moog3

See the Exquisite Drawings Bob Moog Made of Prototypes, Circuits

We’re all touched by the musical inventions of technologists. But it’s something special to see those creations in their original hand. The Bob Moog Foundation has been posting circuitry, panel layouts, and prototype drawings made by Bob Moog (many in his hand) – and they’re beautiful. Don’t drink a lot of coffee before drawing plans if you want yours to look anything like this. You’ll see a range of creations – oscillator circuits from classic modular units, synth control panels, and even a percussion controller and tape heads. I’ve pasted a few here, but go to the Moog site for …

READ MORE →
808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

READ MORE →
Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

READ MORE →
richard

Crowd-funding Campaign Wants to Pay Back Amen Break Creator

It’s the best-known sample of all time. It might be the most-heard six seconds of sound in modern recording. But before it became the “Amen break,” the signature riff was part of The Winstons’ song “Amen, Brother.” And so, how much did the artists who actually produced the original sound earn from their “success”? Well, that’ll be … nothing, apart from the original revenues from the 1969 release. Nothing in royalties from its use … well, seemingly everywhere. (N.W.A.? Oasis? Futurama? Check.) Zip. Zero. The drummer, Gregory Coleman, died homeless in 2006. Richard L. Spencer, the vocalist and sax player …

READ MORE →
behringerarp

Behringer Clones KORG Remaking ARP Odyssey – Say What?

Low-cost electronic music gear king Behringer has begun asking a peculiar series of what-if questions on Facebook. First, they asked, hey, what if we entered synth market? (And, specifically, how many keys it should have and whether it should even be software or hardware.) Now, here’s a Christmas bombshell: they’re suggesting they might just go and make an ARP Odyssey for $500 with USB/MIDI and multiple filter models. There’s even a mock-up image, above. This will really come as a surprise at … KORG. It was only February when KORG announced it would re-release the ARP Odyssey, working with none …

READ MORE →
jeffmills

Jeff Mills on Audiences, Techno’s “Who Cares If You Listen”

Techno legend Jeff Mills has a beautiful quote making the rounds on social media, responding to the question of audience. He’s still making music for them, he says – but doesn’t want to get pulled into simply giving them what he knows will work. Watch from about 8:30 for the video above, in its original context (a 2010 tugobot piece). It resonates for me with the Milton Babbitt’s “Who Cares if You Listen?” (That’s a title Babbitt claimed he never used; this is a tale so familiar to contemporary music that it has its own Wikipedia entry, for those of …

READ MORE →
smwberlin

Live Stream: Ableton’s Gerhard Behles and Ninja Tune’s Matt Black Talk to CDM

Updated: the video stream is over, but we have archived audio and video: Listen to/watch the entire discussion Today is Social Media Week in Berlin and various other cities across the world. I’m fortunate to get to join Gerhard Behles, co-founder and CEO of Ableton, and Matt Black, co-founder of Coldcut and Ninja Tune, in discussion. If you’re in Berlin, you can join us in person; the event is free. But we’re also live streaming from 14:05 Berlin time (08:05 over your cup of morning coffee New York, or California… uh, you might wait for the recording if you aren’t …

READ MORE →
Susanne Ciani is a beacon of inspiration - not simply a pioneer to visit in the archives, but working on fresh, new collaborations, a light for 2014, too.

Watch These Amazing Suzanne Ciani Videos – then Let Neotantrik Launch You Into Dreamland

The electronic music calendar makes the shift of seasons readily apparent. It’s not unlike the movies. Gone is summer blockbuster season, sequels and comic book movies, Ibiza and confetti cannons, big-budget special effects. Now, as in the cinemas, it’s date night dinner and a movie, trip-out night, delicious chin scratching, voyages to other worlds. And it’s not that we love this time because it’s smarter and summer is dumber: it’s because this is the season where the festival calendar can bring us deeper pleasures, richer sensations, and more powerful feelings, the shallow popcorn diversions out of the way. There’s indeed …

READ MORE →

Meet the Strange, Wonderful 70s Machine that Used AI to Make Music

The 70s were one heck of a groovy time. When they weren’t postulating theories about the very underlying essence of all physical reality being reduced to computational models, pioneering AI scientists were … creating weird music sequencers? Seriously? The Singularity will be brought to you by Giorgio Moroder, perhaps? Yes, as we saw earlier this week, AI legends Edward Fredkin and Marvin Minsky somehow managed to take their research in philosophy, digital physics, and cognitive science, and make a weird box that most definitely is capable of blinking lights and making sequences of bleeps. The Triadex Muse really seems like …

READ MORE →
King Britt pays his dues to Sun Ra. Photo : Keith Hodges.

100 Years of Sun Ra: Space is the Place, Now More Than Ever [King Britt Mix]

In a world of 24-hour news cycles, keynote speeches, new gadgets replacing those from six months ago … dire warnings of melting ice sheets, starving people, the end of energy and food and wildlife … it’s easy to lose site of optimism about the future. Yet there are those sounds that can be futuristic and radical in a way that doesn’t fade. Sun Ra’s records and performances sound as revolutionary today as ever, even though last week the artist would have been one hundred years old. This is a futurism unlimited and un-aging – like space itself. I imagine it …

READ MORE →