Down with Sequencers: The Age of Glass Finger-Drums Through Their Beats, Live [Videos]

For years, drummers have had to look sideways at drum machines — boxes with step sequencers blinking, out to replace them. With acts like The Age of Glass, tables are turned. The sounds are electronic (Access Virus, Machinedrum), but the playing is all live. Drummer Nick Froud plays all those parts without any sequencing, fingers blazing. The band has a self-released (Bandcamp) EP out this week, as well as some videos of them working away at the studio. The results are jammy, trippy, grooving good times. Great to see the studio work and recording, but this must be a lot …

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pulse_system

Slap That Desk: Turn Any Surface into an Instrument, with a Plug-and-Play Accessory

You know the type. The drummer who, even robbed of drum sticks, is tapping on the walls, the car door, the desk… and maybe you are that person. When rhythms and musical gestures are bouncing around your head, the whole world just feels like something you want to play. It seems as natural as breathing. So, given your computer can make anything an input, why shouldn’t it let you play like that? A new controller and software combo seeks to make that possible. The work of one enterprising musician and creator, Stephan Vankov, it includes an affordable accessory with a …

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armhammer

Kitchen Contact Mic Chemistry: Make a Mic from Baking Soda, Cream of Tartar

Now, aside from making fake volcano simulations, you can actually get some recording done with this stuff. Science! Photo (CC-BY-ND) Rodrigo Huerta. Need a new mic to play with? Maybe you should raid your kitchen pantry. London-based musician Leafcutter John writes us to share a detailed tutorial on cooking up new mics from common household ingredients: Real Sound Cookery – Make a contact mic with baking soda and cream of tartar. [leafcutterjohn.com] That in turn is inspired by a terrific, detailed video by our friend Collin Cunningham for MAKE:Magazine (Collin’s also been a regular at our Handmade Music series in …

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