richard

Crowd-funding Campaign Wants to Pay Back Amen Break Creator

It’s the best-known sample of all time. It might be the most-heard six seconds of sound in modern recording. But before it became the “Amen break,” the signature riff was part of The Winstons’ song “Amen, Brother.” And so, how much did the artists who actually produced the original sound earn from their “success”? Well, that’ll be … nothing, apart from the original revenues from the 1969 release. Nothing in royalties from its use … well, seemingly everywhere. (N.W.A.? Oasis? Futurama? Check.) Zip. Zero. The drummer, Gregory Coleman, died homeless in 2006. Richard L. Spencer, the vocalist and sax player …

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behringerarp

Behringer Clones KORG Remaking ARP Odyssey – Say What?

Low-cost electronic music gear king Behringer has begun asking a peculiar series of what-if questions on Facebook. First, they asked, hey, what if we entered synth market? (And, specifically, how many keys it should have and whether it should even be software or hardware.) Now, here’s a Christmas bombshell: they’re suggesting they might just go and make an ARP Odyssey for $500 with USB/MIDI and multiple filter models. There’s even a mock-up image, above. This will really come as a surprise at … KORG. It was only February when KORG announced it would re-release the ARP Odyssey, working with none …

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jeffmills

Jeff Mills on Audiences, Techno’s “Who Cares If You Listen”

Techno legend Jeff Mills has a beautiful quote making the rounds on social media, responding to the question of audience. He’s still making music for them, he says – but doesn’t want to get pulled into simply giving them what he knows will work. Watch from about 8:30 for the video above, in its original context (a 2010 tugobot piece). It resonates for me with the Milton Babbitt’s “Who Cares if You Listen?” (That’s a title Babbitt claimed he never used; this is a tale so familiar to contemporary music that it has its own Wikipedia entry, for those of …

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smwberlin

Live Stream: Ableton’s Gerhard Behles and Ninja Tune’s Matt Black Talk to CDM

Updated: the video stream is over, but we have archived audio and video: Listen to/watch the entire discussion Today is Social Media Week in Berlin and various other cities across the world. I’m fortunate to get to join Gerhard Behles, co-founder and CEO of Ableton, and Matt Black, co-founder of Coldcut and Ninja Tune, in discussion. If you’re in Berlin, you can join us in person; the event is free. But we’re also live streaming from 14:05 Berlin time (08:05 over your cup of morning coffee New York, or California… uh, you might wait for the recording if you aren’t …

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Susanne Ciani is a beacon of inspiration - not simply a pioneer to visit in the archives, but working on fresh, new collaborations, a light for 2014, too.

Watch These Amazing Suzanne Ciani Videos – then Let Neotantrik Launch You Into Dreamland

The electronic music calendar makes the shift of seasons readily apparent. It’s not unlike the movies. Gone is summer blockbuster season, sequels and comic book movies, Ibiza and confetti cannons, big-budget special effects. Now, as in the cinemas, it’s date night dinner and a movie, trip-out night, delicious chin scratching, voyages to other worlds. And it’s not that we love this time because it’s smarter and summer is dumber: it’s because this is the season where the festival calendar can bring us deeper pleasures, richer sensations, and more powerful feelings, the shallow popcorn diversions out of the way. There’s indeed …

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Meet the Strange, Wonderful 70s Machine that Used AI to Make Music

The 70s were one heck of a groovy time. When they weren’t postulating theories about the very underlying essence of all physical reality being reduced to computational models, pioneering AI scientists were … creating weird music sequencers? Seriously? The Singularity will be brought to you by Giorgio Moroder, perhaps? Yes, as we saw earlier this week, AI legends Edward Fredkin and Marvin Minsky somehow managed to take their research in philosophy, digital physics, and cognitive science, and make a weird box that most definitely is capable of blinking lights and making sequences of bleeps. The Triadex Muse really seems like …

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King Britt pays his dues to Sun Ra. Photo : Keith Hodges.

100 Years of Sun Ra: Space is the Place, Now More Than Ever [King Britt Mix]

In a world of 24-hour news cycles, keynote speeches, new gadgets replacing those from six months ago … dire warnings of melting ice sheets, starving people, the end of energy and food and wildlife … it’s easy to lose site of optimism about the future. Yet there are those sounds that can be futuristic and radical in a way that doesn’t fade. Sun Ra’s records and performances sound as revolutionary today as ever, even though last week the artist would have been one hundred years old. This is a futurism unlimited and un-aging – like space itself. I imagine it …

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frankie_gray

Why Frankie Knuckles Mattered: Read, Watch, and Hear

The passing last week of Frankie Knuckles has led to an outpouring of remembrance for this dance music pioneer, a signal of just how deeply and broadly his work was felt. To give us greater insight, CDM turns in our obituary to Denise Dalphond, the enthnomusicologist who has devoted much of her work to researching the roots of electronic dance music in America. (Her PhD dissertation, “Detroit Players: Wax, Tracks, and Soul in Electronic Music,” is due soon.) She gives us her thoughts on Knuckles’ significance as well as lining up some of the best places to watch and hear …

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Before Computers, the Godfather of House Made Remixes with Razor Blades: Frankie Knuckles, RIP

The picture of old-school DJing is someone hauling around a crate of records. Frankie Knuckles, the house pioneer, was playing The Warehouse in Chicago and touring with reels of tapes. Remixing was something done with a razor blade. The saddening news has arrived that “godfather of house” Frankie Knuckles has died at the age of 59. His friend and collaborator David Morales shared the news via Twitter late Tuesday. (See Ben Rogerson’s report in MusicRadar, which comments a bit on the origins of Jamie Principle’s Your Love.) The man most associated with Chicago house music actually was born in the …

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Abbey Road at Home? Waves Emulates Double Tracking Made Famous by Beatles, $99 Sale

It all started in 1966 as a way to fake multiple takes – and it works pretty well for any vocals. And now, in one of the more ambitious emulation efforts undertaken recently, software engineers are hoping to recreate a sound you know quite well from artists like The Beatles. And oh, yeah, even if you don’t want to sound like Paul or John or George, this turns out to be a pretty easy way to double up vocal recordings. That is, if they’ve done a convincing emulation. Plug-in giant Waves Audio has partnered with Abbey Road Studios themselves, and …

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