anthologyx

Eventide just unveiled an insanely massive bundle of plug-ins

Eventide’s effects over the past four decades have had an enormous reputation – the marketing folks aren’t exaggerating with words like “mainstays” and “classics.” Now, imagine getting basically everything – past, present, and some new stuff – in a bundle of 17 plug-ins for an intro price of US$699. (That price drops to as little as $399 or $199 if you own some Eventide software.) Eventide have done just that with today’s Anthology X. It’s just huge, it covers a lot, and just a fraction of it could make it worth the cost of admission.

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kirk_elcapitan

OS X El Capitan update breaks some music software

You know the drill. There’s a new operating system from Apple. It breaks some music software. If you don’t like things breaking, you should wait a bit. Then once you’ve verified the stuff you need is compatible, go for it – it’s probably better than the last OS once the wrinkles are ironed out. This post occurs with each new OS, a bit like some sites do Holiday Shopping Guides, or April Fools’ jokes. I could almost turn it into a Mad Libs post. But here are the specifics.

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Hologram

Hologram plug-in re-synthesizes and mutates sound in real time

There are effects that provide subtle coloring, minor tweaks. And then there are those that paint a whole new picture. Hologram is in that latter category, producing wild, synthetic effects that totally transform an input. Hologram by Sinevibes from Sinevibes on Vimeo.

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reaper

Here are ten reasons Reaper 5 upgrade will make users happy

Reaper 5 is out today. It’s the compact, tight, powerful music and audio production software whose users would like to know why more of you aren’t talking about it. And they have a point. Reaper 5 is US$60 with a bunch of included free upgrades, or a voluntary $225 for “commercial” use. Even the demo runs a full 60 days with no restrictions. Yet Reaper does a lot of things other DAWs don’t – even some of the priciest out there – in a compact tool that has exhaustive hardware and OS support, plus complete scripting. Now, what Reaper 5 …

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sfc-101

Minimoog controller reminds us hardware, software go hand in hand

What’s an ‘app’? For years, it was an uphill battle just getting people to recognize the ability of computers to generate sounds. When Native Instruments was founded in Berlin in 1996, their name was a clue to where they imagined the future going. Propellerhead’s release of ReBirth in 1997 began a concerted effort by the Stockholm-based company to campaign for in-the-box emulations of gear – and their partner Steinberg would shortly thereafter push ReWire and its own VST. Now, it’s not so much the app as the map – the physical control given to software. Whatever analog versus digital debates …

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audiomux

Audiomux V2 Turns Your iPad, iPhone into the Ultimate Plug-in

Audiomux already changed how we use our iPhones and iPads. Out: juggling cables and audio interfaces just to record an app. In: using apps seamlessly on your computer via just a Lightning or (30-pin) Dock cable. Well, if that didn’t make you interested in plugging your iPad into your DAW, this should. Using an app as a synth or effect on iOS is now about to be as easy as adding a plug-in — even on Windows. Audiomux isn’t the only game in town. Apple announced this month at its developer conference that was baking some basic functionality into iOS …

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dp9-hero

DP9: Looks Great, Does More, Does Scores

This is the way DP – Digital Performer – looks in version 9. The tried-and-true Mac DAW now has Retina Display support on that platform, and looks like a viable option on Windows, too. DP9 may not get the amount of attention on the forums and such as some rival DAWs (Logic, Cubase, Ableton), but it has a hugely loyal user base and dominates in film and TV production. The DP9 release seems mainly about giving that loyal user base the stuff they want. The big features: Retina UI on the Mac, lots of workflow improvements (including score export), and …

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EMT 140 MkII

UAD’s EMT Plate is Basically Magic; Watch Videos Explain

Say what you want about what’s real or what’s authentic. The beauty of digital sometimes is that it lets us do things that would otherwise be impossible – or at least far out of our reach. I don’t know about you, but I certainly can’t my hands on an EMT 140 plate reverb. Practical, though, it ain’t: sure, you can covet “analog” gear, but this thing is a physical plate reverberation that’s the size of a car. You know “room” reverbs? This is a reverb that’s the size of a room. It weight 600 pounds. (Not figuratively. I mean it …

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auextensions

Plug-ins On Your iPad, iPhone – And on Mac App Store, Too?

While some Apple watchers fear the transformation of OS X into iOS, it would be more accurate to say that Apple has gradually been bringing its next-generation architectures to both platforms. And in the process, iOS is able to perform feats formerly only possible on the Mac. What’s next: Audio Unit “extensions points.” And the upshot of this will be plug-ins on your iPad and iPhone (and perhaps someday Apple Watch), all using a new framework that will work on both OS X and iOS. The feature was buried in a slide deck in the WWDC keynote and appeared shortly …

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izotope-rx4-denoise

Here’s How RX4 Can Save Your Bacon By Fixing Sound – Even on Hit TV

It’s sometimes tough to write about audio tools precisely because they tend to bundle together a lot of features. So let’s step back and consider why they tend to do all of those things. With audio repair, it’s a pretty easy explanation. From your perspective, your sound is $#*$#ed up. You want to get it un-$#*(&ed up. Of course, in reality, there are tons of variables. The context can change: You might be repairing sound from a recording of instruments. You might be fixing dialog. You might know what you’re doing – even on big-budget TV and film, recordings can …

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