s The Bee and the Stamen Premieres on CDM Next Week; Ask Questions, Watch Live Preview

KING BRITT 10:10 REHEARSAL x DATA GARDEN from King Britt on Vimeo. King Britt’s next album is one that explores a sonic future – and now it has its own future, too. At a time when music may seem disposable, this is a limited release that will literally blossom when discarded, with seed paper that you can plant. CDM is exclusively hosting the streaming debut of The Bee and the Stamen next week, which calls for a brief preview here to kick off discussion of the intersection of nature and electronic sound. (See the rehearsal vid, complete with monome, Maschine, …

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NI Combines 2-Channel Mixer, Control Surface; Pondering a Category of Tools

Well, you have to give some credit to NI – they’re teasing a new product on a day when people’s attentions may be turned elsewhere, electronics gadget speaking. The “sneak preview,” in the fashion of some previous previews, actually reveals a whole lot about what they’re doing. It’s a 2-channel mixer that can evidently operate as a standalone mixer, but also doubles as a control surface. That puts NI in competition with the likes of Pioneer, Denon, and Allen & Heath, moving the software company more squarely in a horse race with manufacturers associated with the physical stuff you see …

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soundplane_wood

Video: Multi-Touch Soundplane Meets KYMA in Resonating Digital Instrument

Resonations from bar|none on Vimeo. Digital instruments have the extraordinary potential to sound like anything – really, absolutely anything. Delivering on that potential, though, is another matter, a complex dance between physical input and sonic output. The Soundplane from Madrona is unique in that it provides highly-precise touch input across not one but three dimensions – pressure-based input across the X and Y axes, with multiple touch points. (See also: Haken Continuum.) Back to the dancing bit – you have to then use that input musically. Here, we see one possible application, using the insanely-powerful KYMA sound design environment. Description …

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Can make the biggest acts' live shows tick - but can also rock a live performance like she's just landed from a flying saucer. Check. Laura Escudé, achieving superhuman levels of music-technological knowhow, can still share what she's learned with us Earthlings.

Live Music Tools at the Bleeding Edge: Laura Escudé, From Herbie Hancock Collabs to Solo (Live Berlin, Sat)

It’s one thing to talk about tools. It’s quite another to put them into action, to make them withstand the rigors of creative process and idiosyncracy, let alone the torture test of touring. Laura Escudé is as deep in the trenches, on a day-to-day basis, as just about anyone on the planet. The music tech guru has worked with some of the world’s best-known artists, bending technology to their imaginative desires and world-trotting live shows. (Think Herbie Hancock, Bon Iver, and Cirque du Soleil, among others.) But she’s still found time to develop her own, unique sonic voice and live …

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Arm Tracks: All-Body-Controlled Ableton Live, with Kinect, Brings Shirtless Musical Innovation

As it happens, hunching over your computer does not center your body and mind. So, drawing from yoga and other practices, Adriano Clemente is getting his whole body into the act of making music. While Kinect is not a perfect solution for every vision application, either in tracking capability or latency, it is stunningly good at following your skeleton through space. And here, using moderated, slow-moving motion, the body can navigate musical worlds with applomb. With apologies to everyone staying up late at night working on tracks in your undies, it’s also a convincing excuse to perform music without shirt …

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