Deliciously Dark: Free Mix from Austria’s Houztekk, Electric Indigo, and Why the Music Matters

Dense, dark, packed, young and fresh. No, not the club – this mix. We invite Electric Indigo (Vienna’s Susanne Kirchmayr) to tell us about her new, freely-downloadable podcast with Linz, Austria’s Houztekk Records. It’s a shadowy, labyrinthian journey through the newest and most adventurous sounds in techno. And by techno, she means a wide range of noisy, broken-beat, resonating — well, let’s let her explain. That is, along with listening, because Susanne has a unique talent for producing a simmering, tasty stew from all these component parts. Or, to the music, as Tim Exile says in his track title: “It’s …

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Push play, eh? Photo (CC-BY) Annie Roi.

Taking On Controversy, with RA Critics Roundtable, from Pressing Play to Running for the Border

Sometimes, it’s worth pushing pause on overheated blog diatribes and angry Facebook threads. Step away from the computer, you can have a real conversation. Resident Advisor, in the latest installment of their regular Critics roundtable, takes on three hot-button issues with a mix of people able to bring some nuance to the chatter. And since it’s a podcast – part of their excellent RA Exchange series – you can listen while doing dishes or driving to work. I’m one of the panelists in the series, but all three are touch some vital issues: Visas and cross-border international shows. Australian-born DJ/producer …

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CREATED: Digital Dub for 2012, Pt. 2 – Digging Deep into Qunabu, Founders Speak

Photo by Rafal Wojczal of Qunabu. A small note based on Part 1: this is no history of dub – no need to create a list of dub forefathers in the comments! But if you’re interested in such things, definitely watch Bruno Natal’s Dub Echos, he talks to everyone under the sun, and it’s fascinating!) A Quiet Bump [as seen in part 1] has their feet firmly planted in the heavy Rhythm and Sound aesthetic of half-time, head-nodding feel. The second modern dub label I’ve been impressed with over the years, Qunabu, is rooted a little more strongly in two …

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sxswmirror

That’s Right, You’re Not From Texas: CDM SxSW Picks, Gone Tech-y, Starting Today

Austin comes into view. Photo (CC-BY) David Berkowitz. Okay, I may be in Germany (see you next week, Messe!), but if you’re in Austin, Texas, the CDM radar is picking up some strong blips of things you probably want to be doing, starting today, Do. 15 Mär. (Erm, uh, sorry, Thursday March 15!) Highlights include a Neon Indian show paired with visuals, music, and the good folks of Switched On, fine music from Robot Koch, TYCHO, and Sepalcure, a Saturday night dance party with Academik on a beautiful rooftop in the heart of town, and workshops – much of this …

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kameleon

The Music of 2011: Kid Kameleon Picks, Om Unit Mix, Techno Mix

We welcome new CDM contributor Matt Earp (Kid Kameleon) with a look back at tracks of 2011 you can queue up now, in 2012. Photo (CC-BY-SA) – and shot at – The Global Lives Project. Make a New Year’s Resolution you can keep: listen to great music every day. After all, providing creative input to yourself is a big part of your role as an artist. We’re joined by San Francisco’s Kid Kameleon, who’s both one of our favorite artists and one of our favorite music journalists, for a look back at music from 2011 with not one but two …

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juanatkins

Coming Home: America and the UK, Dance Resurgence, Insanely Great Flying Lotus and Stones Throw

Techno originator Juan Atkins. Now, dance music may finally be coming home properly to stay. Photo (CC-BY-SA) Adrien Mogenet. Any one of us, myself included, may break at any moment into armchair analysis of the music scene. But it’s worth asking an expert. Taste-setting, deeply influential DJs Pete Tong and Gilles Peterson of BBC Radio 1 recently stopped by National Public Radio’s thoughtful music program, All Songs Considered. Joining the American hosts, the BBC stars play favorite tracks and weigh in on the connections in electronica and club music in the US and the UK. The timing was appropriate: with …

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Weekend Pick: Invisible Instructions in NYC Matches Art, Tech, Teaching with Music; Free Listening

I’m fortunate this weekend to be able to be part of Invisible Instructions, a combination art exhibit and music lineup at Culturefix, the same LES venue where we host Handmade Music. “High Priest” HPrizm of Antipop Consortium is playing and (see Soundcloud) this evening is teaching a “signal to rhythm” digital audio workshop with Spacecraft (Soh Nup Ink). (People know Anti-Pop’s music well; HPRIZM has actually done some significant sound design, something you might not know, including presets for the the ElecTribe EMX and ESX SD Edition for Korg.) Some psychedelic HPRIZM sounds to get you through your weekend: PROJECT-Xmp3 …

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vintageradiorig

Audio Podcast: Talking Music Tech News with Wire to the Ear, CDM

Vintage radio equipment, ca 1957, (CC-BY) the Seattle Municipal Archives. Oliver Chesler and his Wire to the Ear blog have long been among my favorite reading on the Web. It turns out he and I have both been pondering the idea of doing an audio podcast to talk about trends in music and technology. After we did a panel together, the idea was irresistible. Sure, podcasts have exactly none of the hype they once did, but both of us listen to spoken word content voraciously. So, here’s the first experiment. We get a chance to speak, uncensored and off the …

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CBC Dumps Creative Commons; Non-Commercial Licensing to Blame?

I’m able to use this particular image as CDM is itself under a Share Alike license. Photo (CC-BY-SA) Andy Melton. I have no problem with copyrighting music. So I’ll be blunt: my ongoing impression of Creative Commons licensing is that you should either choose a license that allows for commercial use, or opt for traditional copyright and licensing. The popular “non-commercial” restriction is problematic. It does too little to prevent exploitation, and too much to prevent exactly the kind of use that’s the reason you’d choose CC in the first place. That’s not an effective compromise; it’s more like a …

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