NAMM Show Floor Anomalies: The Win/Fail List, Pt. II (Wins)
You’ve seen the “top picks” lists elsewhere online for the NAMM show, that massive Californian convergence of musical instruments and music-making gear. Add together the knobs and faders from such lists, and you could probably build a synthesizer Death Star and destroy Daft Punk’s hidden Rebel base. Of course, you’d only have a marginally larger Death Star than the identical one you could have built from last year’s gear.
We’re doing things a little differently: picking out entirely random stuff that managed to reach for the sublime — including the sublimely absurd. Bad is better than boring. We’ve seen strange things that simply failed, or at least substantially creeped us out.
Now, those moments of victory, of supreme revelation, of –
Yeah, that’s Roger Linn, the LM-1 and former MPC designer without whom drum machines as we know them today wouldn’t exist, holding the “Drum Machines Have No Soul” bumper sticker he acquired. That’s why we were in Anaheim.
We’re still waiting on Barry Wood’s legendary NAMM Oddities, so we’ll focus on our own sense of the exceptional.
Other standout moments and products for reflection:
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Looking for gifts for others, or yourself? Or a way to drop hints about what you want? CDM is here to help. Next up for digital musicians ready to give and receive: music with a conscience, and books worth reading, many suitable as stocking stuffers.









